A

Abbott, Paul Joseph (2015) The Gospel of Something or Other / Critical mass. PhD thesis, University of Glasgow.

Abdul-Razāk, Hanāʼ Muḥammad (1989) Keats, Shelley and Byron in Nāzik al-Malāʼikah's poetry. PhD thesis, University of Glasgow.

Abroon, Fazel (1998) Ontological unity and empirical diversity in Shelley's thought: with reference to Ibn Arabi's theory of imagination. PhD thesis, University of Glasgow.

Abuzeid, Ahmad Elsayyad Ahmad (1987) The theme of alienation in the major novels of Thomas Hardy. PhD thesis, University of Glasgow.

Adams, Gaar Moths (2023) Guest privileges: a narrative nonfiction book on queerness, migration and belonging in the Arabian peninsula. DFA thesis, University of Glasgow.

Al Othman, Kawthar Yasser (2023) Spatiality in contemporary Arab American migrant fiction: a geocritical reading. PhD thesis, University of Glasgow.

Alexander, Dorothy (2006) Singing the Void. PhD thesis, University of Glasgow.

Alexander, Marc Gabriel (2006) Cognitive-linguistic manipulation and persuasion in Agatha Christie. MPhil(R) thesis, University of Glasgow.

Allan, Shona Millar (1999) "Das Lebend'ge will ich preisen" : from Ästhetik to Humanität : a comparative study of Byron and Goethe with special reference to Don Juan and the West-östlicher Divan. PhD thesis, University of Glasgow.

Allen, William (2022) Sonic neurologies: Sound and schizophrenia in the work of David Foster Wallace and Richard Powers. PhD thesis, University of Glasgow.

Alshatti, Aishah (2008) Appropriations of the Gothic by Romantic-era women writers. PhD thesis, University of Glasgow.

Altinel, Ahmed Savkar (1979) Thackeray and the problem of realism. PhD thesis, University of Glasgow.

Altorf, Marije (2004) Iris Murdoch and the art of imagination: imaginative philososphy as response to secularism. PhD thesis, University of Glasgow.

Anderton, Marja Arendina Louise (1994) The power to destroy false images: eight British women writers and society 1945-1968. PhD thesis, University of Glasgow.

Andrews, Deborah Louise (2013) Creation at the interface between deaf and hearing worlds: the journey of a maker, from theatre to literature, in search of accessible aesthetics and texts. PhD thesis, University of Glasgow.

Angeletti, Gioia (1997) Scottish eccentrics : the tradition of otherness in Scottish poetry from Hogg to MacDiarmid. PhD thesis, University of Glasgow.

Arain, Mohammad Saeed (1999) Characteristics and significance of tragedy; Its comparison and contrast between Shakespeare and Thomas Hardy. MPhil(R) thesis, University of Glasgow.

B

Babinec, Lisa Suzanne (1994) Cultural constructs: the representation of femininity in the novels of Emma Tennant, Margaret Elphinstone, and Janice Galloway. PhD thesis, University of Glasgow.

Badinjki, Taher (1985) The fallen woman in the Victorian novel. PhD thesis, University of Glasgow.

Balinisteanu, Mihai Tudor (2007) Narrative, social myth and reality in contemporary Scottish and Irish women's writing: Kennedy, Lochhead, Bourke, Ni Dhuibhne and Carr. PhD thesis, University of Glasgow.

Baraniuk, Caroline (2009) ‘As native in my thought as any here’ A revisionist re-reading of the life and works of James Orr: poet, patriot and Ulster-Scot. PhD thesis, University of Glasgow.

Barclay, Hayleigh (2019) De Volonté & the vampire bite: how Gothic vampire literature of the 19th century influences female members of the Goth subculture. DFA thesis, University of Glasgow.

Becherer, Laura Rae (2021) And I Have Touched the Sky and accompanying essays. PhD thesis, University of Glasgow.

Bell, Stuart (2015) 'Don't stop': re-thinking the function of endings in narrative television. PhD thesis, University of Glasgow.

Benchimol, Alex (2001) Intellectual formations in the Romantic period: a comparative study of cultural politics and social criticism in the British public sphere, 1802-32. PhD thesis, University of Glasgow.

Benning, Sheri-Lynne Marie (2015) In Ordinary Time. PhD thesis, University of Glasgow.

Benske, Karla H (2008) Loyalty - bounden duty or liberating challenge? An enquiry into issues of loyalty in a selection of novels by Stuart Hood, James Kennaway and Allan Massie. PhD thesis, University of Glasgow.

Benyoucef, Djouher (2021) The ecological thought of Thomas Hardy: a comparative study of his selected novels and their movie adaptations. PhD thesis, University of Glasgow.

Best, Gillian E. (2011) Carbunckle's Flight and a reflective essay on the creative process. PhD thesis, University of Glasgow.

Betteridge, Tom (2016) 'Yes, the century is an ashen sun': poem and subject in the philosophy of Alain Badiou. PhD thesis, University of Glasgow.

Bicket, Juliet Linden (2008) Bringers of epiphany: depictions of the feminine in the shorter fiction of George Mackay Brown. MPhil(R) thesis, University of Glasgow.

Bicket, Juliet Linden (2012) A 'God-ordained web of creation': the faithful fictions of George Mackay Brown. PhD thesis, University of Glasgow.

Bissell, Sarah Jane (2014) Haunted matters: objects, bodies, and epistemology in Victorian women's ghost stories. PhD thesis, University of Glasgow.

Bold, Valentina (1997) 'Nature's making' : James Hogg and the autodidactic tradition in Scottish poetry. PhD thesis, University of Glasgow.

Borland Sinclair, Grace (2022) Fractal fictions and feminist futures: the speculative fiction of Lady Florence Dixie and Naomi Mitchison. MPhil(R) thesis, University of Glasgow.

Boucher, Abigail Kate (2015) Representations of the aristocratic body in Victorian literature. PhD thesis, University of Glasgow.

Brady, Ellie Maria (2022) A way of life: guilt and recovery in Scottish women’s writing. MRes thesis, University of Glasgow.

Bragina, Jekaterina (2012) A cognitive stylistic analysis of J.R.R. Tolkien's fantasy world of Middle-earth. PhD thesis, University of Glasgow.

Braidwood, Alistair (2011) Iain Banks, James Kelman and the art of engagement: an application of Jean Paul Sartre's theories of literature and existentialism to two modern Scottish novelists. PhD thesis, University of Glasgow.

Bratten, Lee Ann (1997) The adaptation of literature to the musical stage: The best of the Golden Age. MPhil(R) thesis, University of Glasgow.

Brennan, Claire Josephine (1996) Sylvia Plath - the woman and her time: an intertextual approach. PhD thesis, University of Glasgow.

Briand-Boyd, Julie (2019) The (un)becoming-Scot: Irvine Welsh, Gilles Deleuze and the minor literature of Scotland after Scotland. PhD thesis, University of Glasgow.

Bromley, Amy Nicole (2018) Virginia Woolf and the work of the literary sketch: scenes and characters, politics and printing in Monday or Tuesday (1921). PhD thesis, University of Glasgow.

Brown, Ian (2018) History as Theatrical Metaphor: History, Myth and National Identities in Modern Scottish Drama. DLitt thesis, University of Glasgow.

Brown, Janice Margaret (2011) Hartsend: a novel and reflections on its writing. PhD thesis, University of Glasgow.

Brown, Luke (2014) Tension between artistic and commercial impulses in literary writers’ engagement with plot. PhD thesis, University of Glasgow.

Brown, Niamh (2017) Devotional cosmology: poetry, thermodynamics and popular astronomy, 1839-1889. PhD thesis, University of Glasgow.

Bruce, John (2000) Infidelity and infection: the biblical nexus of false religion and contagious heterodoxy in Burton, Milton, Swift and Defoe. PhD thesis, University of Glasgow.

Buchanan, Henry (2007) The puzzle of the indian boy in a Midsummer Night's Dream. MPhil(R) thesis, University of Glasgow.

Bulbul, Asli (2022) Light: the diegetic world-builder in J.R.R. Tolkien’s secondary world. MPhil(R) thesis, University of Glasgow.

Buntin, Melanie Clare (2011) Augustanism in Scotland: the pastoral and the georgic in the work of Allan Ramsay and James Thomson. MPhil(R) thesis, University of Glasgow.

Buntin, Melanie Clare (2015) The mutual gaze: the location(s) of Allan Ramsay and James Thomson within an emerging eighteenth-century British literature. PhD thesis, University of Glasgow.

Butterworth-Parr, Francis (2024) Machphrasis: Video games as metaphor in contemporary literary culture. PhD thesis, University of Glasgow.

C

Calman, Kenneth Charles (2012) Makars and mediciners: A study of the link between Scottish literature, medicine and health. MLitt(R) thesis, University of Glasgow.

Campbell, Alexandra (2018) Archipelagic poetics: ecology in modern Scottish and Irish poetry. PhD thesis, University of Glasgow.

Carr, Felix (2024) The aesthetics of literary ressentiment in the works of Thomas Bernhard and Christine Lavant. MPhil(R) thesis, University of Glasgow.

Carruthers, Gerard Charles (2001) The invention of Scottish literature during the long eighteenth century. PhD thesis, University of Glasgow.

Cartwright, Amy (2005) The future is Gothic: elements of Gothic in dystopian novels. PhD thesis, University of Glasgow.

Catsikis, Phyllis Joyce (2009) "A brilliant burst of botanical imagination": Proserpina and the nineteenth-century evolution of myth. PhD thesis, University of Glasgow.

Chapman, Alison Fiona (1995) Christina Rossetti and the aesthetics of the feminine. PhD thesis, University of Glasgow.

Charnley, Julie (2018) Politics in the theatre of Jacobean England 1618-1625: satire and commentary in a climate of censorship. MRes thesis, University of Glasgow.

Chiu, Kang-Yen (2012) Hospitality, nation and empire in Walter Scott’s Waverley novels. PhD thesis, University of Glasgow.

Chou, Hsing-chun (2002) Joyce, Bakhtin, and postcolonial trialogue: history, subjectivity, and the nation in Ulysses. PhD thesis, University of Glasgow.

Cizakca, Defne (2015) The encyclopaedia of Istanbul, a novel : & Ottoman crossroads: coffeehouses, politics, theatres and storytelling, critical essays. PhD thesis, University of Glasgow.

Clarkson, Amy (2023) Oak Thorn Kin: embodied practices of reciprocal restoration. DFA thesis, University of Glasgow.

Coles, Thomas Alexander Cazel (2013) B.S. Johnson: a topological approach. MPhil(R) thesis, University of Glasgow.

Collins, Carol (1999) Duality in the writing of Thomas Carlyle and Charles Kingsley. PhD thesis, University of Glasgow.

Connor, Eamonn (2024) Maritime modernity: life narratives of the ‘Golden Age’ leisure cruise. PhD thesis, University of Glasgow.

Corbett, John B. (1992) Functional grammar and genre analysis : a description of the language of learned and popular articles. PhD thesis, University of Glasgow.

Cording, Alastair (1974) Twentieth century Scottish drama. PhD thesis, University of Glasgow.

Corrie, Jane Anne (2017) William Cullen's exemplary retirement: the art of ageing in Enlightenment Scotland. PhD thesis, University of Glasgow.

Craig, Jennifer J. (2009) Inventing 'living emblems': emblem tradition in the masques of Ben Jonson, 1605-1618. PhD thesis, University of Glasgow.

Crawford, Alice (1990) The desire and pursuit of the whole: pattern and quest in the novels of Rose Macaulay. PhD thesis, University of Glasgow.

Cre, Marleen (1997) Westminster Cathedral Treasury Ms 4: A 15th century spiritual compilation. MPhil(R) thesis, University of Glasgow.

Creechan, Louise (2020) Unwriting Victorian illiteracy. PhD thesis, University of Glasgow.

Crum, Ailsa Kirsten Laird (2017) Floating (a novel) and writing and not writing a novel called floating (an essay). PhD thesis, University of Glasgow.

Cuthbert, Alexander John (2012) Eternity's unhidden shore: time in the writings of Edwin Muir (1887-1959). PhD thesis, University of Glasgow.

D

Dahal, Tanka Prasad (2013) The wooden house. MPhil(R) thesis, University of Glasgow.

Davidson, Ryan J. (2014) Affinities of influence: exploring the relationship between Walt Whitman and William Blake. PhD thesis, University of Glasgow.

Davis, Deryl Andrew (2018) "A Scottish Milton": Robert Pollok and epic theodicy in the Romantic Age. PhD thesis, University of Glasgow.

Davis, Thomas Charles Greig (2023) William Cunningham, historical theologian: Coram Deo, Per Systema, Pro Ecclesia. PhD thesis, University of Glasgow.

Deans, Alexander Eden Atkinson (2015) Labouring bodies, feeling minds: intellectual improvement and Scottish writing, 1759-1828. PhD thesis, University of Glasgow.

Dear, Lou (2017) Colonialism, knowledge and the university. PhD thesis, University of Glasgow.

Dematagoda, Udith Haritha (2015) ‘The loathsome tint of social intent’: Ideology and aesthetics in the work of Vladimir Nabokov, 1926-1939. PhD thesis, University of Glasgow.

Di Mario, Anna Maria (2013) What Remains and The failure of idealism in the Spanish civil War. PhD thesis, University of Glasgow.

Dick, Maria-Daniella (2010) Dante ...... Joyce. Derrida. PhD thesis, University of Glasgow.

Domke, Rebecca (2013) Romantic disillusionment in the later works of Mary Shelley. PhD thesis, University of Glasgow.

Driggers, Taylor (2020) Faith, fairies, and floozies: deconstructing God, sex, and gender in fantasy. PhD thesis, University of Glasgow.

Duffin, Charles J. (1999) Accents of tradition and the language of romance: a study in the relationship of popular oral tradition and literary culture in Scotland: 1700-1825. PhD thesis, University of Glasgow.

Dunn, Charlotte Eloise (2017) Debate in medieval English and middle-Scots poetry. MRes thesis, University of Glasgow.

Dunn, Francis Gerard (2022) A. J. Cronin’s career and fiction with specific reference The Citadel and the context of the foundation of the National Health Service. MPhil(R) thesis, University of Glasgow.

E

Eastlake, Laura Joanne (2014) Engendering antiquity: masculinity and ancient Rome in the Victorian cultural imagination. PhD thesis, University of Glasgow.

El-Baaj, Habib (1989) Thomas Hardy and Theodore Dreiser: a comparative study. PhD thesis, University of Glasgow.

El-Komy, M. Shebl (1978) The theme of alienation in Matthew Arnold. PhD thesis, University of Glasgow.

Elliot, Robert David (1977) The Glasgow novel. PhD thesis, University of Glasgow.

Elliott, Clare Frances (2009) William Blake's American legacy: transcendentalism and visionary poetics in Ralph Waldo Emerson and Walt Whitman. PhD thesis, University of Glasgow.

Elliott, Gemma Louise (2018) 'Once more she was part of a novel': Dorothy Richardson's doubly autobiographical Pilgrimage. PhD thesis, University of Glasgow.

Enemark, Nina (2015) 'Recrossing the ritual bridge': Jane Ellen Harrison's theory of art in the work of Hope Mirrlees. PhD thesis, University of Glasgow.

Evans Abbott, Caroline Corinne (2019) The Good Doctor Hesselius: Le Fanu’s invisible narrator and the framing of In a Glass Darkly from Gothic to sensation fiction. MRes thesis, University of Glasgow.

F

Fahssi, Elias Alexander (2014) Marking the medieval: the textual afterlives of Middle English texts. MPhil(R) thesis, University of Glasgow.

Fawcett, Christina (2014) J.R.R. Tolkien and the morality of monstrosity. PhD thesis, University of Glasgow.

Fee, Christopher Richard (1997) Torture, text and the reformulation of spiritual identity in old English religious verse. PhD thesis, University of Glasgow.

Ferguson, Jim (2011) A weaver in wartime: a biographical study and the letters of Paisley weaver-poet Robert Tannahill (1774-1810). PhD thesis, University of Glasgow.

Ferguson, Rex (2009) Experience on trial: criminal law and the modernist novel. PhD thesis, University of Glasgow.

Figueroa, Ricardo Armando (1984) The model of society in Lewis Grassic Gibbon's writings. PhD thesis, University of Glasgow.

Filippaki, Argyro (2017) Tropics of trauma: affective representations in war narratives, 1917-2006. PhD thesis, University of Glasgow.

Fleming, Morna Robertson (1997) The impact of the Union of the Crowns on Scottish lyric poetry, 1584-1619. PhD thesis, University of Glasgow.

Ford, John (2000) From poésie to poetry: remaniement and mediaeval techniques of French-to-English translation of verse romance. PhD thesis, University of Glasgow.

Foulds, Alexandra Laura (2018) Gothic monster fiction and the 'novel-reading disease', 1860-1900. PhD thesis, University of Glasgow.

Fountain, James R.T. (2010) The work of modernist poet Joseph Macleod (‘Adam Drinan’) (1903 – 1984). PhD thesis, University of Glasgow.

Freire, Rafael Argenton (2010) Byron and Álvares de Azevedo: Byronism in Brazil. MPhil(R) thesis, University of Glasgow.

G

Gafsen, Oliver (2023) Dark Castle. MFA thesis, University of Glasgow.

Gallagher, Kevin Thomas (2022) ‘Sae dinna put me in your buke’: Editing Robert Burns for the Nineteenth Century. PhD thesis, University of Glasgow.

Gallaher, Lisette F. (2021) Think of what you’re saying: mapping the evolution and impact of the Beatles’ lyrical approaches to gender in 1965-1966. MRes thesis, University of Glasgow.

Garcia Rangel, Sherezade (2016) The Wounded Me: a novel and critical essay on Hugo Simberg's oeuvre and the literary engagement with his painting The Wounded Angel. PhD thesis, University of Glasgow.

Gardner, John Mark (2002) Peterloo, Cato Street, and Caroline: poetry and popular protest, 1819-1821. PhD thesis, University of Glasgow.

Georganta, Konstantina (2009) Modern mimesis: encounters between British and Greek poetry, 1922-1952. PhD thesis, University of Glasgow.

Germanà, Monica (2004) Re-working the magic, 1978-2001 : a parallel study of six Scottish women writers of the late twentieth century : Margaret Elphinstone, Alison Fell, Sian Hayton, Ali Smith, Emma Tennant and Alice Thompson. PhD thesis, University of Glasgow.

Gifford, Thomas Douglas MacPharlain (1982) The development of the fiction of James Hogg. PhD thesis, University of Glasgow.

Gordon, Rhona (2014) Housing matters in the texts of Gordon Burn, Andrew O'Hagan and David Peace. PhD thesis, University of Glasgow.

Gourlay, Jennifer Eowyn (2003) Negotiating spaces: women and agency in English Renaissance society, plays and masques. PhD thesis, University of Glasgow.

Green, Johanna M. E. (2012) Judgement Day I, Resignation A and Resignation B: a conceptual unit in the Exeter Book. PhD thesis, University of Glasgow.

Groves, Robert David (2005) 'Planned and purposeful' or 'without second thought?': formulaic language and incident in Barbour's Brus. PhD thesis, University of Glasgow.

Grunberg, Alexandra Margaret (2022) Merchant – a series of incomplete essays on Saint Lucy. DFA thesis, University of Glasgow.

H

Hall, Simon W. (2009) The history of Orkney literature. PhD thesis, University of Glasgow.

Hall, Suzanne (1991) Interpretation, gender, and the reader : Angela Carter's self-conscious novels. PhD thesis, University of Glasgow.

Hamilton, Anne (2015) A world of their own? The novel and the total institution. PhD thesis, University of Glasgow.

Hamlin, Sarah Elizabeth (2016) Poetic politics: writers and the 2014 Scottish Independence Referendum. PhD thesis, University of Glasgow.

Hanna, Julian (2005) The manifesto in Britain and Ireland, 1878-1939: a genealogy. PhD thesis, University of Glasgow.

Harris, Emily (2016) Making a home: the difficulty of dwelling in Genesis and its intertexts. MTh(R) thesis, University of Glasgow.

Harvie, Steven (2024) ‘Gleaming with history-in-darkness’: an archival exploration of Muriel Spark’s fiction from poetics to publishing. PhD thesis, University of Glasgow.

Harvie, Jennifer B. (1996) Liz Lochhead's drama. PhD thesis, University of Glasgow.

Hass, Andrew Wilfred (1996) Poetics and the philosophy of reflection: with particular attention to W.H. Auden's The sea and the mirror as it reflects back to its predecessors and forward to postmodernism. PhD thesis, University of Glasgow.

Hastie, Katy (2019) ‘Mademoiselle Albertine is gone’: the epistemological desires & deceptions of embedded intimate surveillance. PhD thesis, University of Glasgow.

Hay, Emily Brogan (2022) ‘What I was I no more remain’ Recontextualising the Casket Sonnets, attributed to Mary Queen of Scots, alongside the poetry of Anne Lock and Elizabeth Melville. MPhil(R) thesis, University of Glasgow.

Haynes, Laura (2021) The Quick. PhD thesis, University of Glasgow.

He, Kaiyue (2024) Muriel Spark’s house of fiction: exile, faith, and memory. PhD thesis, University of Glasgow.

Heit, Jamey (2011) Liturgical liaisons : the textual body, irony, and betrayal in John Donne and Emily Dickinson. PhD thesis, University of Glasgow.

Herzog, David Michael (1999) The Amorum Emblemata (1608) of Otto Vaenius: An edition with introduction and commentary. MPhil(R) thesis, University of Glasgow.

Hewitt, Kirsty Louise (2019) ‘The second sex’: the female body and mind in 20th and 21st century women’s writing. MLitt(R) thesis, University of Glasgow.

Hewitt, Lindsay Ann (1992) A sociolinguistic approach to the study of literary dialect in the work of John Galt and Christian Johnstone. PhD thesis, University of Glasgow.

Heyman, Michael Benjamin (1999) Isles of Boshen : Edward Lear's literary nonsense in context. PhD thesis, University of Glasgow.

Higgins, David George (2015) Robert Louis Stevenson within imperial precincts: a study of literary boundaries and marginalised voices. PhD thesis, University of Glasgow.

Hiley, Margaret Barbara (2006) Aspects of modernism in the works of C.S. Lewis, J.R.R. Tolkien and Charles Williams. PhD thesis, University of Glasgow.

Hill, Susan Jane (1996) Prince Arthur, Crowne of Martiall Band: the vision and the quest in Spenser's Faerie Queene. PhD thesis, University of Glasgow.

Hinnie, Lucy Rhiannon (2012) 'Dido enflambyt': the tragic queen of Carthage in Gavin Douglas' Eneados (1513). MPhil(R) thesis, University of Glasgow.

Hlaing, Olivia Eishwezin (2016) "Secretary in Fashion" and "Love-Letters": a study of socio-cultural and pragmatic-linguistic features in the late 17th century English language. MRes thesis, University of Glasgow.

Holdaway, Penelope Anne (2021) An exploration of Tolkien's changing visions of Faërie through his non-Middle-earth poetry. PhD thesis, University of Glasgow.

Hunter, Adrian C. (1999) "Complete with missing parts": modernist short fiction as interrogative text. PhD thesis, University of Glasgow.

Hutcheson, Louise (2014) Rhetorics of martial virtue: mapping Scottish heroic literature c.1600-1660. PhD thesis, University of Glasgow.

Hutcheson, Louise (2010) "Unpredictable symmetries": the discursive functions of early seventeenth-century Scottish romance. MPhil(R) thesis, University of Glasgow.

Hutchinson, Simone (2015) The obscure subject: working-class masculine identity under neoliberalism in three British novels (1985-2009). MPhil(R) thesis, University of Glasgow.

I

Izdebska, Daria Wiktoria (2015) Semantic field of ANGER in Old English. PhD thesis, University of Glasgow.

J

Jackson, Ellen-Raïssa (1999) Cultural identity in contemporary Scottish and Irish writing. PhD thesis, University of Glasgow.

James, Nicola (2016) Jane Gardam: religious writer. PhD thesis, University of Glasgow.

Johnson, Flint (2000) The abduction and grail romances as literary sources for the fifth and sixth centuries. PhD thesis, University of Glasgow.

Johnson, Kathryn (2010) A dangerous age: adolescent agencies in inter-war British literature. PhD thesis, University of Glasgow.

K

Kaddal, Mohamed A.M. (1962) Charles Montague Doughty: his life and works. PhD thesis, University of Glasgow.

Kamran, Shezra (2014) Fantastic languages: C.S. Lewis and Ursula K. Le Guin. PhD thesis, University of Glasgow.

Kane, Eilidh Ewart (2014) Rethinking Middleton’s collaborations: making meaning in early modern texts. PhD thesis, University of Glasgow.

Karagouni, Villy (2012) Voices of dissent: Interpenetrations of aesthetics and socio-politics in three modernist case-studies. PhD thesis, University of Glasgow.

Kearney, James (2013) 'Masks of revelation': Literary personae and the expression of identity in the writings of James VI and Alexander Montgomerie. MPhil(R) thesis, University of Glasgow.

Keuss, Jeffrey F. (2000) A poetics of Jesus: a/christology in the early fiction of George Eliot. PhD thesis, University of Glasgow.

King, Henry Marcus (2013) 'Out from under the body politic': poetry and government in the work of C.H. Sisson, 1937-1980. PhD thesis, University of Glasgow.

Kittel, Harald Alfred (1977) Time and the quest for knowledge in the poetry of William Blake: a discussion of Tiriel, the Book of Urizen, the Song of Los and the Four Zoas. PhD thesis, University of Glasgow.

Klotz, Kurt (2011) 'This thing of darkness I acknowledge mine': Edgar Allan Poe, Native Americans and property. PhD thesis, University of Glasgow.

Knox, JuEunhae Ruth (2021) #defiltered: Examining Instapoetry through the lens of literary naturalism. PhD thesis, University of Glasgow.

Kolovou, Ioulia (2018) First Crusade Fictions. PhD thesis, University of Glasgow.

L

Lafarge, Daisy (2021) LOVEBUG. DFA thesis, University of Glasgow.

Lai, Shu-Fang (1999) Dickens and science: Summaries of contributions related to science in "Household Words" and "All the Year Round" with an introduction. PhD thesis, University of Glasgow.

Lamont, Craig Ronald (2015) Georgian Glasgow: the city remembered through literature, objects, and cultural memory theory. PhD thesis, University of Glasgow.

Lander, Joshua (2019) Philip Roth and the "Jewish Body". PhD thesis, University of Glasgow.

Langmead, Oliver (2022) Writing at Earth Magnitude: Calypso and Terranauts. DFA thesis, University of Glasgow.

Lee, Kyung-Ook (2000) Wholeness in fragments: Coleridge's Shakespearean criticism. PhD thesis, University of Glasgow.

Lei, Victoria (2000) Positioning the woman writer: Augusta Webster and her Victorian context. PhD thesis, University of Glasgow.

Lewis, Elizabeth Cameron (2022) Soul's Shelter – Morphoses of archive. DFA thesis, University of Glasgow.

Lister, Emma (2004) The limits and powers of the technological text. PhD thesis, University of Glasgow.

Little, Dana L. (2020) Factions: acts of worldbuilding on social media platforms. DFA thesis, University of Glasgow.

Lloyd, Helen (2005) Witness to a century: the autobiographical writings of Naomi Mitchison. PhD thesis, University of Glasgow.

Lu, Lian (1999) Penelope Fitzgerald's fiction and literary career: form and context. PhD thesis, University of Glasgow.

Lusk, Kirsty Elizabeth (2020) Parnell to Partition: Irish-Scottish Connections, 1889-1921. PhD thesis, University of Glasgow.

Lyall, Roderick John (1979) Narrative technique and moral purpose in Middle Scots poetry. PhD thesis, University of Glasgow.

Lyle, Gina (2024) Meat, gender, and capital in contemporary Scottish fiction. PhD thesis, University of Glasgow.

Lyle, Gina Alexandra (2018) The different lives of motherless daughters in contemporary Scottish women’s fiction. MPhil(R) thesis, University of Glasgow.

Lynn, Andrew Bertrand (1999) Totality and autonomy: George Eliot and the power of narrative. PhD thesis, University of Glasgow.

M

MacBean, Lorna (2022) Deformance and prosimetrum: The poetry of William Lithgow’s A Most Delectable and True Discourse, of an admired and painefull peregrination from Scotland, to the most famous Kingdomes in Europe, Asia and Affrica, (1623. PhD thesis, University of Glasgow.

MacDonald, Deneka C. (2003) Locating resistance/resisting location : a feminist literary analysis of supernatural women in contemporary fantastic fiction. PhD thesis, University of Glasgow.

MacDonald, Kirsty A. (2005) Spectral ambiguities : the tradition of psychosomatic supernaturalism in Scottish fiction. PhD thesis, University of Glasgow.

MacKenzie, John (2021) “Nature’s social union”: Robert Burns, John Steinbeck and early twentieth-Century America. PhD thesis, University of Glasgow.

MacPhee, Chantelle L. (2002) "All the World's a Stage": William Blake and William Shakespeare. PhD thesis, University of Glasgow.

Macintyre, Lorn M. (1976) Sir Walter Scott and the Highlands. PhD thesis, University of Glasgow.

Mackay, Heather (2024) This Place of Darkness A Novel and The Arctic: A Collection of Short Familiar Essays about the Senses. PhD thesis, University of Glasgow.

Mackay, Pauline Anne (2011) Bawdry and the body in the work of Robert Burns: the poet's unofficial self. PhD thesis, University of Glasgow.

Macklin, Victoria Ursula (2013) The power of the breast and cane – how literary mother-figures challenged social constructions of femininity 1787-1825. PhD thesis, University of Glasgow.

Macleod, Kenneth (2016) Heaven's Sense: a novel / At hand-grips with ruin: the psychology of writer's block. PhD thesis, University of Glasgow.

Maftei, Micaela (2011) "Exactly the same story only it was different": Explorations into autobiography. PhD thesis, University of Glasgow.

Mahmoud, Mahmoud Mohamed (1984) Travel and adventure in the works of Robert Louis Stevenson. PhD thesis, University of Glasgow.

Mai, Chih-Yuan (2008) Sacrificial form: the libretti in English 1940-2000. PhD thesis, University of Glasgow.

Malecka, Joanna (2017) The ethics, aesthetics and politics of Thomas Carlyle’s 'French Revolution'. PhD thesis, University of Glasgow.

Malecka, Joanna Aleksandra (2013) Between Herder and Luther: Carlyle’s literary battles with the devil in his Jean Paul Richter essays (1827, 1827, 1830) and in Sartor Resartus (1833-34). MPhil(R) thesis, University of Glasgow.

Mamo, Josianne (2018) Then the Cicadas Sang: a novel and two essays on translingual writing. PhD thesis, University of Glasgow.

Mansouri, Shahriyar (2014) The modern Irish Bildungsroman: a narrative of resistance and deformation. PhD thesis, University of Glasgow.

Marlatt, Cameo Rae-Ann (2018) Letters for a Newfoundland Dog and other encounters with nonhuman animals; Bird’s Work. DFA thesis, University of Glasgow.

Maslowska, Agata (2019) Homeland variations: a response to the anxieties of self-identification in the context of displacement. PhD thesis, University of Glasgow.

Matthews, Kirsten A. (2009) 'Lucky Poet' and the bounds of possibility: autobiography and referentiality in Hugh MacDiarmid's 'Poetic World'. PhD thesis, University of Glasgow.

Maxwell, Felicity Lyn (2014) Household words: textualising social relations in the correspondence of Bess of Hardwick's servants, c. 1550-1590. PhD thesis, University of Glasgow.

Maxwell Stuart, Laurence (2020) 'Thy Native Muse Regard!': The poetics of the sublime in late eighteenth-century Scotland. MPhil(R) thesis, University of Glasgow.

Maycock, Jane Ellen (1998) Novel interpretations: An examination in interpretive approaches to the Bible in the light of two modern novels. MPhil(R) thesis, University of Glasgow.

Mazza, Ana Victoria (2024) Nigerian cityscapes: reading socio-ecological concerns in Anglophone novels since 1954. PhD thesis, University of Glasgow.

McAra, Catriona Fay (2012) 'Some parallels in words and pictures': Dorothea Tanning and visual intertextuality. PhD thesis, University of Glasgow.

McCaffery, Richard (2014) Poets as legislators: self, nation and possibility in World War Two Scottish poetry. PhD thesis, University of Glasgow.

McCandlish, Martin (2024) Crafting authenticity: voice and structure in three 20th-Century Scottish novelists. MPhil(R) thesis, University of Glasgow.

McClelland, Lauren Shaw (2013) Studies in pre-Reformation Carthusian vernacular manuscripts: the cases of Dom William Mede and Dom Stephen Dodesham of Sheen. PhD thesis, University of Glasgow.

McClory Dunbar, Helen Laura (2010) Kilea and a critical, reflective essay on Virginia Woolf's The Common Reader and To The Lighthouse, James Joyce's Ulysses and Jean Rhys's Wide Sargasso Sea. PhD thesis, University of Glasgow.

McCracken, Saskia (2021) (R)evolutionary animal tropes in the works of Charles Darwin and Virginia Woolf. PhD thesis, University of Glasgow.

McCue, Maureen Clare (2011) British Romanticism and Italian Renaissance art. PhD thesis, University of Glasgow.

McCusker, Jane Anneliese (1982) Robert Browning and the Victorian debate about the proper subject-matter for poetry. PhD thesis, University of Glasgow.

McDonald, Eilidh (2022) Mary of Guise: examining the female Scottish correspondence of the woman with ‘a hart of warre’. MPhil(R) thesis, University of Glasgow.

McDougall, Allan Young (2011) The journalism of Neil Munro: fiction, criticism and cultural comment. MPhil(R) thesis, University of Glasgow.

McGhee, John (2015) New lands; old ways John Galt's North American Corpus. MPhil(R) thesis, University of Glasgow.

McGonigal, James (1978) Sublime objective: form and meaning in the poetry of Basil Bunting. PhD thesis, University of Glasgow.

McIntosh, Shona (2009) Courtly mirrors: the politics of Chapman's drama. PhD thesis, University of Glasgow.

McKee, Anthony Patrick Francis (1991) An anatomy of power: the early works of Bernard Mandeville. PhD thesis, University of Glasgow.

McKeever, Gerard (2011) Enlightened fictions and the romantic nation: contesting ideological formations of Scottish writing over the long eighteenth century. MPhil(R) thesis, University of Glasgow.

McKeever, Gerard Lee (2014) Enlightened fictions and the romantic nation: aesthetics of improvement in long-eighteenth-century Scottish writing. PhD thesis, University of Glasgow.

McKenzie, Timothy A. (1999) Torn in two: Vocation and wholeness in the poetry of George Herbert, Gerard Manley Hopkins and R.S. Thomas. PhD thesis, University of Glasgow.

McKirdy, Tiffany (2001) "The distant pandemonium of the sun": the novels of Cormac McCarthy. PhD thesis, University of Glasgow.

McLuskie, Kathleen E. (1972) The form and image of the masque in Jacobean drama. PhD thesis, University of Glasgow.

McMillan, Christopher (2016) The Scots in Ireland: culture, colonialism and memory, 1315-1826. PhD thesis, University of Glasgow.

McMorran, Ciaran (2016) Geometry and topography in James Joyce's Ulysses and Finnegans Wake. PhD thesis, University of Glasgow.

McSporran, Cathy (2007) Letting the winter in: myth revision and the winter solstice in fantasy fiction. PhD thesis, University of Glasgow.

Meacock, Joanna (2001) Saintly ecstasies: the appropriation and secularisation of saintly imagery in the paintings and poems of Dante Gabriel Rossetti. PhD thesis, University of Glasgow.

Melville, Nicholas James (2018) The Imperative Commands: the poetics of imperatives and assertions in everyday life. PhD thesis, University of Glasgow.

Middleton, Lindsay (2023) The technical recipe: a formal analysis of nineteenth-century food writing. PhD thesis, University of Glasgow.

Miller, Andrew Kei (2012) Jamaica to the world: a study of Jamaican (and West Indian) epistolary practices. PhD thesis, University of Glasgow.

Miller, John William (2009) Empire and the animal body: violence, ecology and identity in the imperial romance. PhD thesis, University of Glasgow.

Miller, Susan (2013) Shelley’s early fiction in relation to his poetics and his politics: an assessment. Not waiting to see the event of his victory. PhD thesis, University of Glasgow.

Milligan, Tony (2005) Iris Murdoch's romantic platonism. PhD thesis, University of Glasgow.

Milliken, Conner Alexander (2023) All that came from it were pieces: a queer memoir. DFA thesis, University of Glasgow.

Millim, Anne-Marie (2010) Preaching silence: the disciplined self in the Victorian diary. PhD thesis, University of Glasgow.

Moffat, Rachel Heidi (2009) Perspectives on Africa in travel writing: representations of Ethiopia, Kenya, Republic of Congo and South Africa, 1930–2000. PhD thesis, University of Glasgow.

Moir, Caroline J.G. (2012) The Brockenspectre: The novel as site of transcendental homelessness. PhD thesis, University of Glasgow.

Mol, Janneke Susanne (2010) The scribal fingerprint: a graphetic analysis of MS Glasow University Library Hunter 83. MPhil(R) thesis, University of Glasgow.

Morgan, Sylvia (2010) The crisis of capitalism in interwar Glasgow and its realistic representation. MPhil(R) thesis, University of Glasgow.

Morin, Emeline (2016) Wondrous transformations: rereading and rewriting wonder in contemporary anglophone and francophone fairy tales. PhD thesis, University of Glasgow.

Morris, James Medley (2016) Beyond orientalism: 'The Stranger' and 'Colonial Cosmopolitanism' in the romantic period novel. PhD thesis, University of Glasgow.

Morris, Michael (2013) Atlantic Archipelagos: A Cultural History of Scotland, the Caribbean and the Atlantic World, c.1740-1833. PhD thesis, University of Glasgow.

Mulligan, Siobhan Fiona (2023) The Soul Thieves of Savannah; Haunting the Southern Belle. DFA thesis, University of Glasgow.

Murchie, Donald Gilliland (1989) Utopia vs. history: Jonathan Swift and the twentieth century. PhD thesis, University of Glasgow.

Murdoch, Christina (2012) ‘A large and passionate humanity plays about her’: Women and moral agency in the late Victorian social problem novel. PhD thesis, University of Glasgow.

Murphy, Carol (2024) Outside the Gates of Eden: the travelling figure in the works of Walter de la Mare. MLitt(R) thesis, University of Glasgow.

Murphy, Amy Tooth (2013) Reading the lives between the lines: lesbian literature and oral history in post-war Britain. PhD thesis, University of Glasgow.

Murray, Helen Victoria (2018) ‘Young while the Earth is old | and, subtly of herself contemplative’: investigating the influence of Pre-Raphaelitism on Neo-Victorian visions of femininity. MRes thesis, University of Glasgow.

Murray, Patrick J. (2015) ‘of meridians and parallels | Man hath weav’d out a net’: Imaginative and intellectual cartographies in Early Modern England. PhD thesis, University of Glasgow.

Muñoz, Theresa (2015) Alienation in the work of Tom Leonard. PhD thesis, University of Glasgow.

Myant, Maureen (2007) The creative dark: writing about the Holocaust, trauma and autism. PhD thesis, University of Glasgow.

N

Napier Gray, Kathryn F. (2003) Speech, text and performance in John Eliot's writing. PhD thesis, University of Glasgow.

Neely, Sarah (2003) Adapting to change in contemporary Irish and Scottish culture: fiction to film. PhD thesis, University of Glasgow.

Neilson, David Hall (1983) Argument, style and romance in the prose works of C. S. Lewis. MLitt(R) thesis, University of Glasgow.

Norris, Sharon (1995) "Simply the best (better than all the rest?)" : an investigation into the Booker Prize, 1980-1989, with particular regard to the general rise in business sponsorship of literary awards during the eighties, and the likely effects of the Booker on fiction. PhD thesis, University of Glasgow.

O

O'Brien, Eliza Anne (2010) "The tale never dies": imprisonment, trial and English Jacobin fiction, 1788-1805. PhD thesis, University of Glasgow.

Ogawa, Kimiyo (2004) Eighteenth-century medical discourse and sensible bodies: sensibility and selfhood in the works of William Godwin, Mary Wollstonecraft and Mary Shelley. PhD thesis, University of Glasgow.

Orgun, Gün (1997) Through travelled eyes : representations of subcontinental migration. PhD thesis, University of Glasgow.

Osborne, Emma Elizabeth (2018) Reading women: models of behaviour and womanhood in the Auchinleck manuscript. PhD thesis, University of Glasgow.

Osmond-Williams, Philippa (2019) Changing Scotland: A social history of love in the life and work of Edwin Morgan. PhD thesis, University of Glasgow.

O’Brien, Michael David (2024) Mythological cognition in contemporary science fiction and fantasy. PhD thesis, University of Glasgow.

P

Panopoulou, Maria (2016) Reconsidering the relationship between early Gothic literature and the Greek classics: the cases of William Beckford and Matthew G. Lewis. PhD thesis, University of Glasgow.

Park, Hye-Young (2000) Keats: women, readers and revision. PhD thesis, University of Glasgow.

Paterson, Fiona E. (2020) ‘The Gael Will Come Again’: Reconstruction of a Gaelic world in the work of Neil M. Gunn and Hugh MacDiarmid. MPhil(R) thesis, University of Glasgow.

Paul, Nalini Caroline (2008) Identities displaced and misplaced: aspects of postcolonial subjectivity in the novels of Jean Rhys. PhD thesis, University of Glasgow.

Perriam, Geraldine (2011) "Impudent scribblers": place and the unlikely heroines of the interwar years. PhD thesis, University of Glasgow.

Pickens, Kara Lynne (2012) The reinterpretation of biblical symbols through the lives and fictions of Victorian women: “To come within the orbit of possibility”. PhD thesis, University of Glasgow.

Pollick, Johanna (2021) Fragmented devotions: picturing the wounds of Christ in late medieval England, c.1400-1533. PhD thesis, University of Glasgow.

Pratt, Ken (2009) Hunting Captain Henley. PhD thesis, University of Glasgow.

Promsuttirak, Pisuda (2019) Edith Nesbit's later children's fantasy novels, 1907-1913: magic, socialism, and sexuality. PhD thesis, University of Glasgow.

Purcell, Stuart James (2022) Resonant connections: Twitter, the novel, and Diamedia Literary Practice. PhD thesis, University of Glasgow.

Pyle, Hannah Maria Catherine (2018) ‘I do not give his words but merely the sense attired in the garb that I conceive fittest’: James Hogg’s (1770-1835) influence on the works of the Brontës (1816-1855). MPhil(R) thesis, University of Glasgow.

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Rae, Rebecca (2021) ‘The scene of our constant negotiation’: tracing the development of Kathleen Jamie’s ecopoetic sensibility. MPhil(R) thesis, University of Glasgow.

Ravn-Højgaaard, Pernille Cordelia (2020) The sonic text: translingualism and transmediality in contemporary poetic practices. PhD thesis, University of Glasgow.

Redgate, Jamie Peter (2017) Wallace and I: cognition, consciousness, and dualism in David Foster Wallace’s fiction. PhD thesis, University of Glasgow.

Reid, Jessica (2016) Devotional reading and dissolving the self: a critical reading of the late medieval Scottish Legendary using Kristevan theory. MPhil(R) thesis, University of Glasgow.

Renelle, Tawnya Selene (2021) Experiencing the experiment of creative writing: a hybrid workbook. DFA thesis, University of Glasgow.

Rios Maldonado, Mariana (2024) Ethics and the encounter with the other in J.R.R. Tolkien’s Middle-earth narratives. PhD thesis, University of Glasgow.

Rissanen, Paavo Olavi (1975) John Donne's doctrine of the Church. PhD thesis, University of Glasgow.

Robertson, Lynne M. (1999) Rhetorics of identity from Shakespeare to Milton. PhD thesis, University of Glasgow.

Robertson, Scott (2008) Henry Fielding : literary and theological misplacement. PhD thesis, University of Glasgow.

Rogers, Matthew Scott (2013) Tintagel: a study in landscapist construction and poetical interlace. MMus(R) thesis, University of Glasgow.

Rorke, Mary Gordon (2017) A Full, Particular and True Account of the Rebellion in the Years 1745-6 by Dougal Graham. The man, the myth and the modus operandi. MLitt(R) thesis, University of Glasgow.

Ruttkay, Veronika (2006) The rhetoric of feeling: S.T. Coleridge's lectures on Shakespeare and the discourse of 'philosophical criticism'. PhD thesis, University of Glasgow.

Ryan, Derek (2012) Virginia Woolf and the materiality of theory: sex, animal, life. PhD thesis, University of Glasgow.

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Saggini, Francesca (2009) The transforming muses: stage appropriations of the gothic novel in the 1790s. PhD thesis, University of Glasgow.

Sargent, Gillian (2013) "Happy are they that read and understand" reading for moral and spiritual acuity in a selection of writings by King James VI and I. PhD thesis, University of Glasgow.

Sargent, Gillian (2010) The Scottish literary renaissance reborn: a re-evaluation of the cultural directives of King James VI, as defined in his 'Essayes of a Prentise in the Divine Art of Poesie' (1584). MPhil(R) thesis, University of Glasgow.

Saunders, Rosalyn (2013) The monster within: emerging monstrosity in Old English literature. PhD thesis, University of Glasgow.

Sawada, Chikako (2004) Muriel Spark's postmodernism. PhD thesis, University of Glasgow.

Scammell, Jennifer F. (2010) Domesticating the Virgin: vernacular depictions of Mary and their reception in late medieval society. PhD thesis, University of Glasgow.

Schofield Mellor, Connor (2018) Ideological bias and reaction to contemporary events in H.G. Wells post-Great War works. MRes thesis, University of Glasgow.

Scott, Diane Gillies (2015) Silent reading and the medieval text: the development of reading practices in the early prints of William Langland and John Lydgate. PhD thesis, University of Glasgow.

Scott, Diane Gillies (2011) A socio-historical study of the treatment and reception of John Lydgate in Early Modern print culture. MPhil(R) thesis, University of Glasgow.

Scott, Tania (2011) Locating Ireland in the fantastic fiction of Lord Dunsany. PhD thesis, University of Glasgow.

Seenan, Mary (2000) The watcher at the crossroads: Ideological negotiations in the fiction of N. Brysson Morrison. PhD thesis, University of Glasgow.

Segerblad, Hege R. (2010) Transcending the Gothic: 'The Extravagancies of Blackwood'. MPhil(R) thesis, University of Glasgow.

Seiffert, Rachel (2007) Writing Afterwards. PhD thesis, University of Glasgow.

Sharkey, Cameron (2012) Textual resistance, cultural legitimacy and the politics of representation in the fiction of James Kelman and William McIlvanney. MPhil(R) thesis, University of Glasgow.

Shaver, Joel A. (2011) Metaphors of travel in the language of hymns: 1650–1800. PhD thesis, University of Glasgow.

Shaw, Michael (2015) The fin-de-siècle Scots Renascence: the roles of decadence in the development of Scottish cultural nationalism, c.1880-1914. PhD thesis, University of Glasgow.

Shelton, Luke (2020) ‘Small Hands Do Them Because They Must’: examining the reception of The Lord of the Rings among young readers. PhD thesis, University of Glasgow.

Small, Douglas Robert John (2013) Dementia's jester: the Phantasmagoria in metaphor and aesthetics from 1700-1900. PhD thesis, University of Glasgow.

Smith, Jeremy J. (1985) Studies in the language of some manuscripts of Gower's Confessio Amantis. PhD thesis, University of Glasgow.

Smith, Joe (2010) Autobiography: theory and practice. MPhil(R) thesis, University of Glasgow.

Soto, Fernando Jorge (2010) Sources, symbols, identities, and metamorphoses in Carroll’s ‘Nonsense’ and Macdonald’s Fantasy. PhD thesis, University of Glasgow.

Spoto, Angela (2020) The Grief Nurse, a novel, & Asterisms, lyrical essays: Creative questionings of grief. PhD thesis, University of Glasgow.

Stafford, Kavan P. (2017) 'Another Country, Another World': English drama, 1371-1558 and the development of the English Reformation. MRes thesis, University of Glasgow.

Steele, Warren Donald (2008) Body of glass: cybernetic bodies and the mirrored self. PhD thesis, University of Glasgow.

Stewart, Clare (2000) Fighting spirit: Victorian women's ghost stories. PhD thesis, University of Glasgow.

Stewart, David (2008) The age of the magazine: literary consumption and metropolitan culture, 1815-1825. PhD thesis, University of Glasgow.

Stiles, Ronald Peter (1995) An examination of selected binary oppositions in the work of Elizabeth Gaskell which serve to demonstrate the author's response to unitarianism and other prevalent influences within mid-Victorian society. PhD thesis, University of Glasgow.

Stirling, Kirsten (2001) The image of the nation as a woman in twentieth century Scottish literature: Hugh MacDiarmid, Naomi Mitchison, Alasdair Gray. PhD thesis, University of Glasgow.

Stokes, Anne (2012) Pillow Lava, Ice Roses, and related essays. PhD thesis, University of Glasgow.

Stokoe, Christopher John Lawson (2007) Closing the circle: Neil Gunn's creation of a 'meta-novel' of the Highlands. PhD thesis, University of Glasgow.

Sutcliffe, Joseph Andrew (2006) James Joyce's Dubliners and Celtic Twilight spirituality. PhD thesis, University of Glasgow.

Sutherland, Helen Margaret (1999) The function of fantasy in Victorian literature, art and architecture. PhD thesis, University of Glasgow.

Swann, Adam (2014) 'Nature’s coyn must not be hoorded': Milton and the economics of salvation, 1634-1674. PhD thesis, University of Glasgow.

Szilágyi, Anikó (2018) Gabriel the Victorious and Hungarian fiction in contemporary English translation. PhD thesis, University of Glasgow.

Szilágyi, Anikó (2013) (Translating) book three of Alasdair Gray's Lanark into Hungarian. MPhil(R) thesis, University of Glasgow.

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Taggart, James Hand (2004) The historicity of Barbour's 'Bruce'. PhD thesis, University of Glasgow.

Tansley, Laura (2011) Two inches of ivory: short-short forms and feminine expressions. PhD thesis, University of Glasgow.

Tarmal, Ali M. (1997) Some aspects of the reception of English literature in France, 1800-1840. MPhil(R) thesis, University of Glasgow.

Taylor, Stuart J. (2019) Encyclopedic architectures: mathematical structures in the works of Don DeLillo, Thomas Pynchon, & David Foster Wallace. PhD thesis, University of Glasgow.

Tongue, Samuel Arthur Thomas (2012) Bound to retell: Biblical studies, poetic rewriting, and disciplining Jacob's deconstructive angel. PhD thesis, University of Glasgow.

Toutziari, Georgia (2002) Anna Matilda Whistler's correspondence: An annotated edition. PhD thesis, University of Glasgow.

Trotter, Alan (2015) Bodies of work: B.S. Johnson’s pages, Alasdair Gray’s paragraphs, and interventions into the anatomy of the book. PhD thesis, University of Glasgow.

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Ushedo, Benedict Ohaegbu (1998) Poetics of selfhood: from critical theory to spiritual autobiography in James Baldwin's short stories. PhD thesis, University of Glasgow.

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Van Dyke, John Carden (1997) Saying the unsayable: Language and the tension of the world in the late poetry of Robert Penn Warren. PhD thesis, University of Glasgow.

Van Hove, Hannah Jean (2017) ‘How begin to find a shape?’: situating the mid-twentieth century fiction of Anna Kavan, Alexander Trocchi and Ann Quin. PhD thesis, University of Glasgow.

Vaughan, Iain Kee (2008) Wordsworth's economic spirit. PhD thesis, University of Glasgow.

Vericat, Fabio L (2002) From physics to metaphysics: philosophy and style in the critical writings of T. S. Eliot (1913-1935). PhD thesis, University of Glasgow.

Vogel, Molly (2016) Florilegium. PhD thesis, University of Glasgow.

Vucic, Dženana (2023) Writing, thinking, self: autotheory in the work of Gloria Anzaldúa, Paul B. Preciado and Maggie Nelson. PhD thesis, University of Glasgow.

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Wallace, Brendan (1998) The origins of British modernism: A study of literary theory and practice from Walter Pater and Ezra Pound. PhD thesis, University of Glasgow.

Ward, Christopher J. (2010) It's hard to be a saint in the city: notions of city in the Rebus novels of Ian Rankin. MPhil(R) thesis, University of Glasgow.

Weaver, Kristina N. (2010) Sayling, stories from the mothership: narrating political geographies of Nigerian campus cultism. PhD thesis, University of Glasgow.

Wells, Heather Carolyn (2022) 'Of Scotch Extraction’: Literary and dramatic dimensions of the writing of Catharine Trotter Cockburn (?1674-1749). PhD thesis, University of Glasgow.

White, Thomas (2012) Artifact as text: the layout of Chaucer's Tale of Sir Thopas. MPhil(R) thesis, University of Glasgow.

Whiteford, Eilidh MacLeod (1997) Political histories, politicised spaces: discourses of power in the fiction of Alasdair Gray. PhD thesis, University of Glasgow.

Widmer, Matthias (2017) Virgil after Dryden: Eighteenth-century English translations of the Aeneid. PhD thesis, University of Glasgow.

Williams, Kirsty (2003) Structures of belonging: the poetry of Seamus Heaney. PhD thesis, University of Glasgow.

Williams, Vivien Estelle (2013) The cultural history of the bagpipe in Britain, 1680-1840. PhD thesis, University of Glasgow.

Wiseman, Sam (2013) Transience, technology and cosmopolitanism: the reimagining of place in English modernism. PhD thesis, University of Glasgow.

Wong, Yan Jenny (2015) The translatability of the religious dimension in Shakespeare from page to stage, from West to East: with reference to The Merchant of Venice in Mainland China, Hong Kong and Taiwan. PhD thesis, University of Glasgow.

Wood, Joseph Askins (2021) Cicely Saunders and the legacies of ‘Total Pain’. PhD thesis, University of Glasgow.

Woolner, Victoria Evelyn (2014) Scottish romanticism and its impact on early Canadian literature. PhD thesis, University of Glasgow.

Wright, Gillian (1998) A commentary on and edition of the shorter poems of William Browne of Tavistock in British Library MS Lansdowne 777. PhD thesis, University of Glasgow.

Wulff, Marte H. (2017) Emotional expression in medieval society: tears and weeping in Chaucer's 'Prioress's Tale' and 'Troilus and Criseyde'. MRes thesis, University of Glasgow.

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Xi, Kun (2020) Mapping out a ‘Folded’ city – British resident-travellers’ writing on Beijing, 1911 – 1939. PhD thesis, University of Glasgow.

Y

Young, Joanne Claire (2021) Bitchdaughter. A female soldier’s creative response to war. DFA thesis, University of Glasgow.

Young, Jacqueline (2011) Western residents of China and their fictional writings, 1890–1914. PhD thesis, University of Glasgow.

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Ziegler, Molly Elizabeth (2019) Staging madness: representations of madness on the early modern English stage. PhD thesis, University of Glasgow.