A

Anderson, Alasdair J. (2011) Analysis of musical structures: an approach utilising monadic parser combinators. PhD thesis, University of Glasgow.

B

Bandy, Dorian Komanoff (2019) Melodic embellishment in Mozart. PhD thesis, University of Glasgow.

Bratten, Lee Ann (1997) The adaptation of literature to the musical stage: The best of the Golden Age. MPhil(R) thesis, University of Glasgow.

C

Cardwell-Rambo, Markee (2013) Wilson and musical collaboration: the dramaturgy of music and musicians in Robert Wilson's practice. MLitt(R) thesis, University of Glasgow.

Clements, Joanna (2009) Music in Scotland before the mid-ninth century: an interdisciplinary approach. MMus(R) thesis, University of Glasgow.

Clements, Joanna (2013) The creation of “ancient” Scottish music history, 1720-1838. PhD thesis, University of Glasgow.

Cooper, Kathryn Lavinia (2003) Cantus, songs and fancies: context, influence and importance. MMus(R) thesis, University of Glasgow.

F

Forbes, Kenneth (2015) You had to be there? Reflections on the 'legendary' status of the Glasgow Apollo theatre (1973-85). PhD thesis, University of Glasgow.

Ford, Elizabeth Cary (2016) The flute in musical life in eighteenth-century Scotland. PhD thesis, University of Glasgow.

G

Gardner, Owain (2023) Music, knowledge, faith and reform in the thought and practice of Robert Grosseteste and J. S. Bach. PhD thesis, University of Glasgow.

H

Harvey, Jonathan (1965) The composer's idea of his inspiration. PhD thesis, University of Glasgow.

Hughes, Richard Vaughan (1996) The ritus canendi vetustissimus et novus of Johannes Legrense: a critical edition with translation, introduction and notes on the text. PhD thesis, University of Glasgow.

K

Karmy Bolton, Eileen Andrea (2019) The path to trade unionism: musical work in Chile (1893-1940). PhD thesis, University of Glasgow.

Kelsall, John (1975) Compositional techniques in the music of Stockhausen (1951-1970). PhD thesis, University of Glasgow.

L

Leslie, Laura (2014) Adorno as the devil in Mann’s 'Doctor Faustus': aspects of modernism in music, literature and critique. MMus(R) thesis, University of Glasgow.

M

Mai, Chih-Yuan (2008) Sacrificial form: the libretti in English 1940-2000. PhD thesis, University of Glasgow.

McCartney-Moore, Alexander (2020) Re-Cycling Toccate Re-. MPhil(R) thesis, University of Glasgow.

McDonald, Bernard Michael (2010) Cavalli's "Ormindo": tonality and sexuality in seventeenth-century Venice. MMus(R) thesis, University of Glasgow.

Millwood, Sasha Valeri (2020) Elucidating the compositional praxis of a living composer, Thea Musgrave, through archival papers. PhD thesis, University of Glasgow.

N

Nannetti, Remo Lorenzo (1984) Italian verista opera libretti, 1890-1920: A historical, structural and statistical survey. PhD thesis, University of Glasgow.

P

Parker Dixon, Amy (2011) Towards a poetics of criticism: Adornoian negativity and the experiential in the essays and musical marginalia of Virginia Woolf. PhD thesis, University of Glasgow.

R

Rambo-Hood, Markee H. (2009) What a difficult task it is for music to fulfil the demands of an epic theatre: a discussion of the role of epic music in Bertolt Brecht's plays. MPhil(R) thesis, University of Glasgow.

Raninen, Sanna (2010) Contrafactum in Central European manuscripts : Case studies from Trent 90. MMus(R) thesis, University of Glasgow.

Rogers, Matthew Scott (2013) Tintagel: a study in landscapist construction and poetical interlace. MMus(R) thesis, University of Glasgow.

S

Scott, Jo Collinson (2012) Experiments in schizoanalysis: a new approach to analysis of conceptual music. PhD thesis, University of Glasgow.

Smith, Peter Alexander (2009) Masters composition portfolio. MMus(R) thesis, University of Glasgow.

W

Williams, Vivien Estelle (2013) The cultural history of the bagpipe in Britain, 1680-1840. PhD thesis, University of Glasgow.