A

Alruwaili, Ahlam M. (2021) Eastern characters on the Elizabethan stage: uses and abuses. PhD thesis, University of Glasgow.

Amsden, Lucy C. E. (2015) ‘The work of a clown is to make the audience burst out laughing’: learning clown at École Philippe Gaulier. PhD thesis, University of Glasgow.

B

Barok, Andrea (2021) The emergence of physical theatre in Hungary. MRes thesis, University of Glasgow.

Berger, Cara Gabriele (2014) Performing Écriture Féminine: strategies for a feminist politics of the postdramatic. PhD thesis, University of Glasgow.

Birrell, Ross John (2002) The theatre of destruction: anarchism, nihilism & the avant-garde, 1909-1945. PhD thesis, University of Glasgow.

Bissell, Laura (2011) The female body, technology and performance : performing a feminist praxis. PhD thesis, University of Glasgow.

Bissell, Laura (2007) The posthuman body in performance. MPhil(R) thesis, University of Glasgow.

Bratten, Lee Ann (1997) The adaptation of literature to the musical stage: The best of the Golden Age. MPhil(R) thesis, University of Glasgow.

Butucea, Vlad (2023) Queer digital performance: challenging gender and sexuality in theatre. PhD thesis, University of Glasgow.

C

Cameron-Lewis, Laura (2011) Compositional strategies for pervasive performance. MPhil(R) thesis, University of Glasgow.

Cameron-Lewis, Laura (2020) Compositional strategies for pervasive performance. MPhil(R) thesis, University of Glasgow.

Campbell, Madeleine (2014) Translating Mohammed Dib: Deleuzean rhizome or Sufi errancy? PhD thesis, University of Glasgow.

Charnley, Julie (2018) Politics in the theatre of Jacobean England 1618-1625: satire and commentary in a climate of censorship. MRes thesis, University of Glasgow.

Cizakca, Defne (2015) The encyclopaedia of Istanbul, a novel : & Ottoman crossroads: coffeehouses, politics, theatres and storytelling, critical essays. PhD thesis, University of Glasgow.

Craig, Jennifer J. (2009) Inventing 'living emblems': emblem tradition in the masques of Ben Jonson, 1605-1618. PhD thesis, University of Glasgow.

D

Dodds, Joshua Christopher (2020) Instant architecture: A socio-political history of performance in 1960s Los Angeles. MRes thesis, University of Glasgow.

Dyson, Gillian (2020) The ‘Feminine Un-canny’: A strategy for the deconstruction of the homely in contemporary, solo feminist performance art. PhD thesis, University of Glasgow.

E

Edwards, Robyn A. (2011) Parallel Lives: Sophocles' heroes in the twentieth century. MPhil(R) thesis, University of Glasgow.

El Fouadi, Kamal (1989) The scope of naturalism in British working-class drama, with particular reference to Joe Corrie, D.H. Lawrence and Sean O'Casey. PhD thesis, University of Glasgow.

F

Fairley, Charlie J.A. (2007) Widening the debate: Aspects of community in Scotish drama in the 1980s. MPhil(R) thesis, University of Glasgow.

Francombe, Benedict John (1993) "The home of the living writer" : the playwright and the Abbey Theatre. PhD thesis, University of Glasgow.

G

Gerow, David (2017) Understanding livecasting: Exploring the relationship between theatre, cinema and livecasting. MRes thesis, University of Glasgow.

Gil, Maria (2009) Autobiographical performances and intimacy. MPhil(R) thesis, University of Glasgow.

Gourlay, Jennifer Eowyn (2003) Negotiating spaces: women and agency in English Renaissance society, plays and masques. PhD thesis, University of Glasgow.

H

Hand, Richard James (1996) Self-adaptation : the stage dramatisation of fiction by novelists. PhD thesis, University of Glasgow.

Hardy-Sims, Emily E.A. (2024) “It’s just a bunch of Hocus Pocus”: an exploration into ways the portrayal of witches on screen effect the way witches and witchcraft are viewed in real life. MPhil(R) thesis, University of Glasgow.

Heddon, Deirdre E. (1999) In search of the subject: locating the shifting politics of women's performance art. PhD thesis, University of Glasgow.

Holton, Simon James (2023) Producing performance collectively in austere times (UK 2008-2018). PhD thesis, University of Glasgow.

Hopfinger, Sarah (2017) Performance (in) ecology: A practice-based approach. PhD thesis, University of Glasgow.

I

Ibrahim, Gamal Abdel-Nasser T. (1983) Patterns and themes in Shakespeare's early comedies. PhD thesis, University of Glasgow.

Iles, Paul (1997) Issues in theatrical management: Howard and Wyndham and the evolution of the British touring circuit. MPhil(R) thesis, University of Glasgow.

Iles, Paul (2001) Issues in theatrical management: Repertory theatres, the Royal Lyceum Theatre Company, Edinburgh and the repercussions of arts administration. MLitt(R) thesis, University of Glasgow.

K

Kane, Eilidh Ewart (2014) Rethinking Middleton’s collaborations: making meaning in early modern texts. PhD thesis, University of Glasgow.

Knight, Malcolm Yates (2004) Masks praxis: theories and practices in modern drama. PhD thesis, University of Glasgow.

Knotts, Jennifer Marie (2023) Play/writing histories: investigating the dramaturgical potential of architectural drawing practices in exploring the hidden histories of built spaces. An architextural study of the Citizens Theatre. PhD thesis, University of Glasgow.

Kovacs, Nicole (2024) The world of the pose: constructing a dramaturgy of the pose. PhD thesis, University of Glasgow.

M

MacDonald, Ruth (2013) Motherhood and representation in modern adaptations of Greek tragedy. MRes thesis, University of Glasgow.

Mackenzie, Neil (1983) A study of the developing use of the extreme in the plays of Franz Xaver Kroetz. PhD thesis, University of Glasgow.

Margolies, Eleanor (1999) Actors and artisans: The use of objects in the training of actors. MPhil(R) thesis, University of Glasgow.

Matchett, Grace (1990) The relationship of parents and children in the English domestic plays of George Bernard Shaw. PhD thesis, University of Glasgow.

McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis, University of Glasgow.

McLuskie, Kathleen E. (1972) The form and image of the masque in Jacobean drama. PhD thesis, University of Glasgow.

Mooney, Denis (1988) The development of the Roman carnival over the eighteenth and nineteenth centuries. PhD thesis, University of Glasgow.

N

Norris Jones, MaryAnn (2008) Performance in a can: Considering recorded theatrical performance. MPhil(R) thesis, University of Glasgow.

O

O'Neill, Erica Kate (2020) First adventure to final flight: the theatre of Tristan Tzara. PhD thesis, University of Glasgow.

Overend, David (2011) Underneath the Arches : developing a relational theatre practice in response to a specific cultural site. PhD thesis, University of Glasgow.

P

Pitrolo, Flora (2010) Fac, ut ardeat cor meum : an experiment in listening to visual theatres. MPhil(R) thesis, University of Glasgow.

Ponti, Emanuela (2010) Performing dreams in England and Spain, 1570-1670. PhD thesis, University of Glasgow.

Power, Cormac (2006) Presence in play: a critique of theories of presence in the theatre. PhD thesis, University of Glasgow.

R

Redington, Christine Ann (1979) Theatre in education : an historical and analytical study. PhD thesis, University of Glasgow.

Rennie, Allan (2012) Representing performance: documentary film, performance theory and the real. MPhil(R) thesis, University of Glasgow.

Robinson, Rebecca Charlotte (2009) From theory to practice : The National Theatre of Scotland, 1999-2009. PhD thesis, University of Glasgow.

Rutherford, Cassandra (2014) Building theatres/theatre buildings: reinventing Mull Theatre. PhD thesis, University of Glasgow.

S

Saggini, Francesca (2009) The transforming muses: stage appropriations of the gothic novel in the 1790s. PhD thesis, University of Glasgow.

Shutt, Helen (2023) Playwriting and participation: textual strategies towards audience co-Authorship in performance. PhD thesis, University of Glasgow.

Stevenson, Mariela Jane. (1998) Dramatic narratives and the holocaust. PhD thesis, University of Glasgow.

Stewart, Lucy Agnes (2024) Lost property: Reflections on nostalgia and lost belongings. MRes thesis, University of Glasgow.

T

Taylor, Christopher Vincent (2017) Up-staging God: from immanence to transcendence. How a hermeneutic of performance illuminates tensions in Christian theology and tragic encounters between God and humanity. PhD thesis, University of Glasgow.

W

Weissmann, Elke (2006) Crime, the body and the truth: understanding the shift towards forensic science in television crime drama with the CSI-franchise. PhD thesis, University of Glasgow.

White, Jonathan Barry (2024) Digital ventriloquism: Practices of vocal resistance and self emancipation. PhD thesis, University of Glasgow.

Wilson, Francis Marion Moseley (2021) Bodies and boundaries in performing taxidermy. PhD thesis, University of Glasgow.

Wilson, Harry Robert (2018) Affective intentionalities: practising performance with Roland Barthes's Camera Lucida. PhD thesis, University of Glasgow.

Wilson, Harry Robert (2012) The director of devised theatre: facilitating, collaboration, ownership and empowerment. MPhil(R) thesis, University of Glasgow.