Race, gender and nation : the cultural construction of identity within 1990s German cinema

Copsey, Dickon (2004) Race, gender and nation : the cultural construction of identity within 1990s German cinema. PhD thesis, University of Glasgow.

Full text available as:
Download (17MB) | Preview
Printed Thesis Information: https://eleanor.lib.gla.ac.uk/record=b2225005


This study offers a cultural studies reading of race, gender and nation as represented in three thematic sub-genres of contemporary German film production. The aim of this study is to demonstrate that each of these thematic sub-genres offers a unique insight into the cultural construction of a distinct, yet problematic and porous umbrella identity enjoying a particular cultural currency in post-Wall Germany. It should be noted that, in this respect, this study represents a move away from these traditional diachronic analyses of German film, which attempt a snapshot of an entire history filmic production, towards a more clearly delineated, synchronic analysis of a single contemporary moment – namely, the 1990s.

The first of these thematic sub-genres concerns the ambiguous romantic narratives of the sexually autonomous yet avowedly post-feminist New German Comedy women. As a significant sub-genre of the popular New German Comedy film of the early 1990s, these films embody a clear structural reliance on the narrative norms of a classic, mainstream cinema. In contrast, the cinematic representations East(ern) Germany, past and present, incorporate a myriad of generic forms and registers in their explorations of the meaning of reunification for eastern German populations, from up-beat comic road movies to psycho-allegorical tales of internal disquiet. The third area of this study concerns itself with the representation of Turkish-German populations in 1990s German cinema. As eclectic as the cinematic representations of the East, the work of these Turkish-German filmmakers appears to offer a troubling cinematic trajectory from abused and exploited first generation Gastarbeiter to self-assured and recalcitrant street-tough Kanaksta.

Item Type: Thesis (PhD)
Qualification Level: Doctoral
Subjects: P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Colleges/Schools: College of Arts > School of Modern Languages and Cultures > German
Supervisor's Name: Supervisor, not known
Date of Award: 2004
Depositing User: Elaine Ballantyne
Unique ID: glathesis:2004-1927
Copyright: Copyright of this thesis is held by the author.
Date Deposited: 11 Jun 2010
Last Modified: 10 Dec 2012 13:48
URI: http://theses.gla.ac.uk/id/eprint/1927

Actions (login required)

View Item View Item


Downloads per month over past year