A

Armfield, Maris Margaret Doris (2012) Art and society in Ulm 1377-1530. PhD thesis, University of Glasgow.

Asomatos, Christos (2020) The social turn: artistic legitimacy and the origins of politicisation. PhD thesis, University of Glasgow.

B

Batori, Anna (2017) Enclosed spatial formations: space and place in the socialist and post-socialist Romanian and Hungarian cinema. PhD thesis, University of Glasgow.

Bell, Laurie (2006) NeonSense: ways of seeing Bruce Nauman's neon artworks. MPhil(R) thesis, University of Glasgow.

Bellinetti, Maria Caterina (2018) Building a nation: the construction of modern China through CCP's propaganda images. PhD thesis, University of Glasgow.

Blanksma, Amber (2024) The Orpheus complex: Understanding cinema through Maurice Blanchot. MPhil(R) thesis, University of Glasgow.

Boyd, Ailsa Margaret Susan (2002) A home of their own: representations of women in interiors in the art, design and literature of the late nineteenth century. PhD thesis, University of Glasgow.

Boyd, David John (2019) Soulful bodies and superflat temporalities: a nomadology of the otaku database of world history at the ends of history. PhD thesis, University of Glasgow.

Boyd, Louise Anne (2016) Art, sex, and institutions: defining, collecting, and displaying Shunga. PhD thesis, University of Glasgow.

Brown, Clare Rachel (2018) The art of mission: the role of visual culture in Victorian mission to southern Africa, 1840-1910. PhD thesis, University of Glasgow.

C

Calvert, Robyne Erica (2012) Fashioning the artist: artistic dress in Victorian Britain 1848-1900. PhD thesis, University of Glasgow.

Cameron, Marie-Claire (2024) ‘Un-boarding’ the window trom faca mi an àird an Iar/ through which I saw the West: Excavating the practices of Anne Campbell, Marnie Keltie, Moira MacLean, Mary Morrison and Ishbel Murray. MPhil(R) thesis, University of Glasgow.

Carey, Richy (2022) Listening together-apart: Collaborations in matters of the sound-image. PhD thesis, University of Glasgow.

Castriota, Brian Eric (2019) Securing a futurity: artwork identity and authenticity in the conservation of contemporary art. PhD thesis, University of Glasgow.

Clapperton, Stacey (2017) Making it real: methods and materials of British war artists, 1914-1919. Volume 1. PhD thesis, University of Glasgow.

D

Dahlem, Andreas M. (2009) The Wittelsbach Court in Munich: history and authority in the visual arts (1460-1508). PhD thesis, University of Glasgow.

Dickson, Nicola M. (2023) A critically reflective arts-based research study exploring the experiences of survivors of sexual abuse as adult learners, artists and research participants. PhD thesis, University of Glasgow.

Dougan, Andy (2018) The development of the audience for early film in Glasgow before 1914. PhD thesis, University of Glasgow.

Duncan, Dean William (2000) Classical music in narrative film: strategies for use and analysis. PhD thesis, University of Glasgow.

E

Eadie, William Payne (1989) The sociology of an artistic movement: art nouveau in Glasgow, 1890-1914. PhD thesis, University of Glasgow.

Eldridge, Alison (2015) Photography and sociology: an exercise in serendipity. PhD thesis, University of Glasgow.

Erjavec, Alexandra Elena Barbara (2015) Masculinity penetrated: satisfying socially constructed visions of heterosexuality in MS M. 754. MPhil(R) thesis, University of Glasgow.

Esposito, Angela (2018) International food television show formats in the digital era. PhD thesis, University of Glasgow.

F

Finer, Ella Jean (2009) How can the solo female performer be rendered present through absence? MPhil(R) thesis, University of Glasgow.

G

Gordon, Rebecca Alison (2011) Rethinking material significance and authenticity in contemporary art. PhD thesis, University of Glasgow.

Grew, Rachael (2010) The evolution of the alchemical androgyne in symbolist and surrealist art. PhD thesis, University of Glasgow.

Gupta, Toolika (2016) The influence of British rule on elite Indian menswear: the birth of the Sherwani. PhD thesis, University of Glasgow.

H

Haverly, Ciara Mireille (2020) Flowers as representations of female virtue in nineteenth-century emblems and emblematic works. MPhil(R) thesis, University of Glasgow.

Hobbs, Mark (2010) Visual representations of working-class Berlin, 1924–1930. PhD thesis, University of Glasgow.

Hughes, Alicia (2021) Creating and controlling a visual language: authorial control and image-making in William Hunter's collection of anatomical drawings and prints. PhD thesis, University of Glasgow.

Hutton, Ailsa Kate (2015) Re-viewing history: antiquaries, the graphic arts and Scotland's lost geographies, c.1660-1820. PhD thesis, University of Glasgow.

I

Irvine, Victoria (2015) The development of the use of models in Scottish art, c.1800-1900, with special reference to painting and the Trustees’ Academy, Edinburgh. PhD thesis, University of Glasgow.

J

Jankuliaková, Jana (2023) Expressionist visions of war trauma: male bodies in the sketches of Erich Heckel and Max Beckmann (1914-1918). PhD thesis, University of Glasgow.

Johnson, Nicola Elizabeth (2018) Television in Scotland: an assessment of the broadcasting landscape: past, present and potential futures. PhD thesis, University of Glasgow.

Judova, Jevgenija (2013) The signifiers of the demonic in the Queen Mary Psalter, Ms 2 B VII. MPhil(R) thesis, University of Glasgow.

K

Kasten, Megan Nichole (2019) The Govan stones revealed: digital imaging in the analysis of early medieval sculpture. PhD thesis, University of Glasgow.

Kawamura, Sally (2009) Object into action: group Ongaku and Fluxus. PhD thesis, University of Glasgow.

Kocak, Kenan (2015) The representation of Middle East identities in comics journalism. PhD thesis, University of Glasgow.

Konstantelos, Leonidas (2009) Digital art in digital libraries: a study of user-oriented information retrieval. PhD thesis, University of Glasgow.

Kovacs, Nicole (2024) The world of the pose: constructing a dramaturgy of the pose. PhD thesis, University of Glasgow.

Kromholz, Sophie C. (2016) The artwork is not present: An investigation into the durational engagement with temporary artworks. PhD thesis, University of Glasgow.

L

Leal, Pedro Germano Moraes Cardoso (2014) The invention of hieroglyphs: a theory for the transmission of hieroglyphs in early-modern Europe. PhD thesis, University of Glasgow.

Lynchehaun, Ross (2013) American cinema after 9/11. PhD thesis, University of Glasgow.

M

MacDonald, Isobel Caroline (2019) Sir William Burrell (1861-1958): the man and the collector. PhD thesis, University of Glasgow.

MacLeod, Anne Margaret (2006) The idea of antiquity in visual images of the Highlands and Islands c.1700-1880. PhD thesis, University of Glasgow.

MacLeod, Catriona (2013) Invisible presence: the representation of women in the Francophone bande dessinée. PhD thesis, University of Glasgow.

Marshalsay, Karen Anne (1991) The Scottish National Players: in the nature of an experiment 1913-1934. PhD thesis, University of Glasgow.

McAra, Catriona Fay (2012) 'Some parallels in words and pictures': Dorothea Tanning and visual intertextuality. PhD thesis, University of Glasgow.

McBride, Leah Amber (2019) Depicting atrocity: The body, testimony, and subjecthood in contemporary representations of trauma. PhD thesis, University of Glasgow.

McBurney, Stephen (2018) Colour cinema in Scotland, 1896-1906: the materiality of colour and its social contexts in Aberdeen, Inverness and Edinburgh. PhD thesis, University of Glasgow.

McCormack, Helen (2010) A collector of the fine arts in eighteenth-century Britain: Dr William Hunter (1718-1783). PhD thesis, University of Glasgow.

McCue, Maureen Clare (2011) British Romanticism and Italian Renaissance art. PhD thesis, University of Glasgow.

McIntyre, John Andrew (2023) Authorship and AI: Infinite production, automated communication, and the illusion of a post- human culture. PhD thesis, University of Glasgow.

McMurray, Shane Anthony (2018) A Scottish sovereign? Image, iconography and Union on Scotland’s coins, medals and seals under the reigns of James VI and I and Charles I, 1603-1642. MRes thesis, University of Glasgow.

Mckeown, Conor (2018) Videogame ecologies: interaction, aesthetics, affect. PhD thesis, University of Glasgow.

Morse, Benjamin L. (2008) The Bible and its modern methods: interpretation between art and text. PhD thesis, University of Glasgow.

Mulliken, Douglas (2018) Objectively violent: the cinema of Pablo Trapero. PhD thesis, University of Glasgow.

Munro, Jenny (2014) Riffaterrean ungrammaticality and Ricoeurian discourse as performance in the films and collaborations of Claire Denis. PhD thesis, University of Glasgow.

N

Noel-Johnson, Victoria Sarah Louise (2018) Taking possession of the past: de Chirico and the great masters. PhD thesis, University of Glasgow.

O

Orleans, Elzbieta M. (2023) L’Apparition - Appropriation of archival and found material in a post-digital audiovisual practice. PhD thesis, University of Glasgow.

P

Pollick, Johanna (2021) Fragmented devotions: picturing the wounds of Christ in late medieval England, c.1400-1533. PhD thesis, University of Glasgow.

R

Riley, Kirsten Helene Frances (2011) Pictorial signification through praxis: an investigation into the visual fiction of American photorealism (1967-1977). PhD thesis, University of Glasgow.

Riszko, Leila Nicole (2016) Breaching bodily boundaries: transgressive embodiment and gender queering in contemporary performance art. PhD thesis, University of Glasgow.

Robinson, Rebecca Grace (2002) Scottish television comedy audiences. PhD thesis, University of Glasgow.

Rodger, Calum (2015) From Stonypath to Little Sparta: navigating the work of Ian Hamilton Finlay. PhD thesis, University of Glasgow.

S

Scammell, Jennifer F. (2010) Domesticating the Virgin: vernacular depictions of Mary and their reception in late medieval society. PhD thesis, University of Glasgow.

Shaw, Michael (2015) The fin-de-siècle Scots Renascence: the roles of decadence in the development of Scottish cultural nationalism, c.1880-1914. PhD thesis, University of Glasgow.

Simpson, Roderick Duff (2013) Contextualising, analysing and cataloguing the glass negatives from Rock House in the Dougan Collection of the Special Collections Department, University of Glasgow Library. MPhil(R) thesis, University of Glasgow.

Spooner, Rosemary Gall (2016) Close encounters: international exhibitions and the material culture of the British Empire, c.1880-1940. PhD thesis, University of Glasgow.

Strang, Kirsty (2015) ‘Change rules’: reading Glasgow’s 1960s redevelopment in the work of Edwin Morgan. MPhil(R) thesis, University of Glasgow.

T

Tomšů, Hana (2013) The construction of culture in Scottish and Czech contemporary cinema: a comparison of the films The Winter Guest and O rodičích a dětech. MPhil(R) thesis, University of Glasgow.

Tubb, Katherine Anne (2008) 'At the still point of the turning world' - the photographic portraits of August Sander and Thomas Ruff. MPhil(R) thesis, University of Glasgow.

Tubb, Katherine Anne (2011) Marta Astfalck-Vietz: photographs 1924-1936. PhD thesis, University of Glasgow.

W

Weber, Kaylin Haverstock (2013) The studio and collection of the 'American Raphael': Benjamin West, P.R.A. (1738-1820). PhD thesis, University of Glasgow.

Weir, Lucy Gabrielle Ann (2013) The cross-cultural rituals of twentieth-century dance: Mary Wigman, Martha Graham, Pina Bausch. PhD thesis, University of Glasgow.

Williams, Cynthia S. (2021) The Hamilton Vase: entwined histories. PhD thesis, University of Glasgow.

Williams, Vivien Estelle (2013) The cultural history of the bagpipe in Britain, 1680-1840. PhD thesis, University of Glasgow.

Y

Yuan, Yilei (2016) Subtitling Chinese cinema: a case study of Zhang Yimou’s films. PhD thesis, University of Glasgow.

Z

Zafar, Muhammad Hasan (2017) Pakistani documentary: representation of national history and identity (1976-2016). PhD thesis, University of Glasgow.