B

Bailey, Lucy Ann (2024) Walter Fawkes, 1769 – 1825 Patron of the Arts. In two volumes. PhD thesis, University of Glasgow.

Black, Peter (2016) Explanatory essay and seven articles. PhD thesis, University of Glasgow.

C

Clapperton, Stacey (2017) Making it real: methods and materials of British war artists, 1914-1919. Volume 1. PhD thesis, University of Glasgow.

D

Dahlem, Andreas M. (2009) The Wittelsbach Court in Munich: history and authority in the visual arts (1460-1508). PhD thesis, University of Glasgow.

Doroszenko, Rebekah (2015) Improvement and the Scottish rural estate: Sir Archibald Grant at Monymusk, 1715-1778. PhD thesis, University of Glasgow.

Drew, Rodger (1996) Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti. PhD thesis, University of Glasgow.

G

Gattringer, Christa (2014) 17th-Century Antwerp artists’ studio practice: Rubens and his circle: an interdisciplinary approach in technical art history. PhD thesis, University of Glasgow.

Glen, Abigail L. (2014) An indication of the rights of woman: a feminist text-image analysis of the 'Response du Bestiaire'. MPhil(R) thesis, University of Glasgow.

Gordon, Grier Robertson (1990) Scottish scenes and Scottish story : the later career of David Allan, historical painter. PhD thesis, University of Glasgow.

Grew, Rachael (2010) The evolution of the alchemical androgyne in symbolist and surrealist art. PhD thesis, University of Glasgow.

I

Irvine, Victoria (2015) The development of the use of models in Scottish art, c.1800-1900, with special reference to painting and the Trustees’ Academy, Edinburgh. PhD thesis, University of Glasgow.

M

MacDonald, Isobel Caroline (2019) Sir William Burrell (1861-1958): the man and the collector. PhD thesis, University of Glasgow.

McAra, Catriona Fay (2012) 'Some parallels in words and pictures': Dorothea Tanning and visual intertextuality. PhD thesis, University of Glasgow.

McAuley, Rosemary Therese (2023) Portraying His Faith: The Christian art of William Hole (1846-1917), R.S.A. PhD thesis, University of Glasgow.

Meacock, Joanna (2001) Saintly ecstasies: the appropriation and secularisation of saintly imagery in the paintings and poems of Dante Gabriel Rossetti. PhD thesis, University of Glasgow.

N

Noel-Johnson, Victoria Sarah Louise (2018) Taking possession of the past: de Chirico and the great masters. PhD thesis, University of Glasgow.

P

Phillips, Catherine Victoria (2013) Art and politics in the Austrian Netherlands: Count Charles Cobenzl (1712–70) and his collection of drawings. PhD thesis, University of Glasgow.

R

Ren, Baihua (2020) The Water Mill: authentication and analysis of an ancient Chinese Jiehua painting. PhD thesis, University of Glasgow.

S

Sproull, Katie Louise (2018) Two beheadings and a haircut: The (mis) treatment of biblical women in Belle Époque painting. MTh(R) thesis, University of Glasgow.

Stoner, Gregory Neil (2013) Learning, students’ skills and learning technologies (old and new) in the development of accounting education. PhD thesis, University of Glasgow.

Szalay, Klaudia (2010) Naturalism and national identity in the context of empire: the Nagybanya Artists' Colony and the Glasgow Boys. MLitt(R) thesis, University of Glasgow.

T

Toreno, Elisabetta (2015) Fifteenth-Century Italian and Netherlandish female portraiture in context: a legal-anthropological interpretation. PhD thesis, University of Glasgow.

Tyler, Matthew James (2021) Aspects of the manufacture, trade and history of smalt. PhD thesis, University of Glasgow.

V

Vlček Schurr, J S (2020) The Master of the Passional of Abbess Cunegund: an exploration of style, iconography and nationality. PhD thesis, University of Glasgow.

Vlček Schurr, Jennifer Susan (2009) The Passional of Abbess Cunegund: protagonists, production and a question of identity. MPhil(R) thesis, University of Glasgow.

W

Williams, Vivien Estelle (2013) The cultural history of the bagpipe in Britain, 1680-1840. PhD thesis, University of Glasgow.

Woodward-Reed, Hannah Elizabeth (2018) The context and material techniques of royal portrait production within Jacobean Scotland: The Courts of James V and James VI. PhD thesis, University of Glasgow.