Decentering Chineseness: towards affective transsensorial cinemas

Sim, Jiaying (2018) Decentering Chineseness: towards affective transsensorial cinemas. PhD thesis, University of Glasgow.

Due to Embargo and/or Third Party Copyright restrictions, this thesis is not available in this service.

Abstract

What can cinema as an industry and medium teach us about the roles and parameters that define a “body” within a contemporary and globalised climate of interwoven flows of exchanges and practices? How does cinema make visible and tangible otherwise invisible transsensorial and affective modes of interactions that a body actively engages with other bodies, to create meanings beyond the limitations and capacities of a single body’s subjectivity and materiality? I address these areas of inquiry by examining four case studies of film examples produced from Singapore, Taiwan, People’s Republic of China, Hong Kong, Malaysia, and America that feature ethnic “Chinese” bodies on screen.

This thesis sets out to illustrate how meaning is easily imposed on bodies—whether tied to the ethnic, visual, or tangible—rendering them passive where they are mere products of social construction with no individual agency or autonomy. However, contemporary practices of filmmaking and new ways of thinking about film experiences reveal that the body is in fact an active-affective producer of meanings. As such, the body can no longer be approached as a passive central locus where its meaning is defined solely by transnational, transcultural, or other grand narratives.

This thesis posits a “transsensorial” object-oriented, and new-materialist approach within the field of transnational Chinese cinemas studies that regards bodies on-screen beyond audiovisual signs to consider the materiality and immateriality of their production and productivity. Bodies are reframed as “body-without-organs” to consider the affective processes that produce them within specific ecologies—and their productive affective potentials to interrelate and encounter other bodies not-yet-formed. Through which, this thesis makes a case for cinema’s potential to produce thinking active-bodies and how bodies make sense of the worlds they are part of beyond subjective notions of lived experiences whether construed through different various inflections of social constructed identities based on trans-national, or trans-cultural discourses.

Item Type: Thesis (PhD)
Qualification Level: Doctoral
Keywords: Affect, Deleuze, transnational Chinese cinemas, Chinese cinemas, new-materialist, sensoriality, body-without-organs, bodies, embodiment.
Subjects: B Philosophy. Psychology. Religion > B Philosophy (General)
B Philosophy. Psychology. Religion > BD Speculative Philosophy
B Philosophy. Psychology. Religion > BH Aesthetics
Colleges/Schools: College of Arts > School of Culture and Creative Arts > Theatre Film and TV Studies
Supervisor's Name: Martin-Jones, Professor David and Garwood, Dr. Ian
Date of Award: 2018
Embargo Date: 27 June 2021
Depositing User: Dr Jiaying Sim
Unique ID: glathesis:2018-30664
Copyright: Copyright of this thesis is held by the author.
Date Deposited: 18 Jul 2018 15:09
Last Modified: 13 Aug 2018 10:29
URI: http://theses.gla.ac.uk/id/eprint/30664

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