{<audio src= "river-kelvin.m4a" autoplay loop>}(align:"<==>")+(box:"=X")[(either: "Your dreams really have nothing to do with you any more", "Apophenia wind floats through your ear but no bird wants to hear about it", "You have been dreaming of friends, inhabiting new kinds of loneliness", "You are walking by the river, somewhere in Glasgow") (either: "You, walking by the river, somewhere in Glasgow", "The river is following you slowly but surely, a string that remembers") (either: "The sentence doesn’t end and never will", "The hot of that silly second waits for breath", "The internet is an alien landscape") [[swerve->1]] [[continue ->2]]]{<audio src= "river-kelvin.m4a" autoplay loop>}(either: "You have been dreaming of friends, inhabiting new kinds of loneliness", "Catch you out the back of your future memory", "Control alt delete control") (either: "Catch you inside all these poems", "The fist pump of the century waits for the other", "Chill out in the wail") (either: "Dreamy a life made of many swerves", "Dreamy a wind of catching", "The smallest things deserve expansion") [[swerve->2]] [[continue ->3]]{<audio src= "river-kelvin.m4a" autoplay loop>}(align:"===><==")[(either: "Heavily worded emails are part of the communal weakness", "Is the constraint only a constraint if it works?") (either: "Whenever you are worried, you are almost writing", "You once thought a tardigrade was the size of a small bear and desperately wanted to hug one", "Five hundred year old shimmer of a laughter we have not yet met") (either: "That sense of a writing towards, and a writing with", "Getting braver at talking to strangers or all about the try", "A self in re-mix that cannot be singularly codified. Live, and emergent.") [[swerve->3]] [[continue ->4]]]{<audio src= "river-kelvin.m4a" autoplay loop>}(align:"<==>")+(box:"=X")[(either: "The [[plumbing ->alternative page?]] of the bodywork has become more machine, less ripple", "The jealousy market is precarious", "Where is the cursor hovering over [[alternative page?|alternative page 2]]") (either: "You reach towards the left hand page. You read Dionne Brand.", "Can a note walking access a poetics?", "Can an almost capable thinking travel further than the thought?") (either: "Your walk is the only direction as obvious as that may seem", "A serving of swerves", "The lines slide but they are not afraid") [[swerve->4]] [[continue ->5]]] {<audio src= "river-kelvin.m4a" autoplay loop>}(either: "You sense the air becoming stuffed this side of town.", "Listen out for tomorrow’s most beautiful punctuation.", "You sense the air becoming soft this side of town.") (either: "A serving of swerves.", "You picture cars making loud screeching noises, colliding with these lines.") (either: "Your laughter is the signal for this joyful punctuatiom.", "You sense the air becoming soft this side of town.", "The swerves are dubious about your intention and do not console you. They will shortly be in contact.") [[swerve->5]] [[continue ->6]] {<audio src= "river-kelvin.m4a" autoplay loop>}(either: "On the day of one less hour you are walking through the greys.", "//Swervish//, writes the poet Maggie O’Sullivan.", "Without anyone here to guide you, you struggle to walk in a straight [[line ->alternative page?]].") (either:"A tree dips into the ripples and a relationship begins.", "The lines hardly quiver but are constantly re-arranged.", "Was it always this way?") (either: "Signal glitch as glitching.", "Assertion as [[shudder want. ->wait3]]", "The lines [[slide ->alternative page?]] but they are not afraid.") [[swerve->6]] [[continue ->7]]{<audio src= "river-kelvin.m4a" autoplay loop>}(either: "A tree dips into the ripples and a relationship begins.", "You sense the air becoming soft this side of town.", "An ugly vibe stream.") (either: "Was it always this way?", "Episodic shorts.", "All the tracks, almost tracking.") (either: "Without anyone here to guide you, I struggle to walk in a straight line.", " The lines hardly quiver but are constantly re-arranged.", "Body in trace.") [[swerve->7]] [[keep walking, keep breathing ->8]]{<audio src= "three strings layer 1.mp3" autoplay>}{<audio src= "three strings layer 2.mp3" autoplay>}(link-reveal:"1") [(show: ?one)], (link-reveal:"2") [(show: ?two)], (link-reveal:"3") [(show: ?three)] (link-reveal: "1") [(show: ?four)], (link-reveal: "3") [(show: ?five)] , (link-reveal: "2") [(show: ?five)] [[2 ->talk1]], [[3 ->talk2]], [[1 ->1]] [[2 ->talk3]], (link-reveal: "1") [(show: ?six)] , [[3 ->talk1]] 3, [[1 ->talk1]], 2 [[3 ->talk1]], 2, 1 |one)[(either: "rings, cadencing, opened", "breaths, coding, whirled", "strings, dangling cadenced", "ascends, desiring, combed", "panics, squashing, opened", "deaths, tresspassing, coded")] |two)[(either: "clinging, cadencing, coding", "whipping, panicing, cadencing", "singling, stringing, missing", "missing, glitching, whispering")] |three)[(either: "a hard ache in an vast array", "fast lurches in an emotional economy", "a face that holds itself too firmly", "a mind that swirls amidst")] |four)[(either: "rings, cadencing, opened", "breaths, coding, whirled", "strings, dangling cadenced", "ascends, desiring, combed", "panics, squashing, opened", "deaths, tresspassing, coded")] |five)[(either: "clinging, cadencing, coding", "whipping, panicing, cadencing", "singling, stringing, missing", "missing, glitching, whispering")] {(set: $inventoryofthinkers to it + (a: "Stein, Gertrude, 2012, 1914. <em>Tender Buttons</em>. New York: Dover Publications."))<audio src= "three strings layer 1.mp3" autoplay loop>}(align:"<==")+(box:"XX===")[= (live: 2s)[During the day tightening] (live: 4s)[Strings around your life, at dawn,] (live: 6s)[you recollect only] (live: 9s)[Suffocating and slowly, stumbling,] (live: 11s)[Something entirely textually derived snapped] (live: 13s)[Back out of survival] (live: 16s)[Asphyxiated stringing] (live: 18s)[Of heightened wish fulfillment] (live: 20s)[Away you don’t know why] (live: 23s)[A string is that which unravels you] (live: 25s)[As you are unravelling it] (live: 27s)[The creased code, characters controlled yet uncontrolled] {(set: $inventoryofthinkers to it + (a: "Stein, Gertrude, 2012, 1914. <em>Tender Buttons</em>. New York: Dover Publications."))}(live: 30s)[The (link-reveal:"metronome") [(show: ?p4)] a heavy string] (live: 32s)[Hardened back and forth by] (live: 34s)[time retreating, and progressing] (live: 37s)[(link-reveal:"Movement")[(show: ?p2)] in] (live: 39s)[And] (live: 40s)[Unto] |p2)[<p> (live: 2s) [//Act so that there is] (live: 4s) [no use] (live: 6s)[in a centre// (344)] (live: 9s)[The soft quiet] (live: 11s)[reverberating beckons right] (live: 13s)[Then left] (live: 16s)[To be (link-reveal:"stringing")[(show: ?p4)] it out] (live: 18s)[Till you can’t grasp the] (live: 20s)[origin anymore] (live: 23s)[You call your memory back] (live: 25s)[into the flight like a child] (live: 27s)[reaching for a ribbon which] (live: 30s) [unlike a string] (live: 32s) [Is thick and comfort] (live: 34s) [slings upon a word draft] (live: 36s)[Trembling trai] (live: 38s)[You hold onto this mist of] (live: 40s)[three terrifying truths.]]</p> |p4)[<p> (live: 2s)[Of patient time and] (live: 4s)[Irreverent time] (live: 6s) [of typing time and pencil] (live: 9s)[your] (live: 11s)[unassuming] (live: 13s)[strung out panic] (live: 16s) [elapses into a kind] (live: 18s) [of logic waiting] (live: 20s) [at the next stop] (live: 23s)[feeling all the times] (live: 25s)[you were singing] (live: 27s)[along catching] (live: 30s)[the string as re-strung] (live: 32s)[into your instrument] (live: 34s)[keen to be played again] (live: 37s)[Silly strings, you cry into the] (live: 39s)[Slow shifing crates of air] (live: 41s)[Multi-farious] (live: 44s)[What the poet Anne Carson] (live: 46s)[Once learnt about glass] (live: 48s)[You learn about string] (live: 51s)[No shatter] (live: 53s)[Ing just] (live: 55s)[(link-reveal:"rip")[(show: ?p5)] and tighten.]]</p> |p5)[<p> (live: 2s) [a glitch in time] (live: 4s)[saves the line] (live: 6s)[or so you (link-reveal:"thought") [(show: ?p6)]] (live: 9s)[when the connection] (live: 11s)[broke and out in the middle] (live: 13s)[came three] (live: 16s)[realities, none of them yours] (live: 18s)[save the one you so often denied] (live: 20s)[your memories] (live: 23s)[that mixed material you trailed around] (live: 25s)[ripped upon the edge] (live: 27s)[of the radiator] (live: 30s)[the rip between the idea] (live: 32s)[and the possibility] (live: 34s)[of its realities] (live: 37s)[the internet, waiting,] (live: 39s)[subsiding, landing] (live: 40s)[page of the soul]]</p> |p6)[<p> (live: 2s)[Comma-full, you traipse] (live: 4s)[Laugh-heartedly into] (live: 6s)[a list string code of unremarkable] (live: 9s)[Than that and anyway] (live: 11s)[What’s the deal with] (live: 13s)[Being seen?] (live: 16s)[You catch it only upon] (live: 18s)[The beginning of the walk] (live: 20s)[The outline of a face] (live: 23s)[My screen is cracked they say] (live: 25s)[Inside the gunk of a life] (live: 27s)[A fingertip pressed to a] (live: 30s)[Surfacing, drifting, lacking] (live: 32s)[You dream of another book] (live: 34s)[Coming alive and colliding] (live: 37s)[With your life or a life you might] (live: 39s)[Have lived had that book] (live: 41s)[[[Eaten ->wait 2]] yours]] </p> (align:"=><=")+(box:"=========XXXXXXXXXX======")[Three Strings Poem: Essay: Game [[Begin ->begin]]] {(set: $adrenaline to 0)\ <script>const queryString = window.location.search; const urlParams = new URLSearchParams(queryString); const a = urlParams.get('a'); $adrenaline = a; </script>\ (set: $dopamine to 0)\ <script>const queryString = window.location.search; const urlParams = new URLSearchParams(queryString); const b = urlParams.get('b'); $dopamine = b; </script>\ (set: $cortisol to 0)\ <script>const queryString = window.location.search; const urlParams = new URLSearchParams(queryString); const c = urlParams.get('c'); $cortisol = c; </script>\ (set: $inventoryofthinkers to (a:), $inventory to (a:)) <script> let queryString = window.location.search; let urlParams = new URLSearchParams(queryString); let i = urlParams.get('i'); if (i) { $inventory = i.split(","); } </script> (set: $journey to (a:)) <script> let queryString = window.location.search; let urlParams = new URLSearchParams(queryString); let t = urlParams.get('t'); if (t) { $journey = t.split(","); } </script> (if: $inventory contains "lh")[(set: $inventoryofthinkers to it + (a: "Hejinian, Lyn, and Leslie Scalapino, 2021. <em>Hearing</em>. Litmus Press."))] (if: $inventory contains "km") [(set: $inventoryofthinkers to it + (a: "Mansfield, Katherine, 1920:1988. <em>Bliss</em>. Auckland, New Zealand: Vintage."))] (if: $inventory contains "ps") [(set: $inventoryofthinkers to it + (a: "Spacks, Patricia Meyer, 2003. ‘Privacies of Reading’. <em>Privacy</em>. University of Chicago Press, pp. 27–54."))] (if: $inventory contains "az") [(set: $inventoryofthinkers to it + (a: "Zambra, Alejandro, 2015. <em>My Documents</em>. trans. Megan McDowell. London: Fitzcarraldo Editions."))] (if: $inventory contains "mm") [(set: $inventoryofthinkers to it + (a: "de Montaigne, Michel. 1572: 1993. <em>Montaigne: The Essays</em>. Trans. M.A. Screech. London: Penguin Classics."))] (if: $inventory contains "rb") [(set: $inventoryofthinkers to it + ((a: "Barthes, Roland, 1975. <em>The Pleasure of the Text</em>. trans. by Richard Miller. New York: Farrar, Straus & Giroux."))] (if: $inventory contains "mw") [(set: $inventoryofthinkers to it + (a: "Wark, Mckenzie, 2007. <em>Gamer Theory</em>. London: Harvard University Press."))] (if: $inventory contains "jw") [(set: $inventoryofthinkers to it + (a: "Wang, Jackie and Christopher Soto, 2023. 'Will AI replace writers — and the rest of us? An L.A. scholar-poet games out the future'. <em>Los Angeles Times</em>. Available at: <https://www.latimes.com/entertainment-arts/books/story/2023-08-23/will-ai-replace-writers-christopher-soto-jackie-wang-game-out-the-future/>"))] (if: $inventory contains "sa") [(set: $inventoryofthinkers to it + (a: "Al Maria, Sophia, 2019. <em>Sad Sack</em>. London: Bookworks."))] (if: $inventory contains "zd") [(set: $inventoryofthinkers to it + (a: "Dinnen, Zara, 2021. <em>The Digital Banal: New Media and American Literature and Culture (Literature Now)</em>. Columbia University Press."))] (if: $inventory contains "lb") [(set: $inventoryofthinkers to it + (a: "Berlant, Lauren, 2016. 'The commons: Infrastructures for troubling times*'. <em>Environment and Planning D: Society and Space, Vol. 34, No. 3</em>, pp. 393-419. <https://doi.org/10.1177/0263775816645989/>"))] (if: $inventory contains "aa") [(set: $inventoryofthinkers to it + (a: "Artist, American, 2018. ‘Black Gooey Universe’, <em>Unbag</em>. Available at: <https://unbag.net/end/black-gooey-universe>"))] (if: $inventory contains "b") [(set: $inventoryofthinkers to it + (a: "'bliss', noun., 2023.'<em>OED Online</em>. Available at: <https://www.oed.com/dictionary/bliss_n?tab=factsheet>"))] (if: $inventory contains "fa") [(set: $inventoryofthinkers to it + (a: "Soerzputowski, Kate, 2015. 'Faig Ahmed Creates Glitched-Out Contemporary Rugs from Traditional Azerbaijani Textiles. <em>Colossal</em>. <https://www.thisiscolossal.com/2015/11/faig-ahmed-glitched-rugs/>"))] (if: $inventory contains "bd") [(set: $inventoryofthinkers to it + (a: "Dillon, Brian, 2023. 'On opening yourself to distraction: From a conversation with Maddie Crum.' <em>The Creative Independent</em>. Online. <https://thecreativeindependent.com/people/writer-brian-dillon-on-opening-yourself-to-distraction/>"))] (if: $inventory contains "bd2") [(set: $inventoryofthinkers to it + (a: "Dillon, Brian, 2023. <em>Affinities</em>. London: Fitzcarraldo Editions."))] (if: $inventory contains "al") [(set: $inventoryofthinkers to it + (a: "Lovelace, Ada, 1843: 2017. 'Ada Lovelace: Weaving Algebraic Patterns Like Looms Weave Flowers and Leaves'. <em> The Good Times </em>. Available at: <https://www.the-good-times.org/people-2/ada-lovelace-weaving-algebraic-patterns-like-looms-weave-flowers-and-leaves/>"))] (if: $inventory contains "na") [(set: $inventoryofthinkers to it + (a: "Alsadir, Nuar, 2022. 'Corpsing: On Sex, Death, and Inappropriate Laughter'. <em>The Paris Review</em>. Available at: <https://www.theparisreview.org/blog/2022/06/16/corpsing-on-sex-death-and-spontaneous-laughter/>"))] (if: $inventory contains "ps") [(set: $inventoryofthinkers to it + (a: "Spacks, Patricia Meyer, 2003. ‘Privacies of Reading’. <em>Privacy</em> Chicago: University of Chicago Press. pp. 27–54."))] (if: $inventory contains "wc") [(set: $inventoryofthinkers to it + (a: "Chun, Wendy Hui Kyong, 2017. <em>Updating to Remain the Same: Habitual New Media</em> Cambridge, Massachusetts: MIT Press."))] (if: $inventory contains "gc") [(set: $inventoryofthinkers to it + (a: "Tanner, Grafton, 2020. <em>The Cirlcle of the Snake: Nostalgia and Utopia in the Age of Big Tech</em>. London: Zero Books."))] (if: $inventory contains "mo") [(set: $inventoryofthinkers to it + (a: "Olson, Marisa 2008. ‘Postinternet: Art After the Internet’. <em>Foam Magazine, Vol. 29</em>. pp. 59-63."))] (if: $inventory contains "gs3") [(set: $inventoryofthinkers to it + (a: "Stein, Gertrude, 1925: 1995. <em>The Making of Americans: Being a History of a Family’s Progress</em>. London: Dalkey Archive Press."))] (if: $inventory contains "sr") [(set: $inventoryofthinkers to it + (a: "Robinson, Sophie, 2018. 'art in america'. <em>BOMB Magazine</em>. Available at: <https://bombmagazine.org/articles/2018/03/06/sophie-robinson-poem/>"))] (if: $inventory contains "dw") [(set: $inventoryofthinkers to it + (a: "Waber, Dan, 2010. 'a kiss (for Jennifer)''. <em>Electronic Literature Organisation</em>. Available at: <https://collection.eliterature.org/4/works/a-kiss/a-kiss.html>"))] (if: $inventory contains "rb2")[(set: $inventoryofthinkers to it + (a: "Barthes, Roland, 1977. ‘Death of the Author’. <em>Image-Music-Text</em>. trans. by Richard Miller. New York: Hill and Wang."))] (if: $inventory contains "jr") [(set: $inventoryofthinkers to it + (a: "Carpenter, J. R., 2019. <em>The Pleasure of the Coast</em>. Online. Available at: <http://luckysoap.com/pleasurecoast/en/index.html>"))] (if: $inventory contains "ac1") [(set: $inventoryofthinkers to it + (a: "Carson, Anne, 2000. <em>Plainwater</em>. New York: Vintage Books."))] (if: $inventory contains "ac2") [(set: $inventoryofthinkers to it + (a: "Carson, Anne, 2014. <em>Eros: The Bittersweet: An Essay</em>. Princeton: Princeton University Press."))] (if: $inventory contains "mc") [(set: $inventoryofthinkers to it + (a: "Consalvo, Mia, 2009. <em>Cheating: Gaining Advantage in Video Games</em>. Cambridge, MA: MIT Press."))] (if: $inventory contains "rc") [(set: $inventoryofthinkers to it + (a: "Coover, Robert, 1992. ‘The End of Books’, <em>The New York Times</em>. Available at: <https://archive.nytimes.com/www.nytimes.com/books/98/09/27/specials/coover-end.html?pagewanted=all>"))] (if: $inventory contains "rc2") [(set: $inventoryofthinkers to it + (a: "Robert, Coover, 1995. ‘Praise for Patchwork Girl by Shelley Jackson (Eastgate)’. Available at: <https://www.eastgate.com/catalog/PatchworkGirl.html>"))] (if: $inventory contains "ld") [(set: $inventoryofthinkers to it + (a: "Davis, Lydia, 2019. <em>Essays</em>. Hamish Hamilton. e-book."))] (if: $inventory contains "jd") [(set: $inventoryofthinkers to it + (a: "Derrida, Jacques, 1994. <em>Specters of Marx: the State of the Debt, the Work of Mourning and the New International</em>.trans. Peggy Kamuf. London: Routledge."))] (if: $inventory contains "rbd") [(set: $inventoryofthinkers to it + (a: "DuPlessis, Rachel Blau, 2006. <em>Blue Studios</em>. The University of Alabama Press."))] (if: $inventory contains "eg") [(set: $inventoryofthinkers to it + (a: "'Emergent Gameplay', 2017. <em>Technopedia</em>. by Margaret Rouse. Available at: <https://www.techopedia.com/definition/27043/emergent-gameplay/>"))] (if: $inventory contains "jh") [(set: $inventoryofthinkers to it + (a: "Halberstam, Jack, 2011. <em>The Queer Art of Failure</em>. Durham, US: Duke University Press."))] (if: $inventory contains "jh2") [(set: $inventoryofthinkers to it + (a: "Hay, Jonathan, 2020. 'Fully Optimized: The (Post)human Art of Speedrunning'. <em>Journal of Posthuman Studies, Vol. 4, No.1</em>. The Pennsylvania State University. pp. 5-24. <https://doi.org/10.5325/jpoststud 4.10005.>"))] (if: $inventory contains "shsl") [(set: $inventoryofthinkers to it + (a: "Horowitz, Steve, Looney, Scott, 2014. <em>The Essential Guide to Game Audio: The Theory and Practice of Sound for Games</em>. Routledge."))] (if: $inventory contains "jh3") [(set: $inventoryofthinkers to it + (a: "Huizinga, Johan, 2016, 1938. <em>Homo Ludens: A Study of the Play-Element in Culture</em>. Trans. R.F.C. New York: Angelico Press."))] (if: $inventory contains "sj") [(set: $inventoryofthinkers to it +(a: "Jackson, Shelley, 1997. 'my body - a Wunderkammer'. <em>Electronic Literature Collection, Volume One, October 2006</em>. Online. Available at: <https://collection.eliterature.org/1/works/jackson__my_body_a_wunderkammer.html>"))] (if: $inventory contains "dj") [(set: $inventoryofthinkers to it + (a: "Jayemanne, Darshana, 2019. 'Chronotypology: A Comparative Method for Analyzing Game Time.' <em>Games and Culture, 15(7). pp. 809-824. <https://doi.org/10.1177/1555412019845593>"))] (if: $inventory contains "am") [(set: $inventoryofthinkers to it + (a: "Meades, Alan, 2013. 'Why We Glitch: Process, Meaning and Pleasure in the discovery and documentation, sharing and use of videogame exploits.' <em>Well Played: a journal on video games, value and meaning</em>. pp. 79-98. ETC Press. <https://doi.org/10.1184/R1/6687068.v1>"))] (if: $inventory contains "rm") [(set: $inventoryofthinkers to it + (a: "Menkman, Rosa, 2011. 'The Glitch Moment(um)'. <em>Institute of Network Cultures</em>. Available at: <https://networkcultures.org/_uploadsNN%234_RosaMenkman.pdf>"))] (if: $inventory contains "nm") [(set: $inventoryofthinkers to it + (a: "Montfort, Nick, 2005. <em>Twisty Little Passages: An Approach to Interactive Fiction</em>. Cambridge, Massachusetts: MIT Press."))] (if: $inventory contains "rm2") [(set: $inventoryofthinkers to it + (a: "Myers, Rhea, 2014. <em>glitcherature</em>. Online. Available at: <https://rhea.art/glitcherature/>"))] (if: $inventory contains "em") [(set: $inventoryofthinkers to it + (a: "Myles, Eileen, 2017. 'Eileen Myles Interview:A Poem Says 'I Want''. <em> Louisiana Channel. Available at: <https://www.youtube.com/watch?v=JCnKGl2YDto>"))] (if: $inventory contains "dp") [(set: $inventoryofthinkers to it + (a: "Parker, Dorothy. <em>I hate writing. I love having written',</em> is now such a common quotation that the origin of when she said it is unclear, a quotation that has been passed around so easily, whether it was actually <em>written</em> like that by her is uncertain."))] (if: $inventory contains "zq") [(set: $inventoryofthinkers to it + (a: "Quinn, Zoe, Patrick Lindsey, Isaac Schankler, 2013. <em>Depression Quest</em>. Online. Available at: <http://www.depressionquest.com/>"))] (if: $inventory contains "lr") [(set: $inventoryofthinkers to it + (a: "Robertson, Lisa, 2012. 'Time in the Codex'. <em>Nilling: Prose Essays on Noise, Pornography, The Codex, Melancholy, Lucretius, Folds, Cities and Related Aporias</em>. 2nd edition. Toronto: Book*hug Press. pp. 9-18."))] (if: $inventory contains "lr2") [(set: $inventoryofthinkers to it + (a: "Russell, Legacy, 2020. <em>Glitch Feminism: A Manifesto</em>. Verso Books."))] (if: $inventory contains "es") [(set: $inventoryofthinkers to it + (a: "Sampat, Elizabeth, 2017. <em>Am I Part of The Problem</em. Online. Available at: <https://elizabethsampat.itch.io/am-i-part-of-the-problem/>"))] (if: $inventory contains "es2") [(set: $inventoryofthinkers to it + (a: "Sampat, Elizabeth, 2017. <em>Empathy Engines: Design Games that are Personal, Political and Profound</em>. CreateSpace Independent Publishing Platform."))] (if: $inventory contains "rsb") [(set: $inventoryofthinkers to it + (a: "Scully-Blaker, Rainforest, 2014. 'A Practiced Practice: Speedrunning Through Space with de Certeau and Virilio'. <em>Game Studies: the international journal of computer game research, volume 14 issue 1, August 2014</em>. Available at: <https://gamestudies.org/1401/articles/scullyblaker/>"))] (if: $inventory contains "ws") [(set: $inventoryofthinkers to it + (a: "Self, Will, interviewed by Alan Clark, 2018. 'Will Self: ‘The novel is absolutely doomed’. <em>The Guardian</em>. Available at: <https://www.theguardian.com/books/2018/mar/17/will-self-the-books-interview-alex-clark-phone-memoir/>"))] (if: $inventory contains "as") [(set: $inventoryofthinkers to it + (a: "Smith, Ail, 2012. <em>Artful</em>. London: Penguin."))] (if: $inventory contains "as2") [(set: $inventoryofthinkers to it + (a: "Smith, Ali, interviewed by Sarah Lyall, 2014. 'An Onion of a Novel: Demanding to be Peeled'. <em>The New York Times</em>. Available at: <https://www.nytimes.com/2014/11/26/books/ali-smith-on-her-new-book-how-to-be-both.html/>."))] (if: $inventory contains "rs") [(set: $inventoryofthinkers to it + (a: "Solnit, Rebecca, 2006. <em>A Field Guide to Getting Lost</em>. London: Penguin."))] (if: $inventory contains "sz") [(set: $inventoryofthinkers to it + (a: "SPAM zine and Press, n.d. '>What is post internet?'. Available at: <https://www.spamzine.co.uk/what-is-post-internet/>"))] (if: $inventory contains "gs") [(set: $inventoryofthinkers to it + (a: "Stein, Gertrude, 1971, 1931. <em>How to Write</em>. New York: Dover Pubications."))] (if: $inventory contains "ks") [(set: $inventoryofthinkers to it + (a: "Stewart, Kathleen, 2007. <em>Ordinary Affects</em>. Durham, US: Duke University Press."))] (if: $inventory contains "na1") [(set: $inventoryofthinkers to it + (a: "Alsadir, Nuar, 2022. <em>Animal Joy</em>. London: Fitzcarraldo Editions."))] (if: $inventory contains "na2") [(set: $inventoryofthinkers to it + (a: "Alsadir, Nuar, 2017. <em>Fourth Person Singular</em>. Liverpool: Pavilion Poetry."))] (if: $inventory contains "gs2") [(set: $inventoryofthinkers to it + (a: "Stein, Gertrude, 2012, 1914. <em>Tender Buttons</em>. New York: Dover Publications."))] (if: $inventory contains "mk") [(set: $inventoryofthinkers to it + (a: "Kaku, Michio, 2014. 'I am Dr. Michio Kaku, co-founder of string field theory and bestselling author of The Future of the Mind.' <em>Reddit</em>. Available at: <https://www.reddit.com/r/IAmA/comments/1ztgy9/im_dr_michio_kaku_a_physicist_co_founder_of/>"))] (if: $inventory contains "p") [(set: $inventoryofthinkers to it + (a: "Pythagorus (attrib.) Louise B. Young (ed.), 1965. <em>The Mystery of Matter</em>. Oxford: Oxford University Press."))] (if: $inventory contains "an") [(set: $inventoryofthinkers to it + (a: "Notley, Alice, 2005. 'The Main Offense'. <em>Jacket Magazine</em>. Available at: <http://jacketmagazine.com/27/notl.html>"))] (if: $inventory contains "rwe") [(set: $inventoryofthinkers to it + (a: "Emerson, Ralph Waldo, 1833.. 'Montaigne; or, the Skeptic'. Available at: <https://emersoncentral.com/texts/representative-men/montaigne-the-skeptic/>"))] (if: $inventory contains "na1") [(set: $inventoryofthinkers to it + (a: "Alsadir, Nuar, 2022. <em>Animal Joy</em>. London: Fitzcarraldo Editions."))] (if: $inventory contains "na2") [(set: $inventoryofthinkers to it + (a: "Alsadir, Nuar, 2017. <em>Fourth Person Singular</em>. Liverpool: Pavilion Poetry."))] (set: $inventoryofthinkers to it + (a: "Alsadir, Nuar, 2017. <em>Fourth Person Singular</em>. Liverpool: Pavilion Poetry.")) (set: $inventoryofthinkers to it + (a: "Kaku, Michio, 2014. 'I am Dr. Michio Kaku, co-founder of string field theory and bestselling author of The Future of the Mind.' <em>Reddit</em>. Available at: <https://www.reddit.com/r/IAmA/comments/1ztgy9/im_dr_michio_kaku_a_physicist_co_founder_of/>")) (set: $inventoryofthinkers to it + (a: "Pythagorus (attrib.) Louise B. Young (ed.), 1965. <em>The Mystery of Matter</em>. Oxford: Oxford University Press.")) (set: $inventoryofthinkers to it + (a: "Notley, Alice, 2005. 'The Main Offense'. <em>Jacket Magazine</em>. Available at: <http://jacketmagazine.com/27/notl.html>")) (set: $inventoryofthinkers to it + (a: "Emerson, Ralph Waldo, 1833.. 'Montaigne; or, the Skeptic'. Available at: <https://emersoncentral.com/texts/representative-men/montaigne-the-skeptic/>")) (if: $journey contains "a") [(set: $charactera to true)] (if: $journey contains "b") [(set: $characterb to true)] (if: $journey contains "c") [(set: $characterc to true)] (if: $journey contains "d") [(set: $egameplay to true)] (if: $journey contains "e") [(set: $threestrings to true)] (if: $journey contains "f") [(set: $blissglitch to true)] (if: $journey contains "g") [(set: $glitchful to true)] (if: $journey contains "h") [(set: $entangled to true)] (set: $threestrings to true)} {<audio src= "three-strings layer 1.mp3" autoplay loop>}{(live: 6.5s)[ (either: "<em>In string theory, all particles are vibrations on a tiny rubber band</em> - Michio Kaku", "<em>These strings wound up too high, will snap</em> - Ralph Waldo Emmerson", "<em>String me along anyway, just in case</em> - Alice Notley", "<em>I stand in the loudness of my thoughts like a cut-out superimposed onto the background scene</em> - Nuar Alsadir (5)", "<em>There is geometry in the humming of the strings, there is music in the spacing of the spheres</em> - Pythagorus") ]} (live: 30s)[You, who have been here, collecting time before.] (live: 34s) [You, who cross the path, breathing swiftly, with a swervish intent.] (live: 38s) [Even the stones cradling the edge, first still, then lightly sifting,] (live: 40s) [are confused.] (live: 42s) [their energy depleted] (live: 44s) [by the unnatural light our] (live: 46s) [unknowing gaze.] (live: 50s) [We watch you loosen the path with a swervish intent.] (live: 52s)[[[Listen]]] (live: 53s)[[[Wait]]] (live: 54s)[[[Wander ->1]]] {(set: $inventoryofthinkers to it + (a: "Stein, Gertrude, 2012, 1914. <em>Tender Buttons</em>. New York: Dover Publications."))<audio src= "three strings layer 1.mp3" autoplay loop>}{<audio src= "threestrings layer 2.mp3" autoplay loop>}{<audio src= "river-kelvin.m4a" autoplay loop>} |======= (live: 2s)[During the day tightening] (live: 4s)[Strings around your life, at dawn,] (live: 6s)[you recollect only] (live: 9s)[Suffocating and slowly, stumbling,] (live: 11s)[Something entirely textually derived snapped] (live: 13s)[Back out of survival] (live: 16s)[Asphyxiated stringing] (live: 18s)[Of heightened wish fulfillment] (live: 20s)[Away you don’t know why] (live: 23s)[A string is that which unravels you] (live: 25s)[As you are unravelling it] (live: 27s)[The creased code, characters controlled yet uncontrolled] (live: 30s)[The (link-reveal:"metronome") [(show: ?p4)] a heavy string] (live: 32s)[Hardened back and forth by] (live: 34s)[time retreating, and progressing] (live: 37s)[(link-reveal:"Movement")[(show: ?p2)] in] (live: 39s)[And] (live: 40s)[Unto] |p2)[<p> (live: 2s) [//Act so that there is] (live: 4s) [no use] (live: 6s)[[[in a centre// (344)|Inventory of Thinkers]]] (live: 9s)[The soft quiet] (live: 11s)[reverberating beckons right] (live: 13s)[Then left] {(live: 16s)[To be (link-reveal:"stringing")[(show: ?p4)] it out] (live: 18s)[Till you can’t grasp the] (live: 20s)[origin anymore] (live: 23s)[You call your memory back] (live: 25s)[into the flight like a child] (live: 27s)[reaching for a ribbon which] (live: 30s) [unlike a string] (live: 32s) [Is thick and comfort] (live: 34s) [slings upon a word draft] (live: 36s)[Trembling trai]l (live: 38s)[You hold onto this mist of] (live: 40s)[three terrifying truths.]</p>] |p4)[<p> (live: 2s)[Of patient time and] (live: 4s)[Irreverent time] (live: 6s) [of typing time and pencil] (live: 9s)[your] (live: 11s)[unassuming] (live: 13s)[strung out panic] (live: 16s) [elapses into a kind] (live: 18s): [of logic waiting] (live: 20s): [at the next stop] (live: 23s)[feeling all the times] (live: 25s)[you were singing] (live: 27s)[along catching] (live: 30s)[the string as re-strung] (live: 32s)[into your instrument] (live: 34s)[keen to be played again] (live: 37s)[Silly strings, you cry into the] (live: 39s)[Slow shifing crates of air] (live: 41s)[Multi-farious] (live: 44s)[What the poet Anne Carson] (live: 46s)[Once learnt about glass] (live: 48s)[You learn about string] (live: 51s)[No shatter] (live: 53s)[Ing just] (live: 55s)[(link-reveal:"rip")[(show: ?p5)] and tighten.]]</p> |p5)[<p> (live: 2s) [a glitch in time] (live: 4s)[saves the line] (live: 6s)[or so you (link-reveal:"thought") [(show: ?p6)]] (live: 9s)[when the connection] (live: 11s)[broke and out in the middle] (live: 13s)[came three] (live: 16s)[realities, none of them yours] (live: 18s)[save the one you so often denied] (live: 20s)[your memories] (live: 23s)[that mixed material you trailed around] (live: 25s)[ripped upon the edge] (live: 27s)[of the radiator] (live: 30s)[the rip between the idea] (live: 32s)[and the possibility] (live: 34s)[of its realities] (live: 37s)[the internet, waiting,] (live: 39s)[subsiding, landing] (live: 40s)[page of the soul] </p>] |p6)[<p> (live: 2s)[Comma-full, you traipse] (live: 4s)[Laugh-heartedly into] (live: 6s)[a list string code of unremarkable] (live: 9s)[Than that and anyway] (live: 11s)[What’s the deal with] (live: 13s)[Being seen?] (live: 16s)[You catch it only upon] (live: 18s)[The beginning of the walk] (live: 20s)[The outline of a face] (live: 23s)[My screen is cracked they say] (live: 25s)[Inside the gunk of a life] (live: 27s)[A fingertip pressed to a] (live: 30s)[Surfacing, drifting, lacking] (live: 32s)[You dream of another book] (live: 34s)[Coming alive and colliding] (live: 37s)[With your life or a life you might] (live: 39s)[Have lived had that book] (live: 41s)[[[Eaten ->wait 2]] yours] </p>] ==|======= (link-reveal:"1") [(show: ?one)], (link-reveal:"2") [(show: ?two)], (link-reveal:"3") [(show: ?three)] (link-reveal: "1") [(show: ?four)], (link-reveal: "3") [(show: ?five)] , (link-reveal: "2") [(show: ?five)] [[2 ->talk1]], [[3 ->talk2]], [[1 ->1]] [[2 ->talk3]], (link-reveal: "1") [(show: ?six)] , [[3 ->talk1]] 3, [[1 ->talk1]], 2 [[3 ->talk1]], 2, 1 |one)[(either: "rings, cadencing, opened", "breaths, coding, whirled", "strings, dangling cadenced", "ascends, desiring, combed", "panics, squashing, opened", "deaths, tresspassing, coded")] |two)[(either: "clinging, cadencing, coding", "whipping, panicing, cadencing", "singling, stringing, missing", "missing, glitching, whispering")] |three)[(either: "a hard ache in an vast array", "fast lurches in an emotional economy", "a face that holds itself too firmly", "a mind that swirls amidst")] |four)[(either: "rings, cadencing, opened", "breaths, coding, whirled", "strings, dangling cadenced", "ascends, desiring, combed", "panics, squashing, opened", "deaths, tresspassing, coded")] |five)[(either: "clinging, cadencing, coding", "whipping, panicing, cadencing", "singling, stringing, missing", "missing, glitching, whispering")] ==|= (either: "You sense the air becoming stuffed this side of town.", "Listen out for tomorrow’s most beautiful punctuation.", "You sense the air becoming soft this side of town.") (either: "A serving of swerves.", "[[You picture cars making loud screeching noises ->3]], colliding with these lines.") (either: "Your laughter is the signal for this joyful punctuatiom.", "You sense the air becoming soft this side of town.", "The swerves are dubious about my intention and do not console me. They will shortly be in contact.") |==| (if: visits is 1) [[[You wonder ->Wait]] a lot until wondering ceases to be, a terrible twisting riddle. There is also not so much space for wondering anymore, and you wonder if you can afford to wonder at all. You wonder about direction. [[You wonder about reverberation ->wonder2]]. [[You wonder about vibrating ->wonder3]]. You can never think enough, never know enough, never want enough, never distill enough.] (if:visits is 2) [The riddle of the string [[continues. ->river]]] In the memory, a piano (click-replace: "piano") [melancholy] (click-replace: "melancholy") [symbol] (click-replace: "symbol") [sentence] gently played in a room before dawn; not so much the memory of yourself but a memory mediated, a slow, shifting day beckons towards an idea of lingering emotion. //Who are you?//, you ask the shape that lingers playing the (either: '[[piano]]', '[[inspiration]]', '[[desire]]', '[[melancholy]]') and they begin to turn their head although they never fully turn their head, you see the profile of a face looking away, facing someone else, not you at all. You wonder if you are heard but don’t want to ask any further questions. {<audio src= "three strings layer 1.mp3" autoplay>}{<audio src= "threestrings layer 2.mp3" autoplay loop>}Discovered on the Isle of Skye, the short and sharp triangulated instrument tightly stretched and released itself as sound. A sound which was held by shoes – string – shoes – to avoid cutting deep into the wood. //Cruidhean nan Teud// A portable series of [[strings ->alternative page?]], a lightness of touch conserved the energy and on hearing, a deep ringing through the body, playing even in stillness, on stone, situated, situating in fine lines, held back to the 8th century. You come across in a museum a strange harp that has no strings, or yes it does, but only strings cast and swept and directed by the wind, passing through, chance, luck, playing the music. No human is required to make it sing, states the instruction, only a good position in a stiff breeze. Time passes, stillness settles and a single note flutters. [[You breathe ->wait 2]]. (set: $keys to true) {<audio src= "three strings layer 1.mp3" autoplay>} Three strings are strung together: on a treble piano note, on a piece of code, on the braid of a child’s hair. Three strings cling to each in sounds, desire and intimacy. Three is the number of psychoanalysis: id, ego and superego, factual reality, psychic [[reality ->river]], constructed reality. Three was the number you could never say as a child; it’s a //th// sound not a //f// sound, they all said.// Free. Free. Free//, you shout across an [[echoing ->wait3]] room. {(set: $inspiration to true) <audio src= "three strings layer 1.mp3" autoplay>}The machine hums, whirls, makes a large heavy breathing noise as though it [[has had enough|end]]. Keep working, you exclaim, and hit that [[machine ->Listen]] with an impatient thud of frustration. It gurgles, spins to life, sets its strings accordingly and plays out more information into the [[world. ->alternative page?]](set: $desire to true) You sleep with someone you don’t know very well and wonder if it is a mistake. Again, morning light settles and reality returns. Nothing bad has happened but nothing great either, or no, you think, nothing certain. We make choices and we have to continue to live with them, and wonder what their reverberating effects will be. The vibrating between bodies continues to exist out into the world, strings multiplying, [[a map of relations ->6]], out in a wandering landscape. {<audio src= "three strings layer 1.mp3" autoplay>(set: $melancholy to true)} The past few years have been heavy, a split string constantly sounding out its own breakage. A deep sound, distant at first, but gathering velocity, gathering distance. A [[crackling ->Listen]] in of sound, not yet voice, on the radio. Wires replacing string. The computer replacing the hand. The code replacing the weave. So many strings to fall into, all directed onto the self. When the telephone was invented, people thought you could hear the soul. When the telephone was invented, many cut the wires. In a small village, Wi-Fi finally arrives, a local man climbs to the top of a pole and cuts it all down and everyone is annoyed. You’ve always thought of wires like entrails, a body exposed. There is a violence in that. You wonder [[where ->alternative page 2]] the soul is located here.{<audio src= "river-kelvin.m4a" autoplay loop>}You [[come back->talk1]] to yourself. You are walking along by the [[river]]. The ripple is thought distilled before water. [[Glasgow ->6]] curls and recedes.{<audio src= "three strings layer 1.mp3" autoplay>}The strings of the code are waiting and [[they cannot wait any longer|end]]. Your mind quivers in that [[cold. ->3]]{<audio src= "river-kelvin.m4a" autoplay loop>}(if:visits is 2)[The endlessly strung and wrung out] The river is thought distilled before water. You come back to yourself. The city's fresh tracks illuminated by words & lines held by [[breath ->1]]. (else:)[How to avoid getting wrapped up in all of these [[strings ->Wait]]?]{<audio src= "three strings layer 1.mp3" autoplay loop>}(align:"<==")+(box:"XX===")[= (live: 2s)[The first string ate and destroyed,] (live: 4s)[but sounded so beautiful,] (live: 6s)[Hermes slaughtered the cow] (live: 9s)[To make a lyre,] (live: 11s)[The rage of Apollo ] (live: 13s)[Consumed, and swallowed whole by the beauty] (live: 16s)[Of the sound,] (live: 18s)[Held inside the vessel of a turtle] (live: 20s)[Shell, the arising] (live: 23s)[Swell of that sound eating] (live: 25s)[air, water ripples,] (live: 27s)[multiple ripples rippling] (live: 30s)[unafraid yet constantly shifting] (live: 32s)[a gentle pulse] (live: 34s)[(link-reveal:"plucking") [(show: ?p2)]the stream’s] (live: 37s)[logic that runs spiral] (live: 39s)[to the day or the days] (live: 40s)[of many] |p2)[<p> (live: 2s) [you play the strings swiftly ] (live: 4s) [activating a series of words] (live: 6s)[sounds, unbroken] (live: 9s)[but still breaking, a game ] (live: 11s)[of chance and no] (live: 13s)[centre] (live: 16s)[the left hand browser, ] (live: 18s)[activating the right hand] (live: 20s)[code, Dionne Brand] (live: 23s)[in //The Blue Clerk//, invites in a left hand keeper] (live: 25s)[of the words, an editor,] (live: 27s)[a text reader and seeker] (live: 30s)[the machine plucks upon] (live: 32s)[the options that you have strung out] (live: 34s)[unable to choose any that] (live: 37s)[fit exactly into the time of the player’s] (live: 39s)[choosing which is also you] (live: 41s)[withheld, (link-reveal:"affecting")[(show: ?p3)], connecting]]</p> |p3)[<p> (live: 2s) [you find yourself] (live: 4s) [affecting some sort of emotion] (live: 6s)[in drawing ] (live: 9s)[a small wooden instrument] (live: 11s)[to your chest] (live: 13s)[the sound reverberates] (live: 16s)[through the body] (live: 18s)[clutching at your own] (live: 20s)[nerve wires] (live: 23s)[the deeper bases thicker] (live: 25s)[draw bubbles] (live: 27s)[then blood from skin] (live: 30s)[bleeding onto strings] (live: 31s)[feels strangely] (live: 34s)[symbolic?] (live: 37s)[you want too much] (live: 39s)[from this idea, craving] (live: 41s)[more (link-reveal: "stringing") [(show: ?p4)] out]]</p> |p4)[<p> (live: 2s)[a theory for everything] (live: 4s)[is both reflective of an] (live: 6s)[idea about nothing that is] (live: 9s)[also everything, the root] (live: 11s)[of all anxiety and] (live: 13s)[exuberance vibrating] (live: 16s)[the (link-reveal:"buzz") [(show: ?p5)] of an instrument] (live: 18s)[without any strings] (live: 20s)[played by the wind] (live: 23s)[or the breath you imagine] (live: 25s)[linking a waltz] (live: 27s)[though this is not the rhythm] (live: 30s)[of breath or of life] (live: 32s)[just of a memory strung out] (live: 34s)[1-](live:35s)[2-](live:36s)[3,] (live: 37s)[1-] (live: 38s)[2-](live:39s)[3,] (live: 42s)[1-](live: 43s)[2-](live: 44s)[3,] (live: 46s)[the string is not a line] (live: 48s)[but a circle of repetition] (live: 50s)[arriving in and unto]]</p> |p5)[<p> (live: 2s)[a sound of gunshot] (live: 3s)[or so you think, you wake] (live: 4s)[from bed aflutter] (live: 6s)[a string popping off the wood,] (live: 9s)[a horrible crack,] (live: 12s)[an endless drone] (live: 15s)[the comma connecting the three] (live: 17s)[parts, broken, no longer] (live: 19s)[player but (link-reveal:"passive") [(show: ?p6)]] (live: 22s)[character of the page, timid] (live: 24s)[bitter in you rises,] (live: 26s)[a deep shock cradling] (live: 28s)[what is that?] (live: 29s)[dreadful whirring beating] (live: 30s)[motion, you say] (live: 33s)[i will lie down here] (live: 35s)[a broken string] (live: 37s)[gutted, changed]]</p> |p6)[<p> (live: 2s)[channelling a character] (live: 4s)[of non-complexity, you resume,] (live: 6s)[the seriousness of an idea] (live: 9s)[quickly charting how the //you//] (live: 11s)[has disappeared inside the thoughts] (live: 13s)[of a you more Real,] (live: 16s)[but where is the other? the unstaged] (live: 18s)[phrase typed into a coding] (live: 20s)[and you have so much to do] (live: 23s)[but not to show too much,] (live: 25s)[you quickly and very mysteriously] (live: 28s)[hide behind a screen] (live: 31s)[laugh-heartedly remember how much] (live: 33s)[everyone knows or think] (live: 35s)[they know, the passive prototype] (live: 38s)[flounders and picks up] (live: 40s)[on what subject – object- verb] (live: 42s)[dictates and [[shuffles ->wait3]]]]</p> (align:"<==")+(box:"XX===")[= (live: 2s)[the slipstream of a] (live: 4s)[text or a wish opens up] (live: 6s)[a whole network of vanish] (live: 9s)[saying //I love information//] (live: 11s)[crafts what the algorithmic] (live: 13s)[lover craves] (live: 16s)[a moth beats its wings and the code] (live: 18s)[breaks, a leaf flutters into the water] (live: 20s)[and the river carries] (live: 23s)[variables heighten casting ] (live: 25s)[hands out into darkness:] (live: 27s)[whereare you?] (live: 30s)[you cannot hold a string, only pull upon it] (live: 32s)[though maybe you can] (live: 34s)[maybe you are not] (live: 37s)[so stable and even when the] (live: 39s)[strings are played] (live: 40s)[(link-reveal:"they echo" [(show: ?p2)]] |p2)[<p> (live: 2s) [they echo] (live: 4s) [did you know even the brightest] (live: 6s)[breath will die out long] (live: 9s)[before the string, a musical] (live: 11s)[note shudders into vision,] (live: 13s)[a past voice haunting the] (live: 16s)[machine strays] (live: 18s)[a [[pattern]] undermined] (live: 20s)[you listen in to] (live: 23s)[others conversations,] (live: 25s)[repetitions of the day come] (live: 27s)[together into a large mass] (live: 30s)[your head drums out a beat] (live: 32s)[of reflections, patterns] (live: 34s)[between games, music,] (live: 37s)[the (link-reveal:"singing" [(show: ?p4)] themselves,] (live: 39s)[your mother says,] (live: 41s)[you remind me just of me]]</p> |p4)[<p> (live: 2s) [and in the dream a partner sleeps] (live: 4s) [with you both] (live: 6s)[and tries to convince you that you] (live: 9s)[are one and the same, the familial pattern] (live: 11s)[flickers, and soon] (live: 13s)[you are one and everything] (live: 16s)[not the self but a patterning of] (live: 18s)[selves, a strange instrumentation] (live: 20s)[trying to sound] (live: 23s)[why is the string not playing?] (live: 25s)[what has it become?] (live: 27s)[outside the frame of another’s (link-reveal:"memory" [(show: ?p5)]]] </p> |p5)[<p> (live: 2s) [p] (live: 4s) [u] (live: 6s)[[[l ->alternative page?]]] (live: 8s)[s] (live: 11s)[[[e ->alternative page?]]] (live: 13s)[p] (live: 15s)[l] (live: 17s)[a] (live: 19s)[y] (live: 21s)[[[p ->alternative page?]]] (live: 22s)[[[a ->alternative page?]]] (live: 23s)[c] (live: 24s) [[[e ->alternative page?]]]] </p> {<audio src= "river-kelvin.m4a" autoplay loop>}Laughing over-enthusiastically, you fall over a branch in the forest. She picks you up, holds you, and you forget that you still don’t know each other well. You both can’t stop laughing and you’re a child again. The philosopher Nuar Alsadir writes in her book on laughter, //Animal Joy//, that laughter shakes us out of our deadness, it is an opening created for something unexpected to slip in. Laughing over-enthusiastically another self emerges. What do you do with this other? You [[cling ->river]] and try not to cling as well. You do not want to be too much of a victim. (set: $inventoryofthinkers to it + (a: "Alsadir, Nuar, 2022. <em>Animal Joy</em>. London: Fitzcarraldo Editions.")){<audio src= "river-kelvin.m4a" autoplay loop>}(either: "You have been walking for over two hours", "You have been walking for less than five minutes", "You have been in this place all of yourlife") (either: "While your memory jolts you back, you think about how many times you have journeyed this exact path; you cannot remember", "All the ghosts of you shimmering on this path many times before.") (either: "Short sharp litte beats", "Short sharp turns", "Waiting for chance, a [[rip ->alternative page?]] in the river") [[swerve->8]] [[keep walking, keep breathing ->9]]{<audio src= "river-kelvin.m4a" autoplay loop>}(either: "The city remembers: the [[old typewriter factory ->wait4]]", "The city remembers: strings of memory left behind", "The city remembers: a river which holds, a river which swallows") (either: "You cross over the bridge", "You cross over the unknown") (either: "The string of a piece of [[red ->red thread]]", "The strings of your [[hesitation]]", "The strings of a poem unwritten and waiting at the [[end -> poem game]] of this walk") [[swerve->9]] {<audio src= "three strings layer 1.mp3" autoplay loop>}(align:"<==")+(box:"XX===")[= (live: 2s)[You lost so much of yesterday] (live: 4s)[To clotted compulsion] (live: 6s)[braiding the brain] (live: 9s)[the empty hours] (live: 11s)[swirl a new string] (live: 13s)[waiting] (live: 16s)[sending them off] (live: 18s)[into wintered [[sky ->4]]] (live: 20s)[the mind, the] (live: 23s) [[[melody ->talk2]]]Clutching onto your three strings: (if: $desire is false, $memory is false, $keys is false, $inspiration is false) [here is a string on which you can place any signs your mind not yet awake you feel a distant [[shudder ->Begin]]] (if: $memory is true, $desire is false, $memory is false, $keys is false, $inspiration is false) [no words yet appear you fall back into the [[walk ->1]]] (if: $desire is true, $memory is false, $keys is false, $inspiration is false) [desire trembles something awakens the string [[alert ->end]]] (if: $desire is true, $melancholy is true, $keys is false, $inspiration is false, $memory is false) [a lost string pulls back as though it has something to [[remember ->end]]] ((if: $desire is true, $melancholy is true, $keys is true, $inspiration is false, $memory is false) [a lost string pulls back as though it has something to [[remember ->end]]] (else:) [a lost string pulls back as though it has something to [[remember ->end]]]It is said that the red thread is that which is invisible but held, which points its way to the other: a [[person -> poem game]], a [[figure -> poem game]], [[a word? -> poem game]] {<audio src= "three strings layer 1.mp3" autoplay loop>}{<audio src= "threestrings layer 2.mp3" autoplay loop>}{<audio src= "river-kelvin.m4a" autoplay loop>}Where is the centre? Sound moves from its inception out into space. The harpist plays a jig, a happy tune, but when it journeys it arrives [[melancholic ->melancholy]], odd, ghostly. //I don’t want this,// you say. //How do I fix this?// You miss and wink at yourself as the train passes over the [[bridge.|end]] The string tightens. You let go. You [[retreat.|Begin]] Or you are [[carried downstream away from the poem.|connections]](set: $melancholy to true) You find yourself missing someone you had almost forgotten about: the memory came to you on the underground yesterday and a whole series of other dark and drifting memories begin to transplant themselves into your strings of thinking as you pace. One thing leads to another and you are suddenly not on the ground anymore, not on any path; you are floating somewhere else. You are floating and [[waiting ->wait3]] to [[land.|end]] {(set: $inventoryofthinkers to it + (a: "Stein, Gertrude, 2012, 1914. <em>Tender Buttons</em>. New York: Dover Publications."))<audio src= "three strings layer 1.mp3" autoplay>}{<audio src= "three strings layer 2.mp3" autoplay>} |======= (live: 2s)[In the memory of ] (live: 4s)[A memory, the typewriter] (live: 6s)[Jams, ink] (live: 9s)[Splattered like the,] (live: 11s)[Time you fell] (live: 13s)[Asleep a pen] (live: 16s)[Leaking across your chest] (live: 18s)[Crafted,] (live: 20s)[Performance of the tired brain] (live: 23s)[To replace a string or a ribbon?] (live: 25s)[To inject an idea or a feeling?] (live: 27s)[To type out spontaneously or with great planning?] (live: 30s)[The old typewriter factory] (live: 32s)[Outline of a history] (live: 34s)[Shimmering on horizon] (live: 37s)[Rows and rows of them] (live: 39s)[Like letters, on our production] (live: 40s)[(link-reveal:"Line") [(show: ?p2)]] |p2)[<p> (live: 2s) [//Act so that there is] (live: 4s) [no use] (live: 6s)[[[in a centre// (344)|Inventory of Thinkers]]] (live: 9s)[The soft quiet] (live: 11s)[reverberating beckons right] (live: 13s)[Then left] (live: 16s)[To be (link-reveal:"stringing")[(show: ?p4)] it out] (live: 18s)[Till you can’t grasp the] (live: 20s)[origin anymore] (live: 23s)[You call your memory back] (live: 25s)[into the flight like a child] (live: 27s)[reaching for a ribbon which] (live: 30s) [unlike a string] (live: 32s) [Is thick and comfort] (live: 34s) [slings upon a word draft] (live: 36s)[Trembling trai]l (live: 38s)[You hold onto this mist of] (live: 40s)[three terrifying truths.]</p>] |p4)[<p> (live: 2s)[Of patient time and] (live: 4s)[Irreverent time] (live: 6s) [of typing time and pencil] (live: 9s)[your] (live: 11s)[unassuming] (live: 13s)[strung out panic] (live: 16s) [elapses into a kind] (live: 18s): [of logic waiting] (live: 20s): [at the next stop] (live: 23s)[feeling all the times] (live: 25s)[you were singing] (live: 27s)[along catching] (live: 30s)[the string as re-strung] (live: 32s)[into your instrument] (live: 34s)[keen to be played again] (live: 37s)[Silly strings, you cry into the] (live: 39s)[Slow shifing crates of air] (live: 41s)[Multi-farious] (live: 44s)[What the poet Anne Carson] (live: 46s)[Once learnt about glass] (live: 48s)[You learn about string] (live: 51s)[No shatter] (live: 53s)[Ing just] (live: 55s)[(link-reveal:"rip")[(show: ?p5)] and tighten.]]</p>] |p5)[<p> (live: 2s) [a glitch in time] (live: 4s)[saves the line] (live: 6s)[or so you (link-reveal:"thought") [(show: ?p6)]] (live: 9s)[when the connection] (live: 11s)[broke and out in the middle] (live: 13s)[came three] (live: 16s)[realities, none of them yours] (live: 18s)[save the one you so often denied] (live: 20s)[your memories] (live: 23s)[that mixed material you trailed around] (live: 25s)[ripped upon the edge] (live: 27s)[of the radiator] (live: 30s)[the rip between the idea] (live: 32s)[and the possibility] (live: 34s)[of its realities] (live: 37s)[the internet, waiting,] (live: 39s)[subsiding, landing] (live: 40s)[page of the soul] </p>] |p6)[<p> (live: 2s)[Comma-full, you traipse] (live: 4s)[Laugh-heartedly into] (live: 6s)[a list string code of unremarkable] (live: 9s)[Than that and anyway] (live: 11s)[What’s the deal with] (live: 13s)[Being seen?] (live: 16s)[You catch it only upon] (live: 18s)[The beginning of the walk] (live: 20s)[The outline of a face] (live: 23s)[My screen is cracked they say] (live: 25s)[Inside the gunk of a life] (live: 27s)[A fingertip pressed to a] (live: 30s)[Surfacing, drifting, lacking] (live: 32s)[You dream of another book] (live: 34s)[Coming alive and colliding] (live: 37s)[With your life or a life you might] (live: 39s)[Have lived had that book] (live: 41s)[[[Eaten ->wait 2]] yours] </p>] ==|======= (link-reveal:"1") [(show: ?one)], (link-reveal:"2") [(show: ?two)], (link-reveal:"3") [(show: ?three)] (link-reveal: "1") [(show: ?four)], (link-reveal: "3") [(show: ?five)] , (link-reveal: "2") [(show: ?five)] [[2 ->talk1]], [[3 ->talk2]], [[1 ->1]] [[2 ->talk3]], (link-reveal: "1") [(show: ?six)] , [[3 ->talk1]] 3, [[1 ->talk1]], 2 [[3 ->talk1]], 2, 1 |one)[(either: "rows, rows, rows", "What was that?", "They echo you")] |two)[(either: "memory, cast, leaking", "letters, production, tune", "conversation, cannot, hold", "you, with, your", "click, click, click")] |three)[(either: "replace, shimmering, history", "outline, of, knowing", "love, of, information", "note, shudders, vision")] |four)[(either: "arose, arose, arose", "Who was that?", "They echo you")] |five)[(either: "keys, clinging, fingers", "wept, page, creased", "replace, shimmering, history", "strings, satiating, stretching")] ==|= (either: "You follow faces along the riverbank", "The riverbed listens for your footsteps.", "You forget why you were walking and the river sighs") (either: "To be conscious and yet not conscious.", "Where were you?.") (either: "The river is a string", "You string out unecessary thoughts, anxiety shaking away gently", "A body placng waking itself against a string of blue") |==| {(if: $blissglitch and $egameplay is true) [You have now travelled through three portals: The Bliss of the Glitch, Emergent Gameplay, Emergent Essaying and Three Strings. <br> <br> [[Loading...|conclusion1]] ] (else-if: $blissglitch and $glitchful is true) [You have now travelled through three portals: The Bliss of the Glitch, Glitchful Thinking and Three Strings. <br> <br> [[Loading...|conclusion2]] ] (else-if: $blissglitch and $entangled is true) [You have now travelled through three portals: The Bliss of the Glitch, These Entangled Mappings and Three Strings. <br> <br> [[Loading...|conclusion3]] ] (else-if: $egameplay and $glitchful is true) [You have now travelled through three portals: Glitchful Thinking, Emergent Gameplay, Emergent Essaying and Three Strings. <br> <br> [[Loading...|conclusion4]] ] (else-if: $egameplay and $entangled is true) [You have now travelled through three portals: Emergent Gameplay, Emergent Essaying, These Entangled Mappings and Three Strings. <br> <br> [[Loading...|conclusion5]] ] (else-if: $egameplay is true) [You have now travelled through two portals: Emeregent Gameplay, Emergent Essaying and Three Strings and you may be feeling ready for some kind of [[wider landscape?|These Entangled Mappings]] ] (else-if: $glitchful is true) [You have now travelled through two portals: Glitchful Thinking and Three Strings and it is now time to stride out into a more [[ambient arena?|egameplay]] ] (else-if: $blissglitch is true) [Perhaps is time to travel through another (either: "[[portal.|glitchful thinking.]]", "[[portal.|egameplay]]", "[[portal.|These Entangled Mappings]]") ] (else-if: $entangled is true) [Perhaps is time to travel through another (either: "[[portal.|glitchful thinking.]]", "[[portal.|egameplay]]", "[[portal.|blissglish]]") ] (else-if: $threestrings is true) [Perhaps is time to travel through another (either: "[[portal.|glitchful thinking.]]", "[[portal.|egameplay]]", "[[portal.|blissglish]]", "[[portal.|blissglish]]") ] (else:) [(de-bug:) ERROR! The collection is breaking. Perhaps it is time to leave. Or explore inside the code. Right hand click and inspect the code and see what hidden text emerges there. <a href="end" >Exit Essaying</a>] } ''A CONCLUSION'' (live: 3s) [A short retreat from bliss.] (live: 6s) [A river that maps through.] (live: 9s)[A small plucked string carried on a faraway hum.] (live: 12s) [[Emerging time, still ongoing, even when you retreat.] (live: 22s) [It was enough to be a figure sometimes if only for a walk in Glasgow.] (live: 25s)[A river of quiet bliss potential like an essay.] (live: 28s)[An instrument or idea played continually.] (live: 28s)[A lyrical mix.] (live: 29s) [The screen plays back.] (text-style:"subscript","smear") + (text-size: 1)[Inventory of Thinkers] You have collected: <!-- if the inventory contains nothing, show "nothing" -->\ (if: $inventoryofthinkers's length is 0)[\ a shimmering knowledge that feels itself quicken. ](else:)[\ <!-- we iterate over the array and print each item -->\ (for: each _item, ...$inventoryofthinkers)[\ <br> _item (unless: $inventoryofthinkers's last is _item)[,]\ <br> <br> ] ] You have travelled through: Emergent Gameplay, Emergent Essaying, The Bliss of the Glitch, finishing on Three Strings. Adrenaline: (print: $adrenaline) Cortisol: (print: $cortisol) Dopamine: (print: $dopamine) [<a href="end" >Exit Essaying</a>]''A CONCLUSION'' (live: 3s) [A short retreat from bliss.] (live: 6s) [A river that maps through.] (live: 9s)[A small plucked string carried on a faraway hum.] (live: 12s) [A journey to a residency of selfhood.] (live: 22s) [It was enough to observe a character travelling where they were not supposed to go.] (live: 25s)[A sensation of words like noise, rupture, saturation, unthought.] (live: 28s)[An instrument or idea played continually.] (live: 28s)[A body cycle.] (live: 29s) [The screen plays back.] (text-style:"subscript","smear") + (text-size: 1)[Inventory of Thinkers] You have collected: <!-- if the inventory contains nothing, show "nothing" -->\ (if: $inventoryofthinkers's length is 0)[\ a shimmering knowledge that feels itself quicken. ](else:)[\ <!-- we iterate over the array and print each item -->\ (for: each _item, ...$inventoryofthinkers)[\ <br> _item (unless: $inventoryofthinkers's last is _item)[,]\ <br> <br> ] ] You have travelled through: The Bliss of the Glitch, Glitchful Thinking finishing on Three Strings. Adrenaline: (print: $adrenaline) Cortisol: (print: $cortisol) Dopamine: (print: $dopamine) [<a href="end" >Exit Essaying</a>]''A CONCLUSION'' (live: 3s) [A short retreat from bliss.] (live: 6s) [A river that maps through.] (live: 9s)[A small plucked string carried on a faraway hum.] (live: 12s) [A map stretched out beyond the visual.] (live: 22s) [It is enought to observe a moth.] (live: 25s)[Ada sits on a strange wing of time.] (live: 28s)[A wing that flutters against the strings.] (live: 28s)[A shuffling of direction.] (live: 29s) [The screen plays back.] (text-style:"subscript","smear") + (text-size: 1)[Inventory of Thinkers] You have collected: <!-- if the inventory contains nothing, show "nothing" -->\ (if: $inventoryofthinkers's length is 0)[\ a shimmering knowledge that feels itself quicken. ](else:)[\ <!-- we iterate over the array and print each item -->\ (for: each _item, ...$inventoryofthinkers)[\ <br> _item (unless: $inventoryofthinkers's last is _item)[,]\ <br> <br> ] ] You have travelled through: The Bliss of the Glitch, These Entangled Mappings, finishing on Three Strings. Adrenaline: (print: $adrenaline) Cortisol: (print: $cortisol) Dopamine: (print: $dopamine) [<a href="end" >Exit Essaying</a>]''A CONCLUSION'' (live: 3s) [A glitch is that which is emergent.] (live: 6s) [It can be seen hovering gently as a pixel above the river.] (live: 9s)[It can be heard in strange, uncertain melodies.] (live: 12s) [A glitch is also a person, travelling where they are not supposed to go.] (live: 22s) [It is enought to be an imaginary //you//..] (live: 25s)[The 'I' waits quietly on the bank as you pass by on the river.] (live: 28s)[Do you know me?] (live: 28s)[The fish keep swimming.] (live: 29s) [The screen plays back.] (text-style:"subscript","smear") + (text-size: 1)[Inventory of Thinkers] You have collected: {<!-- if the inventory contains nothing, show "nothing" -->\ (if: $inventoryofthinkers's length is 0)[\ a shimmering knowledge that feels itself quicken. ](else:)[\ <!-- we iterate over the array and print each item -->\ (for: each _item, ...$inventoryofthinkers)[\ <br> _item (unless: $inventoryofthinkers's last is _item)[,]\ <br> <br> ] } You have travelled through: Emergent Gameplay, Emergent Essaying, Glitchful Thinking, finishing on Three Strings. Adrenaline: (print: $adrenaline) Cortisol: (print: $cortisol) Dopamine: (print: $dopamine) [<a href="end" >Exit Essaying</a>]''A CONCLUSION'' (live: 3s) [A glitch is that which is emergent.] (live: 6s) [It can be seen hovering gently as a pixel on a blurred out map.] (live: 9s)[It can be heard in strange, uncertain melodies.] (live: 12s) [A glitch is a string of figures, always already waiting to collide, or maybe their lives already have?.] (live: 22s) [It is enough to be held in ambiguity] (live: 25s)[The 'you' of changing characters] (live: 28s)[Are you part of this collection now?] (live: 28s)[The fish keep swimming.] (live: 29s) [The screen plays back.] (text-style:"subscript","smear") + (text-size: 1)[Inventory of Thinkers] You have collected: {<!-- if the inventory contains nothing, show "nothing" -->\ (if: $inventoryofthinkers's length is 0)[\ a shimmering knowledge that feels itself quicken. ](else:)[\ <!-- we iterate over the array and print each item -->\ (for: each _item, ...$inventoryofthinkers)[\ <br> _item (unless: $inventoryofthinkers's last is _item)[,]\ <br> <br> ] } You have travelled through: Emergent Gameplay, Emergent Essaying, These Entangled Mappings, finishing on Three Strings. Adrenaline: (print: $adrenaline) Cortisol: (print: $cortisol) Dopamine: (print: $dopamine) [<a href="end" >Exit Essaying</a>]{ (set: $adrenaline to (str:$adrenaline)) (set: $dopamine to (str:$dopamine)) (set: $cortisol to (str: $cortisol)) (set: _varList to "") (set: _varList to it + "&a=" + $adrenaline + "&b=" + $dopamine + "&c=" + $cortisol) (set: _varList to _varList + "&i=bib") (if: $inventoryofthinkers contains "Barthes, Roland, 1977. ‘Death of the Author’. <em>Image-Music-Text</em>. trans. by Richard Miller. New York: Hill and Wang.")[ (set: _varList to _varList + ",rb2")] (if: $inventoryofthinkers contains "Carpenter, J. R., 2019. <em>The Pleasure of the Coast</em>. Online. Available at: <http://luckysoap.com/pleasurecoast/en/index.html>")[ (set: _varList to _varList + ",jr")] (if: $inventoryofthinkers contains "Carson, Anne, 2000. <em>Plainwater</em>. New York: Vintage Books.")[ (set: _varList to _varList + ",ac")] (if: $inventoryofthinkers contains "Carson, Anne, 2014. <em>Eros: The Bittersweet: An Essay</em>. Princeton: Princeton University Press.")[ (set: _varList to _varList + ",ac2")] (if: $inventoryofthinkers contains "Consalvo, Mia, 2009. <em>Cheating: Gaining Advantage in Video Games</em>. Cambridge, MA: MIT Press.")[ (set: _varList to _varList + ",mc")] (if: $inventoryofthinkers contains "Coover, Robert, 1992. ‘The End of Books’, <em>The New York Times</em>. Available at: <https://archive.nytimes.com/www.nytimes.com/books/98/09/27/specials/coover-end.html?pagewanted=all>")[ (set: _varList to _varList + ",rc")] (if: $inventoryofthinkers contains "Davis, Lydia, 2019. <em>Essays</em>. Hamish Hamilton. e-book.")[ (set: _varList to _varList + ",ld")] (if: $inventoryofthinkers contains "Derrida, Jacques, 1994. <em>Specters of Marx: the State of the Debt, the Work of Mourning and the New International</em>.trans. Peggy Kamuf. London: Routledge.")[ (set: _varList to _varList + ",jd")] (if: $inventoryofthinkers contains "DuPlessis, Rachel Blau, 2006. <em>Blue Studios</em>. The University of Alabama Press.")[ (set: _varList to _varList + ",rbd")] (if: $inventoryofthinkers contains "Emergent Gameplay', 2017. <em>Technopedia</em>. by Margaret Rouse. Available at: <https://www.techopedia.com/definition/27043/emergent-gameplay/>")[ (set: _varList to _varList + ",eg")] (if: $inventoryofthinkers contains "Halberstam, Jack, 2011. <em>The Queer Art of Failure</em>. Durham, US: Duke University Press.")[ (set: _varList to _varList + ",jh")] (if: $inventoryofthinkers contains "Hay, Jonathan, 2020. 'Fully Optimized: The (Post)human Art of Speedrunning'. <em>Journal of Posthuman Studies, Vol. 4, No.1</em>. The Pennsylvania State University. pp. 5-24. <https://doi.org/10.5325/jpoststud 4.10005.>")[ (set: _varList to _varList + ",jh2")] (if: $inventoryofthinkers contains "Horowitz, Steve, Looney, Scott, 2014. <em>The Essential Guide to Game Audio: The Theory and Practice of Sound for Games</em>. Routledge.")[ (set: _varList to _varList + ",shsl")] (if: $inventoryofthinkers contains "Jackson, Shelley, 1997. 'my body - a Wunderkammer'. <em>Electronic Literature Collection, Volume One, October 2006</em>. Online. Available at: <https://collection.eliterature.org/1/works/jackson__my_body_a_wunderkammer.html>")[ (set: _varList to _varList + ",sj")] (if: $inventoryofthinkers contains "Jayemanne, Darshana, 2019. 'Chronotypology: A Comparative Method for Analyzing Game Time.' <em>Games and Culture, 15(7). pp. 809-824. <https://doi.org/10.1177/1555412019845593>")[ (set: _varList to _varList + ",dj")] (if: $inventoryofthinkers contains "Meades, Alan, 2013. 'Why We Glitch: Process, Meaning and Pleasure in the discovery and documentation, sharing and use of videogame exploits.' <em>Well Played: a journal on video games, value and meaning</em>. pp. 79-98. ETC Press. <https://doi.org/10.1184/R1/6687068.v1>")[ (set: _varList to _varList + ",am")] (if: $inventoryofthinkers contains "Menkman, Rosa, 2011. 'The Glitch Moment(um)'. <em>Institute of Network Cultures</em>. Available at: <https://networkcultures.org/_uploadsNN%234_RosaMenkman.pdf>")[ (set: _varList to _varList + ",rm")] (if: $inventoryofthinkers contains "Montfort, Nick, 2005. <em>Twisty Little Passages: An Approach to Interactive Fiction</em>. Cambridge, Massachusetts: MIT Press.")[ (set: _varList to _varList + ",nm")] (if: $inventoryofthinkers contains "Myers, Rhea, 2014. <em>glitcherature</em>. Online. Available at: <https://rhea.art/glitcherature/>")[ (set: _varList to _varList + ",rm2")] (if: $inventoryofthinkers contains "Myles, Eileen, 2017. 'Eileen Myles Interview:A Poem Says 'I Want''. <em> Louisiana Channel. Available at: <https://www.youtube.com/watch?v=JCnKGl2YDto>")[ (set: _varList to _varList + ",em")] (if: $inventoryofthinkers contains "Parker, Dorothy. <em>I hate writing. I love having written',</em> is now such a common quotation that the origin of when she said it is unclear, a quotation that has been passed around so easily, whether it was actually <em>written</em> like that by her is uncertain.")[ (set: _varList to _varList + ",dp")] (if: $inventoryofthinkers contains "Quinn, Zoe, Patrick Lindsey, Isaac Schankler, 2013. <em>Depression Quest</em>. Online. Available at: <http://www.depressionquest.com/>")[ (set: _varList to _varList + ",zq")] (if: $inventoryofthinkers contains "Robertson, Lisa, 2012. 'Time in the Codex'. <em>Nilling: Prose Essays on Noise, Pornography, The Codex, Melancholy, Lucretius, Folds, Cities and Related Aporias</em>. 2nd edition. Toronto: Book*hug Press. pp. 9-18.")[ (set: _varList to _varList + ",lr")] (if: $inventoryofthinkers contains "Russell, Legacy 2020. <em>Glitch Feminism: A Manifesto</em>. Verso Books.")[ (set: _varList to _varList + ",lr2")] (if: $inventoryofthinkers contains "Sampat, Elizabeth, 2017. <em>Am I Part of The Problem</em. Online. Available at: <https://elizabethsampat.itch.io/am-i-part-of-the-problem/>")[ (set: _varList to _varList + ",es")] (if: $inventoryofthinkers contains "Sampat, Elizabeth, 2017. <em>Empathy Engines: Design Games that are Personal, Political and Profound</em>. CreateSpace Independent Publishing Platform.")[ (set: _varList to _varList + ",es2")] (if: $inventoryofthinkers contains "Scully-Blaker, Rainforest, 2014. 'A Practiced Practice: Speedrunning Through Space with de Certeau and Virilio'. <em>Game Studies: the international journal of computer game research, volume 14 issue 1, August 2014</em>. Available at: <https://gamestudies.org/1401/articles/scullyblaker/>")[ (set: _varList to _varList + ",rsb")] (if: $inventoryofthinkers contains "Self, Will, interviewed by Alan Clark, 2018. 'Will Self: ‘The novel is absolutely doomed’. <em>The Guardian</em>. Available at: <https://www.theguardian.com/books/2018/mar/17/will-self-the-books-interview-alex-clark-phone-memoir/>")[ (set: _varList to _varList + ",ws")] (if: $inventoryofthinkers contains "Smith, Ail, 2012. <em>Artful</em>. London: Penguin")[(set: _varList to _varList + ",as")] (if: $inventoryofthinkers contains "Smith, Ali, interviewed by Sarah Lyall, 2014. 'An Onion of a Novel: Demanding to be Peeled'. <em>The New York Times</em>. Available at: <https://www.nytimes.com/2014/11/26/books/ali-smith-on-her-new-book-how-to-be-both.html/>.")[ (set: _varList to _varList + ",as2")] (if: $inventoryofthinkers contains "Solnit, Rebecca, 2006. <em>A Field Guide to Getting Lost</em>. London: Penguin.")[ (set: _varList to _varList + ",rs")] (if: $inventoryofthinkers contains "SPAM zine and Press, n.d. '>What is post internet?'. Available at: <https://www.spamzine.co.uk/what-is-post-internet/>")[ (set: _varList to _varList + ",sz")] (if: $inventoryofthinkers contains "Stein, Gertrude, 1971, 1931. <em>How to Write</em>. New York: Dover Pubications.")[ (set: _varList to _varList + ",gs")] (if: $inventoryofthinkers contains "Stewart, Kathleen, 2007. <em>Ordinary Affects</em>. Durham, US: Duke University Press.")[ (set: _varList to _varList + ",ks")] (if: $inventoryofthinkers contains "Hejinian, Lyn, and Leslie Scalapino, 2021. <em>Hearing</em>. Litmus Press.")[ (set: _varList to _varList + ",lh")] (if: $inventoryofthinkers contains "Mansfield, Katherine, 1920:1988. <em>Bliss</em>. Auckland, New Zealand: Vintage.")[ (set: _varList to _varList + ",km")] (if: $inventoryofthinkers contains "Spacks, Patricia Meyer, 2003. ‘Privacies of Reading’. <em>Privacy</em>. 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Available at: <https://butterfly-conservation.org/moths>")[ (set: _varList to _varList +",m")] (if: $inventoryofthinkers contains "Fisher, Mark, 2017. <em>The Weird and the Eerie</em>. London: Repeater Books.")[ (set: _varList to _varList +",mf")] (if: $inventoryofthinkers contains "McKinnon, Logan, 2024. 'The Dividing Road: How the M8 Motorway Destroyed Glasgow’s Communities.' <em>Retrospect Journal</em>. Available at: <https://retrospectjournal.com/2024/11/17/the-dividing-road-how-the-m8-motorway-destroyed-glasgows-communities/>")[ (set: _varList to _varList +",m8")] (if: $inventoryofthinkers contains "Woolf, Virgina, 1942. <em>The Death of the Moth and Other Essays</em>. New York: Harcourt.")[ (set: _varList to _varList +",vw")] (if: $inventoryofthinkers contains "Oliver, Mary, 1984. 'The Moths'.<em>Poetry Foundation</em>. 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Verso Books.")[ (set: _varList to _varList + ",lr2")] (if: $inventoryofthinkers contains "Sampat, Elizabeth, 2017. <em>Am I Part of The Problem</em. Online. Available at: <https://elizabethsampat.itch.io/am-i-part-of-the-problem/>")[ (set: _varList to _varList + ",es")] (if: $inventoryofthinkers contains "Sampat, Elizabeth, 2017. <em>Empathy Engines: Design Games that are Personal, Political and Profound</em>. CreateSpace Independent Publishing Platform.")[ (set: _varList to _varList + ",es2")] (if: $inventoryofthinkers contains "Scully-Blaker, Rainforest, 2014. 'A Practiced Practice: Speedrunning Through Space with de Certeau and Virilio'. <em>Game Studies: the international journal of computer game research, volume 14 issue 1, August 2014</em>. Available at: <https://gamestudies.org/1401/articles/scullyblaker/>")[ (set: _varList to _varList + ",rsb")] (if: $inventoryofthinkers contains "Self, Will, interviewed by Alan Clark, 2018. 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Verso Books.")[ (set: _varList to _varList + ",lr2")] (if: $inventoryofthinkers contains "Sampat, Elizabeth, 2017. <em>Am I Part of The Problem</em. Online. Available at: <https://elizabethsampat.itch.io/am-i-part-of-the-problem/>")[ (set: _varList to _varList + ",es")] (if: $inventoryofthinkers contains "Sampat, Elizabeth, 2017. <em>Empathy Engines: Design Games that are Personal, Political and Profound</em>. CreateSpace Independent Publishing Platform.")[ (set: _varList to _varList + ",es2")] (if: $inventoryofthinkers contains "Scully-Blaker, Rainforest, 2014. 'A Practiced Practice: Speedrunning Through Space with de Certeau and Virilio'. <em>Game Studies: the international journal of computer game research, volume 14 issue 1, August 2014</em>. Available at: <https://gamestudies.org/1401/articles/scullyblaker/>")[ (set: _varList to _varList + ",rsb")] (if: $inventoryofthinkers contains "Self, Will, interviewed by Alan Clark, 2018. 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London: Zero Books.")[ (set: _varList to _varList +",gc")] (if: $inventoryofthinkers contains "Olson, Marisa 2008. ‘Postinternet: Art After the Internet’. <em>Foam Magazine, Vol. 29</em>. pp. 59-63.")[ (set: _varList to _varList +",mo")] (if: $inventoryofthinkers contains "Stein, Gertrude, 1925: 1995. <em>The Making of Americans: Being a History of a Family’s Progress</em>. London: Dalkey Archive Press.")[(set: _varList to _varList +",gs3")] (if: $inventoryofthinkers contains "Robinson, Sophie, 2018. 'art in america'. <em>BOMB Magazine</em>. Available at: <https://bombmagazine.org/articles/2018/03/06/sophie-robinson-poem/>") [(set: _varList to _varList +",sr")] (if: $inventoryofthinkers contains "Waber, Dan, 2010. 'a kiss (for Jennifer)''. <em>Electronic Literature Organisation</em>. Available at: <https://collection.eliterature.org/4/works/a-kiss/a-kiss.html>") [(set: _varList to _varList +",dw")] (if: $inventoryofthinkers contains "Alsadir, Nuar, 2022. <em>Animal Joy</em>. London: Fitzcarraldo Editions.") [(set: _varList to _varList +",na1")] (if: $inventoryofthinkers contains "Alsadir, Nuar, 2017. <em>Fourth Person Singular</em>. Liverpool: Pavilion Poetry.") [(set: _varList to _varList +",na2")] (set: _tList to "&t=j") (set: _varList to _varList + _tList) (if: $charactera is true)[ (set: _varList to _varList + ",a")] (if: $characterb is true)[ (set: _varList to _varList + ",b")] (if: $characterc is true)[ (set: _varList to _varList + ",c")] (if: $egameplay is true) [ (set: _varList to _varList + ",d")] (if: $threestrings is true)[ (set: _varList to _varList + ",e")] (if: $blissglitch is true)[ (set: _varList to _varList + ",f")] (if: $glitchful is true) [ (set: _varList to _varList + ",g")] (if: $entangled is true) [ (set: _varList to _varList + ",h")] (if: $beginning is true) [ (set: _varList to _varList + ",i")] (if: $unthought is true) [ (set: _varList to _varList + ",j")] (if: $noise is true) [ (set: _varList to _varList + ",k")] (if: $memory is true) [ (set: _varList to _varList + ",l")] (if: $rupture is true) [ (set: _varList to _varList + ",m")] (if: $glitch is true) [ (set: _varList to _varList + ",n")] (if: $centre is true) [ (set: _varList to _varList + ",o")] (if: $ongoingness is true) [ (set: _varList to _varList + ",p")] (if: $saturation is true) [ (set: _varList to _varList + ",q")] (if: $riddle is true) [ (set: _varList to _varList + ",r")] (set: $url to "theblissoftheglitch?" + _varList) } (print: '<a href="'+ $url + '">The Bliss of the Glitch</a>'){(text-style:"subscript","smear") + (text-size: 2)[Inventory of Thinkers]} You are currently carrying: <!-- if the inventory contains nothing, show "nothing" -->\ (if: $inventoryofthinkers's length is 0)[\ a shimmering knowledge that feels itself quicken. ](else:)[\ <!-- we iterate over the array and print each item -->\ (for: each _item, ...$inventoryofthinkers)[\ <br> _item (unless: $inventoryofthinkers's last is _item)[,]\ <br> <br> ] ] (link-goto: "Return", (history:)'s last)