Wagner, Alessio (2022) Music Composition Portfolio and Commentary. PhD thesis, University of Glasgow.
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Abstract
This practice-based research project explores the development of a compositional approach that begins with an interest in sonifying biological patterns. It utilises an emergent, exploratory methodology that draws on a variety of contexts—including acousmatic music, metaphor, psychedelics and electronica—which are combined through a portfolio consisting of six musical works. More specifically, the emergence of a sonic typology that involves experimentation, prior musical experience(s), and a revitalising process originating in reflections of biological patterns plays a central role in the development of the portfolio. It culminates in a multiscale approach to musical composition where strands of materials, ideas and techniques coalesce.
| Item Type: | Thesis (PhD) | 
|---|---|
| Qualification Level: | Doctoral | 
| Additional Information: | A practice-based research project comprising a commentary and portfolio consisting of six musical works. | 
| Subjects: | M Music and Books on Music > M Music | 
| Colleges/Schools: | College of Arts & Humanities > School of Culture and Creative Arts > Music | 
| Supervisor's Name: | Fells, Professor Nick and Harris, Dr. Louise | 
| Date of Award: | 2022 | 
| Depositing User: | Theses Team | 
| Unique ID: | glathesis:2022-83027 | 
| Copyright: | Copyright of this thesis is held by the author. | 
| Date Deposited: | 13 Jul 2022 08:40 | 
| Last Modified: | 19 May 2025 10:44 | 
| Thesis DOI: | 10.5525/gla.thesis.83027 | 
| URI: | https://theses.gla.ac.uk/id/eprint/83027 | 
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