"Singular devices": The "trade reliefs" of San Marco and the iconography of everyday life in medieval Venice

Stevens, Thea Dione (2007) "Singular devices": The "trade reliefs" of San Marco and the iconography of everyday life in medieval Venice. PhD thesis, University of Glasgow.

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Printed Thesis Information: https://eleanor.lib.gla.ac.uk/record=b2639219


In this study, I examine the 'Trade Reliefs' of the main portal at San Marco and the related cycle of the theme of urban work, the Piazzetta column base sculptures, in the light of three chief factors: their possible dating, the issue of their patronage and the conceptual climate that surrounded their production in thirteenth-century Venice. In Chapter One, I establish that the historical and formal context for the 'Trade Reliefs' and the Piazzetta column bases was the ambitious campaign of civic works undertaken at the basilica and in the Insula Sancti Marci in the course of the duecento. In Chapter Two, I consider the problem of the date of the 'Trade Reliefs' in relation to that of the main portal as a whole. In Chapter Three, I outline the regulation to which trade and manufacture were subject in medieval Venice, especially in reference to the statutes of the guilds, in order to establish the worth of the 'arti argument' for the analysis of the 'Trade Reliefs' and Piazzetta column bases. In Chapter Four, I propose that the question of the patronage of the 'Trade Reliefs' and Piazzetta column bases must be analysed in relation to the procurators of San Marco, the governmental officials who organised the workings and funding of the activities of the opus, a remit that extended to the Insula Sancti Marci as a whole. In the fifth and final chapter, I place the 'Trade Reliefs' and the Piazzetta column bases within the context of the fashioning of visual politics m the Insula Sancti Marci in the duecento. I consider the implications of previous interpretations of the decoration of San Marco as a politically-motivated programme of works, proposing that the display of spolia such as the Quadriga and the deliberate evocation of early Christian and Roman models at both the basilica itself and in the Insula as a whole can be read as the proclamation of a triumphalist message in the afterbirth of the Fourth Crusade. I also analyse the emphasis placed on the imagery of civic justice, and by citing the hiclusion of lion protome heads in the 'Trade Reliefs' I link this concept to their overall meaning, proposing that the latter should be read as not merely eschatological but also a direct statement of the workings of the state-led civic collective. I conclude, therefore, that the case of the 'Trade Reliefs' and Piazzetta column sculptures presents us with a paradigm of visual propaganda in which the state enforced the values of the civic collective, and that in both cycles of the iconography of everyday life the dialectic between ideal and real become is mirrored by that between subject and subjectified. (Abstract shortened by ProQuest.).

Item Type: Thesis (PhD)
Qualification Level: Doctoral
Keywords: Art history, church architecture, Venice, Italy.
Subjects: N Fine Arts > NA Architecture
Colleges/Schools: College of Arts > School of Culture and Creative Arts > History of Art
Supervisor's Name: Gibbs, Prof. Robert
Date of Award: 2007
Depositing User: Enlighten Team
Unique ID: glathesis:2007-71875
Copyright: Copyright of this thesis is held by the author.
Date Deposited: 17 May 2019 09:31
Last Modified: 09 Jul 2021 06:33
Thesis DOI: 10.5525/gla.thesis.71875
URI: http://theses.gla.ac.uk/id/eprint/71875

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