Thesis

Aaltonen, Minna-Ella (2011) Touch, taste & devour: phenomenology of film and the film experiencer in the cinema of sensations. MPhil(R) thesis, University of Glasgow.

Alexander, Helen (2015) Happy harmonies and disturbing discords: Scott Bradley's music for MGM's cartoons. PhD thesis, University of Glasgow.

Archibald, David (2004) The Spanish Civil War in cinema. PhD thesis, University of Glasgow.

Atkinson, Justine (2023) Collaborative curation: in pursuit of a non-hierarchical practice. PhD thesis, University of Glasgow.

Bartlett, Rebecca (2015) How failure works: understanding and analysing the characteristics of badfilm, 1950-1970. PhD thesis, University of Glasgow.

Birks, Chelsea (2017) Limit cinema: Bataille and the nonhuman in contemporary global film. PhD thesis, University of Glasgow.

Bohlmann, Julia (2016) Regulating and mediating the social role of cinema in Scotland, 1896-1933. PhD thesis, University of Glasgow.

Boyd, David John (2019) Soulful bodies and superflat temporalities: a nomadology of the otaku database of world history at the ends of history. PhD thesis, University of Glasgow.

Brayard, Frédéric (2019) Meillassoux and film: correlation, unreason and hyperchaos in French contemporary cinema. PhD thesis, University of Glasgow.

Brown, Stuart Duncan (2008) The subversion of sympathy in British social realism: uses of laughter in the cinematic representation of the British working-class. MPhil(R) thesis, University of Glasgow.

Buckle, Christopher (2011) The 'War on Terror' metaframe in film and television. PhD thesis, University of Glasgow.

Chalkou, Maria (2008) Towards the creation of 'quality' Greek national cinema in the 1960s. PhD thesis, University of Glasgow.

Chandler, Alex Steven (2021) Testing the limits of the ‘hard man’ in film: masculinity and male health behaviour in Scotland’s public health films 1934-2000. PhD thesis, University of Glasgow.

Chick, Kristine Robbyn (2011) Re-framing French culture: Transformation and renewal in the films of Jean-Luc Godard, Alain Resnais, Agnès Varda and Jacques Tati (1954-1968). PhD thesis, University of Glasgow.

Coppel, Eva Parrondo (2001) Mapping textual surfaces: psychoanalytic theory, subjectivity, and 1940s Hollywood cinema. PhD thesis, University of Glasgow.

Copsey, Dickon (2004) Race, gender and nation : the cultural construction of identity within 1990s German cinema. PhD thesis, University of Glasgow.

Dickson, Lesley-Ann (2014) Film festival and cinema audiences: a study of exhibition practice and audience reception at Glasgow Film Festival. PhD thesis, University of Glasgow.

Duncan, Dean William (2000) Classical music in narrative film: strategies for use and analysis. PhD thesis, University of Glasgow.

Edmonstone, Robert J. (2008) Beyond “Brutality”: understanding the Italian Filone’s violent excesses. PhD thesis, University of Glasgow.

Ferguson, Laura Elizabeth (2011) Kicking the Vietnam syndrome? Collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War. PhD thesis, University of Glasgow.

Figgis, Laurence (2013) (In)edible beauty: the surreal, the uncanny, the sentimental in Walt Disney's fairy-tale cartoons, 1937-1991. MPhil(R) thesis, University of Glasgow.

Fotiou, Mikela (2015) The cinematic work of Nikos Nikolaidis and female representation. PhD thesis, University of Glasgow.

Gerow, David (2017) Understanding livecasting: Exploring the relationship between theatre, cinema and livecasting. MRes thesis, University of Glasgow.

Hardy-Sims, Emily E.A. (2024) “It’s just a bunch of Hocus Pocus”: an exploration into ways the portrayal of witches on screen effect the way witches and witchcraft are viewed in real life. MPhil(R) thesis, University of Glasgow.

Hibberd, Lynne A. (2009) Creative industries policy and practice. a study of BBC Scotland and Scottish Screen. PhD thesis, University of Glasgow.

Hughes, Katherine Ross (2013) Queer possibilities in teen friendships in film, 2000-2009. PhD thesis, University of Glasgow.

Johnston, Cristina (2005) The use of the spoken word in contemporary French minority cinema, with specific reference to banlieue and gay cinema (1990-2000). PhD thesis, University of Glasgow.

Joshi, Sonali (2004) Jean-Pierre Léaud: star of the French cinema. PhD thesis, University of Glasgow.

Kamleitner, Katharina (2020) On women’s film festivals: histories, circuits, feminisms, futures. PhD thesis, University of Glasgow.

Kamza, Assel (2021) Kazakh cinema and the nation: a critical analysis. PhD thesis, University of Glasgow.

Kealy, Oisín (2023) Human rights film festivals in South America – three models of rights in translation. PhD thesis, University of Glasgow.

Kelly, Gillian Patricia (2015) A Taylor made star: male beauty, changes in masculinity and the 'lost' stardom of Robert Taylor, Hollywood 1934 - 1969. PhD thesis, University of Glasgow.

Kumar, Akshaya (2015) Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of North Indian media. PhD thesis, University of Glasgow.

Lee, Ming-Yu (2015) Diary film in America and in Taiwan: narrative, temporality, and changing technology. PhD thesis, University of Glasgow.

Lindner, Katharina (2009) Spectacular physicalities: female athleticism in contemporary cinema. PhD thesis, University of Glasgow.

Lindohf, Jessica Malin (2002) Images of the end : representations of the apocalyptic in contemporary film. PhD thesis, University of Glasgow.

Mackenzie, Michael (2013) Gender, genre and sociocultural change in the Giallo: 1970-1975. PhD thesis, University of Glasgow.

Macleod, Allison (2013) Spaces of collision: queer masculinities in recent Irish cinema. PhD thesis, University of Glasgow.

Mango, Carolyn Khamete (2023) The presence of women in the Kenyan film industry: applying postcolonial African feminist theory. PhD thesis, University of Glasgow.

Martin-Jones, David (2002) Becoming-other in time: the Deleuzian subject in cinema. PhD thesis, University of Glasgow.

McDonald, Scott (2024) Contemporary franchise revitalisation: The soft reboot. MPhil(R) thesis, University of Glasgow.

McWhirter, Andrew Christopher (2014) Film criticism in the digital age. PhD thesis, University of Glasgow.

Mollaghan, Aimée (2011) The musicality of the visual music film. PhD thesis, University of Glasgow.

Moraes, Ana Luisa Siqueira de (2016) Film policy in practice: a case study of Scottish Screen’s funding schemes. PhD thesis, University of Glasgow.

Mulliken, Douglas (2018) Objectively violent: the cinema of Pablo Trapero. PhD thesis, University of Glasgow.

Munro, Emily J. (2006) The language problem in European cinema: Discourses on 'foreign-language films' in criticism, theory and practice. PhD thesis, University of Glasgow.

Murray, Jonathan (2006) Local Heroics: Scottish cinema in the 1990s. PhD thesis, University of Glasgow.

Neely, Sarah (2003) Adapting to change in contemporary Irish and Scottish culture: fiction to film. PhD thesis, University of Glasgow.

Neilson, Toby (2020) Imagining the Anthropocene: science fiction cinema in an era of climatic change. PhD thesis, University of Glasgow.

Phillis, Philip (2015) Towards an inclusive discourse: representation of Albanian immigrants in Greek cinema. PhD thesis, University of Glasgow.

Pintado Zurita, Mariana (2022) The time-critical sequel: an exploration of time through sequels’ temporal intertextuality. PhD thesis, University of Glasgow.

Reburn, Jennifer (2012) Watching men: masculinity and surveillance in the American serial killer film 1978-2008. PhD thesis, University of Glasgow.

Ross, Miriam (2010) Developing cinematic culture: a South American case study. PhD thesis, University of Glasgow.

Silvester, Hannah (2018) Translating banlieue film: an integrated analysis of subtitled non-standard language. PhD thesis, University of Glasgow.

Smith, Sarah (2007) A complicitous critique : parodic transformations of cinema in moving image art. PhD thesis, University of Glasgow.

Spurr, Graeme R. (2016) Amateur video: technology, behaviour and practice, 1965-2015. PhD thesis, University of Glasgow.

Tei, Chiew Siah (2007) Chinese texts, western analysis: from film to novel. PhD thesis, University of Glasgow.

Tweed, Hannah Catherine (2015) Aesthetics of autism? Contemporary representations of autism in literature and film. PhD thesis, University of Glasgow.

Vélez-Serna, María Antonia (2012) Film distribution in Scotland before 1918. PhD thesis, University of Glasgow.

Ward, Kenneth (2017) Taking the new wave out of isolation: humour and tragedy of the Czechoslovak new wave and post-communist Czech cinema. MPhil(R) thesis, University of Glasgow.

Ward, Kenneth (2022) The artist and the regime: Karel Kachyňa and four decades of Czechoslovak film. PhD thesis, University of Glasgow.

Wardrop, Georgina (2011) Redefining gender in twenty-first century spanish cinema: the films of Pedro Almodóvar. MPhil(R) thesis, University of Glasgow.

Yuan, Yilei (2016) Subtitling Chinese cinema: a case study of Zhang Yimou’s films. PhD thesis, University of Glasgow.

Zhou, Yu (2023) Remembering the history of pain: cinematic representations of the Nanjing Massacre. PhD thesis, University of Glasgow.