A

Alexander, Helen (2015) Happy harmonies and disturbing discords: Scott Bradley's music for MGM's cartoons. PhD thesis, University of Glasgow.

Alexander, Helen (2010) Music, myth and the pursuit of meaning in Moulin Rouge! MMus(R) thesis, University of Glasgow.

Allan, Robert (2024) “A Question of Value?” Mapping and measuring the Scottish music industries. PhD thesis, University of Glasgow.

Anderson, Robert (2015) Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). PhD thesis, University of Glasgow.

Arthur, Thomas Compton (2012) Developments in my compositional practice. MMus(R) thesis, University of Glasgow.

B

Baillie, Mark Alexander (2022) Where there is discord, may we bring harmony. Thatcherism and independent popular music recording in the UK (1979-1990). PhD thesis, University of Glasgow.

Bandy, Dorian Komanoff (2019) Melodic embellishment in Mozart. PhD thesis, University of Glasgow.

Barr, Kenneth W. (2016) Music copyright in the digital age: creators, commerce and copyright - an empirical study of the UK music copyright industries. PhD thesis, University of Glasgow.

Barron, Richard (2014) Composition portfolio. MMus(R) thesis, University of Glasgow.

Barron, Richard (2021) From text to music: a Scots portfolio. PhD thesis, University of Glasgow.

Baxter, Sonia Tinagli (1999) Italian music and musicians in Edinburgh c. 1720-1800 : a historical and critical study. PhD thesis, University of Glasgow.

Baylan, Satu (2023) Music for Sleep: Music-based interventions to promote sleep in adults. D Clin Psy thesis, University of Glasgow.

Bayley, Christopher (2019) Portfolio of compositions. PhD thesis, University of Glasgow.

Beattie, Alison Margaret (2019) Portfolio of compositions. MMus(R) thesis, University of Glasgow.

Bols, Ingrid (2020) Programming choices and national culture: the repertoires and canons of French and British Symphony Orchestras (1967-2019). PhD thesis, University of Glasgow.

Bolton, Jered (2004) Gestural extraction from musical audio signals. PhD thesis, University of Glasgow.

Borchert, Gustavo (2012) Sistema Scotland: a critical inquiry into the 
implementation of the El Sistema model in Raploch. MMus(R) thesis, University of Glasgow.

Bowyer, Kevin (2016) The organ works of Kaikhosru Shapurji Sorabji (1892-1988). PhD thesis, University of Glasgow.

Brown, Amy Jane (2016) How valuable is web 2.0 to music criticism? An investigation into the role of web 2.0 and social media in the reception of Benjamin Britten's operas. MMus(R) thesis, University of Glasgow.

Buck, Bryony (2016) Gestural communication of music structure during solo classical piano performance. PhD thesis, University of Glasgow.

Bull, Andrew James Anderson (2022) Analysis of contrafacta variation found in the Inchcolm fragments’ Office for St. Columba. PhD thesis, University of Glasgow.

Bull, Andrew James Anderson (2017) The Conductus of W1: an investigation into their history and rhythm. MMus(R) thesis, University of Glasgow.

C

Camara Queiroz de Souza, Luciana (2012) Music and subjectivity in seventeenth-century free-style harpsichord music. PhD thesis, University of Glasgow.

Campbell, Alison D. (2011) Words and music in the Cantigas de Santa Maria: the Cantigas as song. MLitt(R) thesis, University of Glasgow.

Campbell, Iain Findlay (2010) I played | here for you | like so | now | listen good. On disrupting the exchange in sound composition and reception. MMus(R) thesis, University of Glasgow.

Cantabrana, Cody (2022) A realist approach to categorizing musical works. PhD thesis, University of Glasgow.

Carey, Richy (2022) Listening together-apart: Collaborations in matters of the sound-image. PhD thesis, University of Glasgow.

Cathcart Frödén, Lucy (2022) Echolocations: Exploring integration and the ethics of participation through collaborative songwriting. PhD thesis, University of Glasgow.

Cave, Jodi (2013) Composition research folio. MMus(R) thesis, University of Glasgow.

Chiang, Joanna (2015) Locating beauty in modernism: the concepts of beauty and value in modernist music and art. MMus(R) thesis, University of Glasgow.

Cooper, Kathryn Lavinia (2003) Cantus, songs and fancies: context, influence and importance. MMus(R) thesis, University of Glasgow.

Cooper, Kathryn Lavinia (2016) Robert Edward’s Commonplace Book: the context and function of a seventeenth-century Scottish music manuscript (GB-En MS.9450), with an edition of the musical content. PhD thesis, University of Glasgow.

Crase, Fred (2013) Explanation of Video Files. Routine and Isolation: MMus composition portfolio. MMus(R) thesis, University of Glasgow.

Crase, Fred (2013) Intention video. Routine and Isolation: MMus Composition Portfolio. MMus(R) thesis, University of Glasgow.

Crase, Fred (2013) MMus Composition Portfolio - Isolation Psychosis Video. MMus(R) thesis, University of Glasgow.

Crase, Fred (2013) Routine and Isolation: MMus Composition Portfolio. MMus(R) thesis, University of Glasgow.

Crockett, Peter (2018) To what extent do contemporary worship songs in Scottish churches contain elements that are culturally Scottish? MRes thesis, University of Glasgow.

Crutchfield, Rory (2012) 'I saw America changed through music': An examination of the American collecting tradition. PhD thesis, University of Glasgow.

Currie, Amy Irene (2021) Format, materiality and value: an examination of DIY music cassette tapes in archives. PhD thesis, University of Glasgow.

Cybulska, Magdalene (2024) Goddesses of pop: Understanding God and Christianity in 21st century female-driven pop music. MTh(R) thesis, University of Glasgow.

D

Davidson, Neil (2010) Composition in improvisation: forms and otherwise. PhD thesis, University of Glasgow.

Deane, Basil (1958) Albert Roussel and his place in musical tradition. PhD thesis, University of Glasgow.

Desler, Anne (2014) 'Il novello Orfeo' Farinelli: vocal profile, aesthetics, rhetoric. PhD thesis, University of Glasgow.

Docherty, Claire (2009) Composition research folio. MMus(R) thesis, University of Glasgow.

Drake, Joshua Farris (2006) The contemporary perception of text-music relations in motets c.1500. PhD thesis, University of Glasgow.

Duncan, David Thomas (2009) Portfolio of compositions. MMus(R) thesis, University of Glasgow.

Duncan, David Thomas (2013) Portfolio of compositions and accompanying commentary. PhD thesis, University of Glasgow.

E

Eales, Alison Caroline (2017) Bunting and blues: A critical history of Glasgow International Jazz Festival, 1987-2015. PhD thesis, University of Glasgow.

Ehlinger, Arthur (2024) “It really is another world” An investigation into Twitch's impact on the digital evolution of live music. PhD thesis, University of Glasgow.

F

Farley, Jeff (2008) Making America's music: jazz history and the Jazz Preservation Act. PhD thesis, University of Glasgow.

Findlay-Walsh, Iain (2016) Sonic autoethnographies: six records of the listening self. PhD thesis, University of Glasgow.

Forbes, Kenneth (2015) You had to be there? Reflections on the 'legendary' status of the Glasgow Apollo theatre (1973-85). PhD thesis, University of Glasgow.

Ford, Elizabeth Cary (2016) The flute in musical life in eighteenth-century Scotland. PhD thesis, University of Glasgow.

Fowler, Tommy (2000) Portfolio of compositions and thesis 1995-2000. PhD thesis, University of Glasgow.

Fulton, Euan (2013) Portfolio of Compositions. PhD thesis, University of Glasgow.

Fulton, Euan (2009) Portfolio of compositions. MMus(R) thesis, University of Glasgow.

Fyffe, Jamie Robert (2017) Kind of Blue and the Signifyin(g) Voice of Miles Davis. PhD thesis, University of Glasgow.

G

Gallaher, Lisette F. (2021) Think of what you’re saying: mapping the evolution and impact of the Beatles’ lyrical approaches to gender in 1965-1966. MRes thesis, University of Glasgow.

Gardner, Owain (2023) Music, knowledge, faith and reform in the thought and practice of Robert Grosseteste and J. S. Bach. PhD thesis, University of Glasgow.

Gerig, Lauren Magnuson (2008) Forms of luminosity. MPhil(R) thesis, University of Glasgow.

Gilfedder, Mairi Therese (2015) Mediating between the past and present: changing faces of the West Coast fiddle tradition in Scotland. MMus(R) thesis, University of Glasgow.

Griffioen, Keith (2024) Examining social class mobility and career trajectories of working-class musicians. Ed.D thesis, University of Glasgow.

Guariento, Luca (2015) From monochord to weather-glass: musica speculativa and its development in Robert Fludd’s philosophy. PhD thesis, University of Glasgow.

H

Hammond, David Andrew (2009) I. On Process II. Portfolio of Compositions. PhD thesis, University of Glasgow.

Hayes, Eleanor (2022) “You gotta have a con in this land of milk and honey”: exodus, race, and liberative performance in rap, Hip-Hop, and R&B music. MTh(R) thesis, University of Glasgow.

Healy, Claire Eleanor (2012) Commentary on sonic arts practice. MMus(R) thesis, University of Glasgow.

Hong, Ju Lee (2023) East -West encounters in the music of Isang Yun: analysing musical hybridity. PhD thesis, University of Glasgow.

J

Jan, Oli Chun-Yang (2024) The BRECVEMA model of musical emotions and theories of embodied cognition: a practice-based approach including an Experimental Music Theatre Composition Portfolio. PhD thesis, University of Glasgow.

K

Karmy Bolton, Eileen Andrea (2019) The path to trade unionism: musical work in Chile (1893-1940). PhD thesis, University of Glasgow.

Keenan, Peter (2017) Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro. MMus(R) thesis, University of Glasgow.

L

Lee, David George (2014) Music in motion: considerations on and new approaches to editing medieval and renaissance music. MMus(R) thesis, University of Glasgow.

Lee, David George (2018) Works in progress: early modern Lutheranism, labour, and the act of musical composition. PhD thesis, University of Glasgow.

Leomo, Kevin James (2024) Composing Liminality. PhD thesis, University of Glasgow.

Leomo, Kevin James (2017) Portfolio of compositions. MMus(R) thesis, University of Glasgow.

Li, Rui (2024) Global musical modernism in China, 1927-1979. MPhil(R) thesis, University of Glasgow.

Li, Sicong (2024) Exploring the impact of integrating technology-enhanced learning and music as teaching tools and pedagogies for student engagement in private nurseries in Beijing: A qualitative study. PhD thesis, University of Glasgow.

Lonie, Douglas Iain (2009) Musical identities and health over the youth-adult transition. PhD thesis, University of Glasgow.

M

MacDonald, Raymond Alfredo Rossi (1996) Structured music workshops for individuals with learning difficulties : an evaluation study. PhD thesis, University of Glasgow.

MacNiven, Ronald (2014) Seeing the invisible, hearing the inaudible. MMus(R) thesis, University of Glasgow.

MacRitchie, Jennifer (2011) Elucidating musical structure through empirical measurement of performance parameters. PhD thesis, University of Glasgow.

Mann, Bill (2021) ‘Et in Arcadia Ergastus’ – The pastoral, tragicomedy, and the origins of Italian opera in early eighteenth–century London. PhD thesis, University of Glasgow.

Markey, John (2019) Sectarian music in West- Central Scotland. Identity, tradition and division. PhD thesis, University of Glasgow.

Marshall, Edward Joseph (2024) Do choirs have accents? A sociophonetic investigation of choral sound. PhD thesis, University of Glasgow.

Martin, Peter J. (1976) Appreciation of music in relation to personality factors. PhD thesis, University of Glasgow.

Maxwell, Sheila Kate (2009) Guillaume de Machaut and the mise en page of medieval French sung verse. PhD thesis, University of Glasgow.

McAulay, Karen E. (2009) Our ancient national airs: Scottish song collecting c.1760-1888. PhD thesis, University of Glasgow.

McCartney-Moore, Alexander (2020) Re-Cycling Toccate Re-. MPhil(R) thesis, University of Glasgow.

McCluskey, Iain Robert (2017) Marvellous Minutiae: in defence of the details. MMus(R) thesis, University of Glasgow.

McDonald, Bernard Michael (2010) Cavalli's "Ormindo": tonality and sexuality in seventeenth-century Venice. MMus(R) thesis, University of Glasgow.

McDonald, Iain (2007) Playing with technology - an approach to composition. MMus(R) thesis, University of Glasgow.

McGilvray, Douglas (2008) On the analysis of musical performance by computer. PhD thesis, University of Glasgow.

McGregor, Aaron (2020) Violinists and violin music in Scotland, 1550-1750. PhD thesis, University of Glasgow.

McKay, Ivan-Alexander (2024) Portfolio of Compositions. MMus(R) thesis, University of Glasgow.

Millwood, Sasha Valeri (2020) Elucidating the compositional praxis of a living composer, Thea Musgrave, through archival papers. PhD thesis, University of Glasgow.

Mollaghan, Aimée (2011) The musicality of the visual music film. PhD thesis, University of Glasgow.

Molloy, Laura (2016) Digital curation in UK performing arts contemporary professional practice. MPhil(R) thesis, University of Glasgow.

Monteiro, John Richard Ling (2022) Trends and patterns in Chopin’s evolving compositional conception of rhythm and metre practice: a case study of the 17 waltzes (ca. 1829-1847). MPhil(R) thesis, University of Glasgow.

Moody, Niall (2009) Ashitaka: an audiovisual instrument. PhD thesis, University of Glasgow.

Munro, Gordon James. (1999) Scottish church music and musicians, 1500-1700. PhD thesis, University of Glasgow.

N

Noltingk, Jacqueline Susan (2017) The Scottish orchestras and new music, 1945-2015. PhD thesis, University of Glasgow.

O

O'Hare, Peter (2008) Approaching sound: a sonicological examination of the producer’s role in popular music. MPhil(R) thesis, University of Glasgow.

Ogretici, Yusuf Ziya (2021) Bridging theory, experiment, and implications: knowledge and emotion-based musical practices for Religious Education. PhD thesis, University of Glasgow.

P

Park, Yoon Kyung (2008) Seventeenth-century musical fantasy : origins of freedom and irrationality. PhD thesis, University of Glasgow.

Parkes, Bethan Rachel (2011) Affective spatialities in the acousmatic arts. MMus(R) thesis, University of Glasgow.

Parkes, Bethan Rachel (2015) Sonic arts portfolio and commentary. PhD thesis, University of Glasgow.

Percival, Graham Keith (2013) Physical modelling meets machine learning: performing music with a virtual string ensemble. PhD thesis, University of Glasgow.

Perfetti, Guglielmo (2018) Absolute beginners of the “Belpaese.” Italian youth culture and the Communist Party in the years of the economic boom. PhD thesis, University of Glasgow.

Q

Quinn, Aisling (2015) Investigating voice. MMus(R) thesis, University of Glasgow.

R

Robertson-Kirkland, Brianna Elyse (2016) Are we all castrati? Venanzio Rauzzini: ‘The father of a new style in English singing’. PhD thesis, University of Glasgow.

Rogers, Matthew Scott (2013) Tintagel: a study in landscapist construction and poetical interlace. MMus(R) thesis, University of Glasgow.

Ross, Charles (2013) ‘… AND BEING GUIDED, SO TO SPEAK.’ Externalising the internal musical dialogue. PhD thesis, University of Glasgow.

Rozanoff, Seth Aaron (2017) Portfolio of Compositions: accompanying audio, and performance materials. PhD thesis, University of Glasgow.

S

Scott, Calum (2022) Moving air - a portfolio of sounding sculpture. PhD thesis, University of Glasgow.

Scott, Calum Collinson (2011) Musical applications of physical computing. MMus(R) thesis, University of Glasgow.

Scott, Elaine (2011) Franz Liszt 1811-1886: putting the virtue into virtuosity. MMus(R) thesis, University of Glasgow.

Scrutton, Nichola Jane (2009) Hearing voices: electroacoustic composition portfolio and commentary. PhD thesis, University of Glasgow.

Sepko, Delaina (2015) Curating music curation. PhD thesis, University of Glasgow.

Smith, Peter Alexander (2009) Masters composition portfolio. MMus(R) thesis, University of Glasgow.

Soga, Hector Ian (1989) The sacred vocal works of Gottfried August Homilius (1714-1785) with particular reference to his St. Mark Passion. PhD thesis, University of Glasgow.

Stevenson, Lesley (2004) 'Scotland the Real':the representation of traditional music in Scottish tourism. PhD thesis, University of Glasgow.

Stutter, Joshua Joseph (2020) The musical, notational and codicological evidence of W1 for an oral transmission of Notre Dame polyphony to Scotland. MMus(R) thesis, University of Glasgow.

T

Thomas, Catriona Ruth (2011) Composition Research Folio. MMus(R) thesis, University of Glasgow.

Thomas, Sara Ann (2009) Subjectivity In American popular metal: contemporary gothic, the body, the grotesque, and the child. PhD thesis, University of Glasgow.

Twynholm, Scott (2019) Portfolio of Compositions. MMus(R) thesis, University of Glasgow.

W

Wagner, Alessio (2022) Music Composition Portfolio and Commentary. PhD thesis, University of Glasgow.

Wang, Linfeng (2022) Jazz education in mainland China: historical and contemporary perspectives. PhD thesis, University of Glasgow.

Wang, Yuan (2017) Observations on the Chinese metal scene (1990-2013): history, identity, industry, and social interpretation. PhD thesis, University of Glasgow.

Webster, Emma (2011) Promoting live music in the UK: a behind-the-scenes ethnography. PhD thesis, University of Glasgow.

Wilkinson, Tom Andrew (2021) The music of J. S. Bach and the evolution of Romantic aesthetics. PhD thesis, University of Glasgow.

Wright, Allan (2007) Frank Zappa's orchestral works : art music or "bogus pomp"? MMus(R) thesis, University of Glasgow.

Y

Ye, Yajie (2023) Distributed leadership functions: navigating conducting strategies in choral-orchestral music-making. MPhil(R) thesis, University of Glasgow.

Z

Zhang, Jiarong (2022) 'Hierarchy of protection' and 'hierarchy of culture': the effects of copyright law on traditional music. PhD thesis, University of Glasgow.