Thesis

Anderson, Alasdair J. (2011) Analysis of musical structures: an approach utilising monadic parser combinators. PhD thesis, University of Glasgow.

Bandy, Dorian Komanoff (2019) Melodic embellishment in Mozart. PhD thesis, University of Glasgow.

Bratten, Lee Ann (1997) The adaptation of literature to the musical stage: The best of the Golden Age. MPhil(R) thesis, University of Glasgow.

Cardwell-Rambo, Markee (2013) Wilson and musical collaboration: the dramaturgy of music and musicians in Robert Wilson's practice. MLitt(R) thesis, University of Glasgow.

Clements, Joanna (2009) Music in Scotland before the mid-ninth century: an interdisciplinary approach. MMus(R) thesis, University of Glasgow.

Clements, Joanna (2013) The creation of “ancient” Scottish music history, 1720-1838. PhD thesis, University of Glasgow.

Cooper, Kathryn Lavinia (2003) Cantus, songs and fancies: context, influence and importance. MMus(R) thesis, University of Glasgow.

Forbes, Kenneth (2015) You had to be there? Reflections on the 'legendary' status of the Glasgow Apollo theatre (1973-85). PhD thesis, University of Glasgow.

Ford, Elizabeth Cary (2016) The flute in musical life in eighteenth-century Scotland. PhD thesis, University of Glasgow.

Gardner, Owain (2023) Music, knowledge, faith and reform in the thought and practice of Robert Grosseteste and J. S. Bach. PhD thesis, University of Glasgow.

Harvey, Jonathan (1965) The composer's idea of his inspiration. PhD thesis, University of Glasgow.

Hughes, Richard Vaughan (1996) The ritus canendi vetustissimus et novus of Johannes Legrense: a critical edition with translation, introduction and notes on the text. PhD thesis, University of Glasgow.

Karmy Bolton, Eileen Andrea (2019) The path to trade unionism: musical work in Chile (1893-1940). PhD thesis, University of Glasgow.

Kelsall, John (1975) Compositional techniques in the music of Stockhausen (1951-1970). PhD thesis, University of Glasgow.

Leslie, Laura (2014) Adorno as the devil in Mann’s 'Doctor Faustus': aspects of modernism in music, literature and critique. MMus(R) thesis, University of Glasgow.

Mai, Chih-Yuan (2008) Sacrificial form: the libretti in English 1940-2000. PhD thesis, University of Glasgow.

McCartney-Moore, Alexander (2020) Re-Cycling Toccate Re-. MPhil(R) thesis, University of Glasgow.

McDonald, Bernard Michael (2010) Cavalli's "Ormindo": tonality and sexuality in seventeenth-century Venice. MMus(R) thesis, University of Glasgow.

Millwood, Sasha Valeri (2020) Elucidating the compositional praxis of a living composer, Thea Musgrave, through archival papers. PhD thesis, University of Glasgow.

Nannetti, Remo Lorenzo (1984) Italian verista opera libretti, 1890-1920: A historical, structural and statistical survey. PhD thesis, University of Glasgow.

Parker Dixon, Amy (2011) Towards a poetics of criticism: Adornoian negativity and the experiential in the essays and musical marginalia of Virginia Woolf. PhD thesis, University of Glasgow.

Rambo-Hood, Markee H. (2009) What a difficult task it is for music to fulfil the demands of an epic theatre: a discussion of the role of epic music in Bertolt Brecht's plays. MPhil(R) thesis, University of Glasgow.

Raninen, Sanna (2010) Contrafactum in Central European manuscripts : Case studies from Trent 90. MMus(R) thesis, University of Glasgow.

Rogers, Matthew Scott (2013) Tintagel: a study in landscapist construction and poetical interlace. MMus(R) thesis, University of Glasgow.

Scott, Jo Collinson (2012) Experiments in schizoanalysis: a new approach to analysis of conceptual music. PhD thesis, University of Glasgow.

Smith, Peter Alexander (2009) Masters composition portfolio. MMus(R) thesis, University of Glasgow.

Williams, Vivien Estelle (2013) The cultural history of the bagpipe in Britain, 1680-1840. PhD thesis, University of Glasgow.