Men in dance: undoing gender, challenging heterosexual hegemony and the limits of transgression

Christofidou, Andria (2017) Men in dance: undoing gender, challenging heterosexual hegemony and the limits of transgression. PhD thesis, University of Glasgow.

Due to Embargo and/or Third Party Copyright restrictions, this thesis is not available in this service.
Printed Thesis Information: https://eleanor.lib.gla.ac.uk/record=b3268967

Abstract

This is a sociological study of gender and sexualities in the context of
professional dance in Scotland. Since the 19th century, dance became associated
with women, femininity, male effeminacy and male homosexuality. Considering
the cultural attachments dance has acquired, this thesis sets to explore the
conditions that influence men’s involvement in dance; the ways that different
spaces, processes and relations within dance institutions in Scotland influence
the negotiations of gender and sexuality; and the ways that male dancers
negotiate their practice of dance and the gendered attachments this has.
The discussions that unfold in this thesis rely on interview and observation data.
Semi-structured interviews were conducted with 28 men professionally involved
in the performance and/or production of dance in Scotland. Further, observation
was conducted in four dance institutions in Scotland: Scottish Ballet, the Royal
Conservatoire of Scotland and two small-scale, project-based contemporary
dance companies which are in this thesis named as Kinesis and Chorotheatro.
This study’s findings suggest that men’s involvement in dance is mainly
influenced by their social location, familial background and parents’
involvement in, and familiarity with, cultural practices. These conditions affect
the time, as well as ways, they will become introduced to dance. Further, this
study’s findings suggest that precisely because of the attachments dance has
acquired through time, dance institutions are experienced as safe spaces where
male dancers can problematise gender norms and challenge heterosexual
hegemony. Yet, as this thesis demonstrates, there are tensions as we move
between ballet and contemporary dance, and as we shift our attention from
onstage performances to backstage practices. Lastly, this study’s findings
suggest that male dancers are likely to ‘normalise’ their involvement in this
practice by emphasising dance’s conventionally masculine qualities.

Item Type: Thesis (PhD)
Qualification Level: Doctoral
Keywords: Gender, masculinities, sexualities, dance, male dancers, sociology of gender, sociology of dance.
Subjects: H Social Sciences > HM Sociology
Colleges/Schools: College of Social Sciences > School of Social and Political Sciences > Sociology Anthropology and Applied Social Sciences
Supervisor's Name: Waites, Dr. Matthew and Smith, Dr. Andrew and Murray, Dr. Simon
Date of Award: 2017
Embargo Date: 21 November 2021
Depositing User: Andria Christofidou
Unique ID: glathesis:2017-8186
Copyright: Copyright of this thesis is held by the author.
Date Deposited: 16 May 2017 14:38
Last Modified: 21 Nov 2018 12:49
URI: http://theses.gla.ac.uk/id/eprint/8186

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